🕷️ Crawler Inspector

URL Lookup

Direct Parameter Lookup

Raw Queries and Responses

1. Shard Calculation

Query:

Response:

Calculated Shard: 21 (from laksa138)

2. Crawled Status Check

Query:

curl -X POST \
  'http://laksa021.int.ahrefs:8124/' \
  -H 'Content-Type: text/plain' \
  -H 'X-ClickHouse-Database: crawler3' \
  -H 'Authorization: Basic YXBpOg==' \
  -d 'SELECT getAhrefsURLFromUnparsed(src_unparsed) AS found_url, ifNull(toUnixTimestamp(download_stamp), 0) AS crawl_time, ifNull(toUnixTimestamp(props_url_first_seen), 0) AS first_indexed_time, download_http_code AS http_code, src_unparsed AS src_unparsed, src_root_hash AS src_root_hash, history_drop_reason AS history_drop_reason, meta_title AS meta_title, meta_descriptions AS meta_descriptions, attrs_boilerpipe_text AS attrs_boilerpipe_text, attrs_markdown AS attrs_markdown, attrs_readable_markdown AS attrs_readable_markdown, meta_canonical AS meta_canonical FROM crawler3.page_info_local FINAL PREWHERE (src_root_hash, src_unparsed) IN ((getAhrefsRootHashFromUnparsed(getAhrefsUnparsedNoserviceFromURL(\'https://www.wajibtonton.com/2012/03/bunohan-fine-art-of-cinematic.html\')), getAhrefsUnparsedNoserviceFromURL(\'https://www.wajibtonton.com/2012/03/bunohan-fine-art-of-cinematic.html\'))) FORMAT JSONEachRow'

Response:

{"found_url":"https:\/\/www.wajibtonton.com\/2012\/03\/bunohan-fine-art-of-cinematic.html","crawl_time":1775768352,"first_indexed_time":1680562372,"http_code":200,"src_unparsed":"com,wajibtonton!www,\/2012\/03\/bunohan-fine-art-of-cinematic.html s443","src_root_hash":"7470381609936915821","history_drop_reason":null,"meta_title":"BUNOHAN.. THE FINE ART OF CINEMATIC STORYTELLING","meta_descriptions":[],"attrs_boilerpipe_text":"by Hassan Abd Muthalib\nAnd out of the ashes of Malaysian Cinema, rises\nBunohan\ndirected by Dain Said Iskandar, like the proverbial phoenix. The phoenix, by the way, makes a (disguised) cameo appearance as Yuhang’s pet parrot in the film that has the power of speech (c\/o some great CGI). I dare say the parrot’s acting was better than his master’s. And thankfully, his life on screen was short - he gets his throat slit! No, not the parrot’s. His master’s - a well-deserved end, not least for his performance in\nChantek\ndirected by – I think this guy is French - Pierre Andre. Arrgh! Talk about Mat Salleh sesat!!\nThis particular minion – the Chinaman – keeps popping up in Malaysian cinema. We saw the likes of him in\nKala Malam Bulan Mengambang\n(Mamat Khalid, 2008), played by – who else – this scourge of the Malaysian film industry who has infected the mainstream with a disease unseen in the almost 90 years of its history. In\nKala\n, he is seen inhaling on opium. Likewise, another Chinaman is seen doing the same thing in U-Wei’s\nHanyut\n, this time played by Patrick Teoh. There was another one in Anuar Nor Arai’s\nJohnny Bikin Filem\n(1995) who dies with a shot directly to his forehead. Hmmm, what’s with these directors? What are they saying? Ah, but that’s the art of cinema, being quite inscrutable!\nWith\nBunohan,\nDain Said has purposely made a mainstream cinema that has strong entertainment values.\nBunohan\nabove all, entertains. It then has something very important to say and it goes on to reflect the culture and mores of the Kelantan Malay community. Now that’s what a good film should be.\nDain’s viewpoint is very objective. He makes no judgments but allows us to formulate our own (unlike Yasmin Ahmad who used to play with our sentiments. I don’t know if that’s good or not but there’s a segment of us cineastes who also love that kind of thing. Sob, sob!).