🕷️ Crawler Inspector

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Raw Queries and Responses

1. Shard Calculation

Query:

Response:

Calculated Shard: 107 (from laksa104)

2. Crawled Status Check

Query:

curl -X POST \
  'http://laksa107.int.ahrefs:8124/' \
  -H 'Content-Type: text/plain' \
  -H 'X-ClickHouse-Database: crawler3' \
  -H 'Authorization: Basic YXBpOg==' \
  -d 'SELECT getAhrefsURLFromUnparsed(src_unparsed) AS found_url, ifNull(toUnixTimestamp(download_stamp), 0) AS crawl_time, ifNull(toUnixTimestamp(props_url_first_seen), 0) AS first_indexed_time, download_http_code AS http_code, src_unparsed AS src_unparsed, src_root_hash AS src_root_hash, history_drop_reason AS history_drop_reason, meta_title AS meta_title, meta_descriptions AS meta_descriptions, attrs_boilerpipe_text AS attrs_boilerpipe_text, attrs_markdown AS attrs_markdown, attrs_readable_markdown AS attrs_readable_markdown, meta_canonical AS meta_canonical FROM crawler3.page_info_local FINAL PREWHERE (src_root_hash, src_unparsed) IN ((getAhrefsRootHashFromUnparsed(getAhrefsUnparsedNoserviceFromURL(\'https://www.vogue.com/article/vogues-milan-beauty-trend-report-fw26\')), getAhrefsUnparsedNoserviceFromURL(\'https://www.vogue.com/article/vogues-milan-beauty-trend-report-fw26\'))) FORMAT JSONEachRow'

Response:

{"found_url":"https:\/\/www.vogue.com\/article\/vogues-milan-beauty-trend-report-fw26","crawl_time":1776098514,"first_indexed_time":1772411645,"http_code":200,"src_unparsed":"com,vogue!www,\/article\/vogues-milan-beauty-trend-report-fw26 s443","src_root_hash":"10319582172195527707","history_drop_reason":null,"meta_title":"Vogue’s Milan Beauty Trend Report | Vogue","meta_descriptions":["Imperfection and a whiff of wild nights of partying walked the runways in the city known for eternal wearability."],"attrs_boilerpipe_text":"All products featured on Vogue are independently selected by our editors. However, we may receive compensation from retailers and\/or from purchases of products through these links.\nMilan’s fall 2026\nrunways were filled with even more newness than usual. There was Demna’s first Gucci collection with a lot of throwback Tom Ford–era references, down to Kate Moss closing the show in a nostalgic sparkling thong in the back and makeup artist\nSam Visser\n’s smoky-eye-nude-lip combo in the front. Then there was Maria Grazia Chiuri’s debut at Fendi with a\nLess I, More Us\nmessage of togetherness, where hair artist\nGuido Palau\nsent models down the runway in low ponytails that seemed a tribute to the house’s former creative director, Karl Lagerfeld. A similarly chill pony (this time tied by hair artist\nTom Wright\n) walked the first Marni collection by Belgian designer Meryll Rogge, who described her vision for the house’s muse as “strong and self-directed: someone with a career, a family, friends, and a genuine engagement with art and culture,” she told\nVogue’s\nTiziana Cardini\nbackstage of the “wearability factor” she wanted to reflect.\nThen there were celebratory looks at Simone Bellotti’s second Jil Sander show. He described his collection to Nicole Phelps on\nVogue\n’s podcast\nThe Run-Through\nas “the olive in a martini, this extra thing that makes the cocktail perfect.” Above the neck, that was translated by makeup artist\nLucia Pica\ninto read-my-lips red mouths, while Glenn Martens’s after-party-coded Diesel catwalk toasted body glitter and neon-painted eyes courtesy of makeup artist\nInge Grognard\n. A controlled sense of messiness was welcomed this week: At Louis Trotter’s second Bottega Veneta show at the brand’s headquarters in the Palazzo San Fedele, Palau sent models out in beanies that celebrated the beauty of a good bad-hair day. “Milan is this sort of very Brutalist city,” Trotter\ntold journalists backstage\nof its “sensuality that’s a little hidden.”\nHere,\nVogue\nspotlights the beauty trends worth a double take.\nA Good Bad-Hair Day\nThere is no such thing as a bad hair day on the Milan runways. It started at\nEtro\n, where hair artist\nCyndia Harvey\ncarried designer Marco de Vincenzo’s “a little mad” theme of abandon and explosion into perfectly greased and tousled tangles. Hair artist\nFranco Curletto\nmade even the messiest topknot on Marco Rambaldi’s runway look cool, much like Palau’s glorified hat hair for Bottega Veneta. At Moschino, hair director and Kevin Murphy pro ambassador\nEugene Souleiman\ncrafted “kind of tongue-in-cheek” looks. “It’s about contradiction, sharp structure meeting soft, unraveling movement,” Souleiman explained. “Polished but slightly undone. For curly hair, we made it wild, big—almost a little witchy,” he said, while for a “rock-and-roll cut, we made it more tousled. Shorter cuts felt more masculine and shiny.” He used\nKevin Murphy Staying Alive mist\nfor his signature wisps, with the overall attitude being “elegant, emotional, and just a little bit undone.”\nHigh Smoke Point\nSooty gazes were piercing across runways, from makeup artist\nLucia Pieroni\n’s sketchy black lines at Prada and subtle smoked eyes at Ferrari to the darkly romantic Blumarine wings that makeup artist\nPatrick Glatthaar\nsmudged out and makeup artist\nYadim\n’s softly structured shadow at Boss. And yes, there’s a reason you recognize Kate Moss’s aughts-era smoky eyes and nude lips Visser delivered for Demna’s Gucci debut in the Palazzo Delle Scintille. “I realized how important Gucci is in the Italian culture, that it’s kind of part of the whole Michelangelo, Botticelli, and Donatello. So we built a museum for the show,” Demna\ntold Phelps\nof referencing past collections. “For my generation, his Gucci really introduced sex appeal into fashion,” said Demna of Tom Ford’s era at the house, where Moss first walked the runway in Pat McGrath’s original vision of sex-positive makeup.