\nDain Said truly understands cinema as can be seen by the stunning cinemato-graphy of the landscapes that function in the film as mindscapes. The barren land, dilapidated dwellings, overcast skies and leafless mass of trees and reeds reflect the characters and their\nnoir\nish lives. And what marvelous characters they are! The actors disappeared into their roles, emerging only as their portrayals. Kudos to Dain Said for being among the few Malaysian directors who are shaping a new breed of actors for the industry. (they won’t be recognized in the Malaysian Film Festival but that’s no big deal. It’s not a real festival, anyway, judging by the last few years’ awards. They just need to be thankful that they were given the opportunity to work on a\nreal\nfilm!). These young people are the ones who can be called actors in the truest sense of the word. Khir Rahman, actor\/director, remarked at a seminar that Dain Said is one of only two directors he had worked under who can truly be called directors (the other being Yasmin Ahmad)..\nThanks, Dain Said. You make us all proud that there\nis\na Malaysian cinema!\nWe wait tremulously for U-Wei’s\nHanyut.\n(BUNOHAN explodes on cinema screens of TGV beginning March the 8th)\np\/s: Upcoming BUNOHAN - my review coming soon..","attrs_markdown":"- [Home](https:\/\/www.wajibtonton.com\/)\n- [Profile](https:\/\/www.blogger.com\/profile\/11691428178827397386)\n- [Hubungi Kami](https:\/\/www.wajibtonton.com\/2023\/04\/wajib-tonton-kini-dijenamakan.html)\n\n[![WAJIB TONTON](https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEgCjtjpoR_K9rAgJiijM4BaQGIxWnzqMwEyIyyy06fHlF2RKzNd0bwllb8AXcs2XUZgVJ3XDkHQ0j-7QBA2ZE1g55hv4MEiX8Fua-VgnvTUmjE8jpTU-C4-3fgr--TeRC9M7wzJiqq_w1xezOLj5BTSXp9lRRQyKEdXjgg7OiTxCt77IYkqJ5QIsIIcWTUI=s150)](https:\/\/www.wajibtonton.com\/)\n\n- [Home](https:\/\/www.wajibtonton.com\/)\n- [Automotif](https:\/\/www.wajibtonton.com\/search\/label\/Gaya%20Hidup?&max-results=6)\n- [Berita](https:\/\/www.wajibtonton.com\/search\/label\/Berita?&max-results=6)\n- [Buku](https:\/\/www.wajibtonton.com\/search\/label\/Buku?&max-results=6)\n- [Festival](https:\/\/www.wajibtonton.com\/search\/label\/Festival?&max-results=6)\n- [Festival Filem](https:\/\/www.wajibtonton.com\/search\/label\/Festival%20Filem?&max-results=6)\n- [Festival Muzik](https:\/\/www.wajibtonton.com\/search\/label\/Festival%20Muzik?&max-results=6)\n- [Fesyen](https:\/\/www.wajibtonton.com\/search\/label\/Fesyen?&max-results=6)\n- [Filem](https:\/\/www.wajibtonton.com\/search\/label\/Filem?&max-results=6)\n- [Hiburan](https:\/\/www.wajibtonton.com\/search\/label\/Hiburan?&max-results=6)\n- [Konsert](https:\/\/www.wajibtonton.com\/search\/label\/Konsert?&max-results=6)\n- [Muzik](https:\/\/www.wajibtonton.com\/search\/label\/Muzik?&max-results=6)\n- [Netflix](https:\/\/www.wajibtonton.com\/search\/label\/Netflix?&max-results=6)\n- [Nostalgia](https:\/\/www.wajibtonton.com\/search\/label\/Nostalgia?&max-results=6)\n- [Refleksi Jiwa](https:\/\/www.wajibtonton.com\/2026\/02\/alarm-subuh-di-manakah-adab-kita.html)\n- [Review](https:\/\/www.wajibtonton.com\/search\/label\/Review?&max-results=6)\n- [Sajian](https:\/\/www.wajibtonton.com\/search\/label\/Sajian?&max-results=6)\n- [Siri TV](https:\/\/www.wajibtonton.com\/search\/label\/Siri%20TV?&max-results=6)\n- [Teater](https:\/\/www.wajibtonton.com\/search\/label\/Teater?&max-results=6)\n- [Video](https:\/\/www.youtube.com\/watch?v=qHr4prGu9QA&list=PLxKSa9sE_Cax73NC6eDpbd8ZF_28Eg1XE)\n\n[Laman utama](https:\/\/www.wajibtonton.com\/)[Bunohan](https:\/\/www.wajibtonton.com\/search\/label\/Bunohan)BUNOHAN.. THE FINE ART OF CINEMATIC STORYTELLING\n\n# BUNOHAN.. THE FINE ART OF CINEMATIC STORYTELLING\n[Amy Ikram](https:\/\/www.blogger.com\/profile\/11691428178827397386 \"Amy Ikram\") Mac 05, 2012\n\n[![](https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgr16Nr4lA4XbpwcHdXxn34K3bY9JmZm-DW-HMMbFKrZpJcDFemFsJlJfLZgyBc-eWpMjpKyZ6F1j7T_YvfvP2XRstssj2U8Y3INfKB0hY_TdMVcShj8P71rktpNapHTtleNwj1FEMOCy8\/s400\/GUA-Bunohan_Poster_default_560512292.jpg)](https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgr16Nr4lA4XbpwcHdXxn34K3bY9JmZm-DW-HMMbFKrZpJcDFemFsJlJfLZgyBc-eWpMjpKyZ6F1j7T_YvfvP2XRstssj2U8Y3INfKB0hY_TdMVcShj8P71rktpNapHTtleNwj1FEMOCy8\/s1600\/GUA-Bunohan_Poster_default_560512292.jpg)\n\nby Hassan Abd Muthalib\n\nAnd out of the ashes of Malaysian Cinema, rises ***Bunohan***directed by Dain Said Iskandar, like the proverbial phoenix. The phoenix, by the way, makes a (disguised) cameo appearance as Yuhang’s pet parrot in the film that has the power of speech (c\/o some great CGI). I dare say the parrot’s acting was better than his master’s. And thankfully, his life on screen was short - he gets his throat slit! No, not the parrot’s. His master’s - a well-deserved end, not least for his performance in *Chantek* directed by – I think this guy is French - Pierre Andre. Arrgh! Talk about Mat Salleh sesat!\\!\n\nThis particular minion – the Chinaman – keeps popping up in Malaysian cinema. We saw the likes of him in *Kala Malam Bulan Mengambang* (Mamat Khalid, 2008), played by – who else – this scourge of the Malaysian film industry who has infected the mainstream with a disease unseen in the almost 90 years of its history. In *Kala*, he is seen inhaling on opium. Likewise, another Chinaman is seen doing the same thing in U-Wei’s *Hanyut*, this time played by Patrick Teoh. There was another one in Anuar Nor Arai’s *Johnny Bikin Filem*(1995) who dies with a shot directly to his forehead. Hmmm, what’s with these directors? What are they saying? Ah, but that’s the art of cinema, being quite inscrutable\\!\n\nWith ***Bunohan,*** Dain Said has purposely made a mainstream cinema that has strong entertainment values. ***Bunohan*** above all, entertains. It then has something very important to say and it goes on to reflect the culture and mores of the Kelantan Malay community. Now that’s what a good film should be.Dain’s viewpoint is very objective. He makes no judgments but allows us to formulate our own (unlike Yasmin Ahmad who used to play with our sentiments. I don’t know if that’s good or not but there’s a segment of us cineastes who also love that kind of thing. Sob, sob!).\n\nDain Said truly understands cinema as can be seen by the stunning cinemato-graphy of the landscapes that function in the film as mindscapes. The barren land, dilapidated dwellings, overcast skies and leafless mass of trees and reeds reflect the characters and their *noir*ish lives. And what marvelous characters they are! The actors disappeared into their roles, emerging only as their portrayals. Kudos to Dain Said for being among the few Malaysian directors who are shaping a new breed of actors for the industry. (they won’t be recognized in the Malaysian Film Festival but that’s no big deal. It’s not a real festival, anyway, judging by the last few years’ awards. They just need to be thankful that they were given the opportunity to work on a real film!). These young people are the ones who can be called actors in the truest sense of the word. Khir Rahman, actor\/director, remarked at a seminar that Dain Said is one of only two directors he had worked under who can truly be called directors (the other being Yasmin Ahmad)..\n\nThanks, Dain Said. You make us all proud that there is a Malaysian cinema\\!\n\nWe wait tremulously for U-Wei’s *Hanyut.*\n\n*(BUNOHAN explodes on cinema screens of TGV beginning March the 8th)*\n\n*p\/s: Upcoming BUNOHAN - my review coming soon..*\n\n![](https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhkUAAN_CRLghWPUIvIuQ1uOcKkGRVD8TjzMVudgHORnuxKZIoTcvTpDh-hWOhgaDsdyorT7nlBwHkCnGkqkAvHIGjao4fAZKYYF21m4gWnyPV9q53UKHVmRrphVrjs38DPo2QLEOYGKdo\/s400\/425810_345544128818840_179094802130441_1028087_1557619410_n.jpg)\n\nTags\n\n[Bunohan](https:\/\/www.wajibtonton.com\/search\/label\/Bunohan)\n\n- [Facebook](https:\/\/www.facebook.com\/sharer.php?u=https:\/\/www.wajibtonton.com\/2012\/03\/bunohan-fine-art-of-cinematic.html)\n- [Twitter](https:\/\/twitter.com\/share?url=https:\/\/www.wajibtonton.com\/2012\/03\/bunohan-fine-art-of-cinematic.html&text=BUNOHAN..