\nArt-Party Girl\nAs mentioned, Milan is known for its art, and the runways fittingly reflected muses traipsing directly from an art party (or basement rave) to the catwalk. Sometimes she was a total surrealist: To capture the theme of fairies and snails at Antonio Marras, MAC key artist\nRicky Morandin\nbrought the latter straight to models’ brow bones. “I handcrafted two small hornlike elements featuring a chrome rose and a wire that recalls the spiral of a shell, positioned on the forehead to evoke the snail’s antennae,” Morandin explained. Abstract paint splashes were applied directly to the face again at Diesel, where\nGrognard\nused electric shades of\nMAC Chromalines\nto capture Martens’s hyperchromatic vision (which Martens called “a vomit of color” when speaking\npreshow to\nVogue\n’s Luke Leitch\nabout reimagining the morning after a perfect party night). “You obviously don’t have time to look at yourself in the mirror,” said Martens. “But when you’re on the street, you look as hot as fuck because you own it. You’ve had a really good night and everything is fantastic, so you just shine from the inside.”\nVogue Beauty\nThe biggest beauty stories, trends, and product recommendations.\nChill Low Pony\nAt long last, the low ponytail is being celebrated. We saw hints of its extreme ease in the pulled-back looks that\nwalked NYFW,\nand soon Palau cemented the style on more than one Milan runway. At Prada, his chill ponytails were tied with scarves from the collection or left with bare elastics, and he delivered a similar look for Chiuri’s Fendi debut with just as many fuzzy flyaways. At Marni,\nWright\npulled back texture that seemed to float—not fall—down models’ backs, and it spoke to Rogge’s vision for her first collection for the house. “I’ve been a Marni fan since I was a teenager; it has truly shaped my vision of fashion,” she said backstage of the aforementioned “wearability factor” she wanted to celebrate from the house’s codes.\nRead My Lips\nThe femme fatale glamour\nthat swept the New York presentations\ntook a red-eye to Italy and got walking. After all, we love a statement lip that makes an actual statement. At Roberto Cavalli, Fausto Puglisi referenced the chaotic state of the world: “I’m happy, but I’m also sad,” he\ntold Phelps\n. “I’m sure you read the same articles.”\nYadim\ncarried dark gothic lips onto the Cavalli runway, which read as a visual tribute to the dark cloud hovering over the world. At Jil Sander, Bellotti’s martini mood tried to perk things up, and\nPica\ntranslated it into neon red lips, much brighter than those that walked for Dolce & Gabbana (\nthe brand’s own liquid lip in a brick shade called Audacity\n). “I imagine how she wants to feel when she gets dressed,” Ermanno Scervino told\nVogue\n’s Giulia di Giamberadino backstage\nof his show, where some models walked with oxblood-painted mouths. It opened, di Giamberadino pointed out, with the voice of Mina singing “Sacumdì Sacumdà”: “One day the devil meets me in the street and says, ‘Come along, no one will see. I have everything you need.’”\nHave a beauty or wellness trend you're curious about? We want to know! Send\n Vogue’\ns senior beauty and wellness editor an email at beauty@vogue.com.","attrs_markdown":"[Skip to main content](https:\/\/www.vogue.com\/article\/vogues-milan-beauty-trend-report-fw26#main-content)\n\n[Your All-Access Pass to Vogue](https:\/\/vogue.smart.link\/84hdiudhc)\n\n[DOWNLOAD NOW](https:\/\/vogue.smart.link\/84hdiudhc)\n\n[Subscribe](https:\/\/www.vogue.com\/v2\/offers\/voga01070?source=Site_0_JNY_VOG_DESKTOP_NAV_CTA_0_MARTECH_US_ROS_CONTROL_ZZ)\n\n[Subscribe](https:\/\/www.vogue.com\/v2\/offers\/voga01070?source=Site_0_JNY_VOG_DESKTOP_NAV_CTA_0_MARTECH_US_ROS_CONTROL_ZZ)\n\nMenu\n\n[FASHION](https:\/\/www.vogue.com\/fashion)\n\n[RUNWAY](https:\/\/www.vogue.com\/fashion-shows)\n\n[SHOPPING](https:\/\/www.vogue.com\/shopping)\n\n[BEAUTY](https:\/\/www.vogue.com\/beauty)\n\n[CULTURE](https:\/\/www.vogue.com\/culture)\n\n[LIVING](https:\/\/www.vogue.com\/living)\n\n[VOGUE