%20THE%20FINE%20ART%20OF%20CINEMATIC%20STORYTELLING)\n\n- [Terbaru](https:\/\/www.wajibtonton.com\/2012\/03\/sangat-nakal-dan-comel-kougar-tabu-by.html)\n- [Lebih lama](https:\/\/www.wajibtonton.com\/2012\/03\/zombie-critics-at-cinema.html)\n\n![Amy Ikram](https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiJ8DuB6NZpi3r4OOsIagsmuBygh-aZ0-eHx7mvFnp-U6S4CCVfuqpbRfZTAz5U2ufpqbZkxKd2VBuHjMzhvclptuUKKebnfwQRNGRI1yN6uOF_VTm2Qgxh6Gorxme2LarZqJe_GEV2EnfqnAZC9bont-Ku5hk5A-2j6Wbcrji1Nko\/w100\/amy%20ikram.jpg)\n\n### Dicatat oleh [Amy Ikram](https:\/\/www.blogger.com\/profile\/11691428178827397386)\nI am a Malaysian writer and movie maker based in Kuala Lumpur.\n### Anda mungkin menyukai siaran ini\n\n### Catat Ulasan\n### 0 Ulasan\n[Catat Ulasan](https:\/\/www.blogger.com\/comment\/fullpage\/post\/5347672150789225099\/6190663766530126)\n\n**Perspektif Berita dan Hiburan Semasa**\n\nWajib Tonton was originally known as amyikram.com since April 2023 in bringing the latest entertainment news, music and movie updates\n\n### WAJIB TONTON\n[![WAJIB TONTON](https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiQQL10Y1kxT8lr_JYO_CBQqLpMYEVDdAx4_cCIeDmOmzGGKY7zp0K0wiiNneZ8ulymToSbm31SqMtu9ww21p6h3tmteoBnMQDbUqPtmtyWheNZieCjOQaOgoRfsD6mFICZFGqGBvo_MkUxZnQKx0W3kjG_henv_VLmhBtvbv164GzE4TgjzOI3LArHcYow=s150)](https:\/\/www.facebook.com\/FilemWajibTonton)    \n Semua artikel yang diterbitkan dalam laman ini adalah hak cipta terpelihara milik Wajib Tonton. 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Untuk mendapatkan rate card atau sebarang pertanyaan mahupun kolaborasi bagi perkhidmatan posting yang ditawarkan, anda boleh menghubungi terus amyikram@wajibtonton.com.\n\n### TIKTOK WAJIB TONTON\n[![TIKTOK WAJIB TONTON](https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEj7tskEXhw5x8xkcBU9YRKCrXJxPTna5S5PDnPGVFjEhqZTtVRs3fUS8AOOvL2APkTNE8O7hCFtKPFc_b3QnGy8ZlU-82RY7ZALWjmQLCcnZydv3_NN3ipvcBdqX3ZdUoBiRvQiTzOWM9TbQVTByf7PAPKBgqqtBIK_MvCM0AFjtk4qfiNzdEoZAmLYhA=s267)](https:\/\/www.tiktok.com\/@wajibtonton.my)    \n Ikuti TikTok Rasmi WajibTonton untuk menonton video-video terkini\n\n### SINEMA ASIA: MAC 2026\n![SINEMA ASIA: MAC 2026](https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEgwO-75itJ2ur8hD9ZlWkc3QT7iT0P6xNd3fcWUk234mkXAUShmKKMd-R6RvdaFY3uE_2EQ0Pm6TMBBsjtnyIq2VyT219bujh2bORJCL6Tu9T98Z0tCEnQgx3Xodc__gZtzk2hzQREdUjAxSeWKieIxq4KJS0ar_Ykp2Im-eiv_16AAAbR6eQc9gCQcMhse=s150)   \n Antara seleksi karya drama dan filem terpilih yang ditayangkan bermula pada 12 Mac 2026. 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(Indonesian)](https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEjC8uE9yK87qDujqCsKqunlxvos-zKKze2awbpXZwhVE_9jLW0orM8PZu_dGdhUPHaA3SNzo5pmqHlLmrFmS9IMRoTOXO7PBy9oZUBywJjsa95n3zYwS9suo47I960F2Tlz0RqI2F8n_rKFe_LrVNjrT14nZPec8Bxd5-oyvdosuyq4oBlyViNQHfA8ddEE=s225)](https:\/\/www.youtube.com\/watch?v=2mrpcL6OT5A)    \n Pengarah: Etienne Caesar Pelakon: Michelle Ziudith, Lolox, Oki Rengga, Andri Mashadi, Adi Sudirja\n\n### 12 MAC 2026 - BUGONIA (English)\n[![12 MAC 2026 - BUGONIA (English)](https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEg0V-91f8fBSXWXNKcEJ6Z6MkrF_aYxPYCalnEmrhJHshltjRv2ZGTZgWY2hk25DacY-bpmlPMnonDXO1c-NQdi9mHH1lIpp373ICEVHwb92-st75o29NB7kY2WFYnWAV6Tpn10dnw9JrA1fHXbzPc5w5CKmag2a38yGNg_l5HtoPrVgiQN8HhsCh0fXrBK=s225)](https:\/\/www.youtube.com\/watch?v=CnAipYRC9Ag)    \n Pengarah: Yorgos Lanthimos Pelakon: Jesse Plemons, Emma Stone, Aidan Delbis, Stavros Halkias, Alicia Silverstone\n\n### 12 MAC 2026 - REMINDERS OF HIM (English)\n[![12 MAC 2026 - REMINDERS OF HIM (English)](https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiIINmsLdqlQjHq2PbEkQY2y0JSTY_Z3aKdD_j2FOGB7Fr4DlkeghhhE_vDz4stvlkKgd6jn7LsLtJHDG6h04I75f62ol3DsML7X4J7ZoYcB35TeL69QDl3OnIHzT22ulwaHp4mUQKXYEVDF3wdF5zCqmrFphlWiqctmVEcxZdIWlRZbvx4zWhonurDlydk=s225)](https:\/\/www.youtube.com\/watch?v=p1bHb8DBrV0)    \n Pengarah: Vanessa Caswill Pelakon: Maika Monroe, Tyriq Withers, Rudy Pankow, Lauren Graham, Bradley Whitford\n\n### 12 MAC 2026 - THE LORD OF THE RINGS: THE TWO TOWERS (EXTENDED VERSION) (English)\n[![12 MAC 2026 - THE LORD OF THE RINGS: THE TWO TOWERS (EXTENDED VERSION) (English)](https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEg9MF5KTCyjWn1KuEDQARQESLEVl4Z5dHl31jaJT3DD7CquX-STpCIvjuMWqz37925bwDuQ75krxKDUvjWwVWPVnySzymMYrj4FyIg12g-e4hVNbGARcxgoDiTnPBZm0zN7RlVV7Izg-6ppKpB0bH9ehP-i6gdeUMP9_aYRNchqeRfQHsw7HEuRcsyvMH9Q=s225)](https:\/\/www.youtube.com\/watch?v=nuTU5XcZTLA)    \n Pengarah: Peter Jackson Pelakon: Orlando Bloom, Elijah Wood\n\n### 12 MAC 2026 - THE ROSE : COME BACK TO ME (English\/Korean)\n[![12 MAC 2026 - THE ROSE : COME BACK TO ME (English\/Korean)](https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEhFzJS0dKHKc5VK1qukKJI0ClHZL1R1IEfZiLlI3kWDNLPCy4ybn4DcBp1AYlwFjTO39xETkeRcPMe4aHMa8hL9k6F-pDdf9OMiRTriVtlTKqCe6AwbPeQ-55JTB0G4zERkEr50zWJYnFSuyNKUjEzlWjFtyYoPJzsR8b2zr0aiprarfkTxofb4UlYOSX3n=s225)](https:\/\/www.youtube.com\/watch?v=FLJQ1iapQeM)    \n Pengarah: Eugene Yi Pelakon: Kim Woo-Sung, Park Do-Joon, Lee Ha-Joon, Lee Tae-Gyeom\n\n### 12 MAC 2026 - 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The phoenix, by the way, makes a (disguised) cameo appearance as Yuhang’s pet parrot in the film that has the power of speech (c\/o some great CGI). I dare say the parrot’s acting was better than his master’s. And thankfully, his life on screen was short - he gets his throat slit! No, not the parrot’s. His master’s - a well-deserved end, not least for his performance in *Chantek* directed by – I think this guy is French - Pierre Andre. Arrgh! Talk about Mat Salleh sesat!\\! This particular minion – the Chinaman – keeps popping up in Malaysian cinema. We saw the likes of him in *Kala Malam Bulan Mengambang* (Mamat Khalid, 2008), played by – who else – this scourge of the Malaysian film industry who has infected the mainstream with a disease unseen in the almost 90 years of its history. In *Kala*, he is seen inhaling on opium. Likewise, another Chinaman is seen doing the same thing in U-Wei’s *Hanyut*, this time played by Patrick Teoh. There was another one in Anuar Nor Arai’s *Johnny Bikin Filem*(1995) who dies with a shot directly to his forehead. Hmmm, what’s with these directors? What are they saying? Ah, but that’s the art of cinema, being quite inscrutable\\! With ***Bunohan,*** Dain Said has purposely made a mainstream cinema that has strong entertainment values. ***Bunohan*** above all, entertains. It then has something very important to say and it goes on to reflect the culture and mores of the Kelantan Malay community. Now that’s what a good film should be.Dain’s viewpoint is very objective. He makes no judgments but allows us to formulate our own (unlike Yasmin Ahmad who used to play with our sentiments. I don’t know if that’s good or not but there’s a segment of us cineastes who also love that kind of thing. Sob, sob!). Dain Said truly understands cinema as can be seen by the stunning cinemato-graphy of the landscapes that function in the film as mindscapes. The barren land, dilapidated dwellings, overcast skies and leafless mass of trees and reeds reflect the characters and their *noir*ish lives. And what marvelous characters they are! The actors disappeared into their roles, emerging only as their portrayals. Kudos to Dain Said for being among the few Malaysian directors who are shaping a new breed of actors for the industry. (they won’t be recognized in the Malaysian Film Festival but that’s no big deal. It’s not a real festival, anyway, judging by the last few years’ awards. They just need to be thankful that they were given the opportunity to work on a real film!). These young people are the ones who can be called actors in the truest sense of the word. Khir Rahman, actor\/director, remarked at a seminar that Dain Said is one of only two directors he had worked under who can truly be called directors (the other being Yasmin Ahmad).. Thanks, Dain Said. You make us all proud that there is a Malaysian cinema\\! We wait tremulously for U-Wei’s *Hanyut.* *(BUNOHAN explodes on cinema screens of TGV beginning March the 8th)* *p\/s: Upcoming BUNOHAN - my review coming soon..*\n\n![](https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhkUAAN_CRLghWPUIvIuQ1uOcKkGRVD8TjzMVudgHORnuxKZIoTcvTpDh-hWOhgaDsdyorT7nlBwHkCnGkqkAvHIGjao4fAZKYYF21m4gWnyPV9q53UKHVmRrphVrjs38DPo2QLEOYGKdo\/s400\/425810_345544128818840_179094802130441_1028087_1557619410_n.jpg)","meta_canonical":null}

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Boilerpipe Text	by Hassan Abd Muthalib And out of the ashes of Malaysian Cinema, rises Bunohan directed by Dain Said Iskandar, like the proverbial phoenix. The phoenix, by the way, makes a (disguised) cameo appearance as Yuhang’s pet parrot in the film that has the power of speech (c/o some great CGI). I dare say the parrot’s acting was better than his master’s. And thankfully, his life on screen was short - he gets his throat slit! No, not the parrot’s. His master’s - a well-deserved end, not least for his performance in Chantek directed by – I think this guy is French - Pierre Andre. Arrgh! Talk about Mat Salleh sesat!! This particular minion – the Chinaman – keeps popping up in Malaysian cinema. We saw the likes of him in Kala Malam Bulan Mengambang (Mamat Khalid, 2008), played by – who else – this scourge of the Malaysian film industry who has infected the mainstream with a disease unseen in the almost 90 years of its history. In Kala , he is seen inhaling on opium. Likewise, another Chinaman is seen doing the same thing in U-Wei’s Hanyut , this time played by Patrick Teoh. There was another one in Anuar Nor Arai’s Johnny Bikin Filem (1995) who dies with a shot directly to his forehead. Hmmm, what’s with these directors? What are they saying? Ah, but that’s the art of cinema, being quite inscrutable! With Bunohan, Dain Said has purposely made a mainstream cinema that has strong entertainment values. Bunohan above all, entertains. It then has something very important to say and it goes on to reflect the culture and mores of the Kelantan Malay community. Now that’s what a good film should be. Dain’s viewpoint is very objective. He makes no judgments but allows us to formulate our own (unlike Yasmin Ahmad who used to play with our sentiments. I don’t know if that’s good or not but there’s a segment of us cineastes who also love that kind of thing. Sob, sob!). Dain Said truly understands cinema as can be seen by the stunning cinemato-graphy of the landscapes that function in the film as mindscapes. The barren land, dilapidated dwellings, overcast skies and leafless mass of trees and reeds reflect the characters and their noir ish lives. And what marvelous characters they are! The actors disappeared into their roles, emerging only as their portrayals. Kudos to Dain Said for being among the few Malaysian directors who are shaping a new breed of actors for the industry. (they won’t be recognized in the Malaysian Film Festival but that’s no big deal. It’s not a real festival, anyway, judging by the last few years’ awards. They just need to be thankful that they were given the opportunity to work on a real film!). These young people are the ones who can be called actors in the truest sense of the word. Khir Rahman, actor/director, remarked at a seminar that Dain Said is one of only two directors he had worked under who can truly be called directors (the other being Yasmin Ahmad).. Thanks, Dain Said. You make us all proud that there is a Malaysian cinema! We wait tremulously for U-Wei’s Hanyut. (BUNOHAN explodes on cinema screens of TGV beginning March the 8th) p/s: Upcoming BUNOHAN - my review coming soon..
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THE FINE ART OF CINEMATIC STORYTELLING # BUNOHAN.. THE FINE ART OF CINEMATIC STORYTELLING [Amy Ikram](https://www.blogger.com/profile/11691428178827397386 "Amy Ikram") Mac 05, 2012 [![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr16Nr4lA4XbpwcHdXxn34K3bY9JmZm-DW-HMMbFKrZpJcDFemFsJlJfLZgyBc-eWpMjpKyZ6F1j7T_YvfvP2XRstssj2U8Y3INfKB0hY_TdMVcShj8P71rktpNapHTtleNwj1FEMOCy8/s400/GUA-Bunohan_Poster_default_560512292.jpg)](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr16Nr4lA4XbpwcHdXxn34K3bY9JmZm-DW-HMMbFKrZpJcDFemFsJlJfLZgyBc-eWpMjpKyZ6F1j7T_YvfvP2XRstssj2U8Y3INfKB0hY_TdMVcShj8P71rktpNapHTtleNwj1FEMOCy8/s1600/GUA-Bunohan_Poster_default_560512292.jpg) by Hassan Abd Muthalib And out of the ashes of Malaysian Cinema, rises *Bunohandirected by Dain Said Iskandar, like the proverbial phoenix. The phoenix, by the way, makes a (disguised) cameo appearance as Yuhang’s pet parrot in the film that has the power of speech (c/o some great CGI). I dare say the parrot’s acting was better than his master’s. And thankfully, his life on screen was short - he gets his throat slit! No, not the parrot’s. His master’s - a well-deserved end, not least for his performance in Chantek* directed by – I think this guy is French - Pierre Andre. Arrgh! Talk about Mat Salleh sesat!\! This particular minion – the Chinaman – keeps popping up in Malaysian cinema. We saw the likes of him in Kala Malam Bulan Mengambang (Mamat Khalid, 2008), played by – who else – this scourge of the Malaysian film industry who has infected the mainstream with a disease unseen in the almost 90 years of its history. In Kala, he is seen inhaling on opium. Likewise, another Chinaman is seen doing the same thing in U-Wei’s Hanyut, this time played by Patrick Teoh. There was another one in Anuar Nor Arai’s Johnny Bikin Filem(1995) who dies with a shot directly to his forehead. Hmmm, what’s with these directors? What are they saying? Ah, but that’s the art of cinema, being quite inscrutable\! With *Bunohan,* Dain Said has purposely made a mainstream cinema that has strong entertainment values. *Bunohan* above all, entertains. It then has something very important to say and it goes on to reflect the culture and mores of the Kelantan Malay community. Now that’s what a good film should be.Dain’s viewpoint is very objective. He makes no judgments but allows us to formulate our own (unlike Yasmin Ahmad who used to play with our sentiments. I don’t know if that’s good or not but there’s a segment of us cineastes who also love that kind of thing. Sob, sob!). Dain Said truly understands cinema as can be seen by the stunning cinemato-graphy of the landscapes that function in the film as mindscapes. The barren land, dilapidated dwellings, overcast skies and leafless mass of trees and reeds reflect the characters and their noirish lives. And what marvelous characters they are! The actors disappeared into their roles, emerging only as their portrayals. Kudos to Dain Said for being among the few Malaysian directors who are shaping a new breed of actors for the industry. (they won’t be recognized in the Malaysian Film Festival but that’s no big deal. It’s not a real festival, anyway, judging by the last few years’ awards. They just need to be thankful that they were given the opportunity to work on a real film!). These young people are the ones who can be called actors in the truest sense of the word. Khir Rahman, actor/director, remarked at a seminar that Dain Said is one of only two directors he had worked under who can truly be called directors (the other being Yasmin Ahmad).. Thanks, Dain Said. You make us all proud that there is a Malaysian cinema\! We wait tremulously for U-Wei’s Hanyut. (BUNOHAN explodes on cinema screens of TGV beginning March the 8th) p/s: Upcoming BUNOHAN - my review coming soon.. ![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkUAAN_CRLghWPUIvIuQ1uOcKkGRVD8TjzMVudgHORnuxKZIoTcvTpDh-hWOhgaDsdyorT7nlBwHkCnGkqkAvHIGjao4fAZKYYF21m4gWnyPV9q53UKHVmRrphVrjs38DPo2QLEOYGKdo/s400/425810_345544128818840_179094802130441_1028087_1557619410_n.jpg) Tags [Bunohan](https://www.wajibtonton.com/search/label/Bunohan) - [Facebook](https://www.facebook.com/sharer.php?u=https://www.wajibtonton.com/2012/03/bunohan-fine-art-of-cinematic.html) - [Twitter](https://twitter.com/share?url=https://www.wajibtonton.com/2012/03/bunohan-fine-art-of-cinematic.html&text=BUNOHAN..%20THE%20FINE%20ART%20OF%20CINEMATIC%20STORYTELLING) - [Terbaru](https://www.wajibtonton.com/2012/03/sangat-nakal-dan-comel-kougar-tabu-by.html) - [Lebih lama](https://www.wajibtonton.com/2012/03/zombie-critics-at-cinema.html) ![Amy Ikram](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ8DuB6NZpi3r4OOsIagsmuBygh-aZ0-eHx7mvFnp-U6S4CCVfuqpbRfZTAz5U2ufpqbZkxKd2VBuHjMzhvclptuUKKebnfwQRNGRI1yN6uOF_VTm2Qgxh6Gorxme2LarZqJe_GEV2EnfqnAZC9bont-Ku5hk5A-2j6Wbcrji1Nko/w100/amy%20ikram.jpg) ### Dicatat oleh [Amy Ikram](https://www.blogger.com/profile/11691428178827397386) I am a Malaysian writer and movie maker based in Kuala Lumpur. ### Anda mungkin menyukai siaran ini ### Catat Ulasan ### 0 Ulasan [Catat Ulasan](https://www.blogger.com/comment/fullpage/post/5347672150789225099/6190663766530126) Perspektif Berita dan Hiburan Semasa Wajib Tonton was originally known as amyikram.com since April 2023 in bringing the latest entertainment news, music and movie updates ### WAJIB TONTON [![WAJIB TONTON](https://blogger.googleusercontent.com/img/a/AVvXsEiQQL10Y1kxT8lr_JYO_CBQqLpMYEVDdAx4_cCIeDmOmzGGKY7zp0K0wiiNneZ8ulymToSbm31SqMtu9ww21p6h3tmteoBnMQDbUqPtmtyWheNZieCjOQaOgoRfsD6mFICZFGqGBvo_MkUxZnQKx0W3kjG_henv_VLmhBtvbv164GzE4TgjzOI3LArHcYow=s150)](https://www.facebook.com/FilemWajibTonton) Semua artikel yang diterbitkan dalam laman ini adalah hak cipta terpelihara milik Wajib Tonton. 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Readable Markdown	[![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr16Nr4lA4XbpwcHdXxn34K3bY9JmZm-DW-HMMbFKrZpJcDFemFsJlJfLZgyBc-eWpMjpKyZ6F1j7T_YvfvP2XRstssj2U8Y3INfKB0hY_TdMVcShj8P71rktpNapHTtleNwj1FEMOCy8/s400/GUA-Bunohan_Poster_default_560512292.jpg)](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr16Nr4lA4XbpwcHdXxn34K3bY9JmZm-DW-HMMbFKrZpJcDFemFsJlJfLZgyBc-eWpMjpKyZ6F1j7T_YvfvP2XRstssj2U8Y3INfKB0hY_TdMVcShj8P71rktpNapHTtleNwj1FEMOCy8/s1600/GUA-Bunohan_Poster_default_560512292.jpg) by Hassan Abd Muthalib And out of the ashes of Malaysian Cinema, rises *Bunohandirected by Dain Said Iskandar, like the proverbial phoenix. The phoenix, by the way, makes a (disguised) cameo appearance as Yuhang’s pet parrot in the film that has the power of speech (c/o some great CGI). I dare say the parrot’s acting was better than his master’s. And thankfully, his life on screen was short - he gets his throat slit! No, not the parrot’s. His master’s - a well-deserved end, not least for his performance in Chantek* directed by – I think this guy is French - Pierre Andre. Arrgh! Talk about Mat Salleh sesat!\! This particular minion – the Chinaman – keeps popping up in Malaysian cinema. We saw the likes of him in Kala Malam Bulan Mengambang (Mamat Khalid, 2008), played by – who else – this scourge of the Malaysian film industry who has infected the mainstream with a disease unseen in the almost 90 years of its history. In Kala, he is seen inhaling on opium. Likewise, another Chinaman is seen doing the same thing in U-Wei’s Hanyut, this time played by Patrick Teoh. There was another one in Anuar Nor Arai’s Johnny Bikin Filem(1995) who dies with a shot directly to his forehead. Hmmm, what’s with these directors? What are they saying? Ah, but that’s the art of cinema, being quite inscrutable\! With *Bunohan,* Dain Said has purposely made a mainstream cinema that has strong entertainment values. *Bunohan* above all, entertains. It then has something very important to say and it goes on to reflect the culture and mores of the Kelantan Malay community. Now that’s what a good film should be.Dain’s viewpoint is very objective. He makes no judgments but allows us to formulate our own (unlike Yasmin Ahmad who used to play with our sentiments. I don’t know if that’s good or not but there’s a segment of us cineastes who also love that kind of thing. Sob, sob!). Dain Said truly understands cinema as can be seen by the stunning cinemato-graphy of the landscapes that function in the film as mindscapes. The barren land, dilapidated dwellings, overcast skies and leafless mass of trees and reeds reflect the characters and their noirish lives. And what marvelous characters they are! The actors disappeared into their roles, emerging only as their portrayals. Kudos to Dain Said for being among the few Malaysian directors who are shaping a new breed of actors for the industry. (they won’t be recognized in the Malaysian Film Festival but that’s no big deal. It’s not a real festival, anyway, judging by the last few years’ awards. They just need to be thankful that they were given the opportunity to work on a real film!). These young people are the ones who can be called actors in the truest sense of the word. Khir Rahman, actor/director, remarked at a seminar that Dain Said is one of only two directors he had worked under who can truly be called directors (the other being Yasmin Ahmad).. Thanks, Dain Said. You make us all proud that there is a Malaysian cinema\! We wait tremulously for U-Wei’s Hanyut. (BUNOHAN explodes on cinema screens of TGV beginning March the 8th) p/s: Upcoming BUNOHAN - my review coming soon.. ![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkUAAN_CRLghWPUIvIuQ1uOcKkGRVD8TjzMVudgHORnuxKZIoTcvTpDh-hWOhgaDsdyorT7nlBwHkCnGkqkAvHIGjao4fAZKYYF21m4gWnyPV9q53UKHVmRrphVrjs38DPo2QLEOYGKdo/s400/425810_345544128818840_179094802130441_1028087_1557619410_n.jpg)
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