BUSINESS](https:\/\/www.vogue.com\/business)\n\n[TEEN VOGUE](https:\/\/www.teenvogue.com\/)\n\n[FASHION](https:\/\/www.vogue.com\/fashion)\n\n[Celebrity Style](https:\/\/www.vogue.com\/fashion\/celebrity-style)[Street Style](https:\/\/www.vogue.com\/fashion\/street-style)[Models](https:\/\/www.vogue.com\/fashion\/models)[Designers](https:\/\/www.vogue.com\/fashion\/designers)[Trends](https:\/\/www.vogue.com\/fashion\/trends)[Sustainability](https:\/\/www.vogue.com\/fashion\/sustainability)[All Fashion](https:\/\/www.vogue.com\/fashion)\n\n[RUNWAY](https:\/\/www.vogue.com\/fashion-shows)\n\n[SHOPPING](https:\/\/www.vogue.com\/shopping)\n\n[BEAUTY](https:\/\/www.vogue.com\/beauty)\n\n[Celebrity Beauty](https:\/\/www.vogue.com\/beauty\/celebrity-beauty)[Hair](https:\/\/www.vogue.com\/beauty\/hair)[Makeup](https:\/\/www.vogue.com\/beauty\/makeup)[Nails](https:\/\/www.vogue.com\/beauty\/nails)[Wellness](https:\/\/www.vogue.com\/beauty\/health-and-fitness)[Skin](https:\/\/www.vogue.com\/beauty\/skin)[All Beauty](https:\/\/www.vogue.com\/beauty)\n\n[CULTURE](https:\/\/www.vogue.com\/culture)\n\n[Opinion](https:\/\/www.vogue.com\/culture\/opinion)[TV & Movies](https:\/\/www.vogue.com\/culture\/tv-and-movies)[Music](https:\/\/www.vogue.com\/culture\/music)[Arts](https:\/\/www.vogue.com\/culture\/arts)[Books](https:\/\/www.vogue.com\/culture\/books)[News](https:\/\/www.vogue.com\/culture\/news)[Sports](https:\/\/www.vogue.com\/culture\/sports)[All Culture](https:\/\/www.vogue.com\/culture)\n\n[LIVING](https:\/\/www.vogue.com\/living)\n\n[Homes](https:\/\/www.vogue.com\/living\/homes)[Travel](https:\/\/www.vogue.com\/living\/travel)[Food](https:\/\/www.vogue.com\/living\/food)[Parties](https:\/\/www.vogue.com\/living\/parties)[Royals](https:\/\/www.vogue.com\/living\/royals)[All Living](https:\/\/www.vogue.com\/living)\n\n[WEDDINGS](https:\/\/www.vogue.com\/weddings)\n\n[Wedding Inspiration](https:\/\/www.vogue.com\/tag\/misc\/real-weddings)[Planning & Advice](https:\/\/www.vogue.com\/tag\/misc\/wedding-planning-and-advice)[For Wedding Guests](https:\/\/www.vogue.com\/tag\/misc\/wedding-guest)[The Bridal Shop](https:\/\/www.vogue.com\/article\/best-wedding-dresses)[All Weddings](https:\/\/www.vogue.com\/weddings)\n\n[VOGUE BUSINESS](https:\/\/www.vogue.com\/business)\n\n[Technology](https:\/\/www.vogue.com\/business\/technology)[Sustainability](http:\/\/www.vogue.com\/business\/sustainability)[Fashion](https:\/\/www.vogue.com\/business\/fashion)[Retail](https:\/\/www.vogue.com\/business\/consumers)[Companies](https:\/\/www.vogue.com\/business\/companies)[Beauty](https:\/\/www.vogue.com\/business\/beauty)[Events](https:\/\/www.vogue.com\/business\/events)[Member Benefits](https:\/\/www.vogue.com\/business\/member-benefits)[Executive Reports](https:\/\/www.vogue.com\/business\/executive-reports)\n\n[VIDEO](https:\/\/www.vogue.com\/video)\n\n[PHOTOVOGUE](https:\/\/www.vogue.com\/photovogue)\n\nMORE\n\n[NEWSLETTERS](https:\/\/www.vogue.com\/newsletters?sourceCode=hamburgernav)\n\n[PODCAST](https:\/\/www.vogue.com\/podcast\/the-run-through)\n\n[MAGAZINE](https:\/\/www.vogue.com\/magazine)\n\n[PROJECTS](https:\/\/www.vogue.com\/tag\/misc\/special-projects)\n\n[VOGUE ARCHIVE](http:\/\/login.voguearchive.com\/)\n\n[TEEN VOGUE](https:\/\/www.teenvogue.com\/)\n\n[Search](https:\/\/www.vogue.com\/search)\n\n[Sign In](https:\/\/www.vogue.com\/auth\/initiate?redirectURL=%2Farticle%2Fvogues-milan-beauty-trend-report-fw26&source=VERSO_NAVIGATION)\n\n[Subscribe](https:\/\/www.vogue.com\/v2\/offers\/voga01070?source=Site_0_JNY_VOG_GLOBAL_NAV_DRAWER_0_MARTECH_US_ROS_CONTROL_ZZ)\n\n[Contact Us](https:\/\/www.vogue.com\/contact)\n\n[About Vogue](https:\/\/www.vogue.com\/about-us)\n\n[![Get the May issue guaranteed for \\<del\\>\\$3\\<\/del\\> \\<strong\\>\\$1\/month for 1 year\\<\/strong\\> + a limited-edition tote. CTA: SUBSCRIBE NOW](https:\/\/assets.vogue.com\/photos\/69d4f6b0cac30b579c74aa1d\/original\/pass\/2502_VOG_May%20Issue_Rollover_300x200_2x.gif?format=original)](https:\/\/www.vogue.com\/v2\/offers\/voga01070?source=Site_0_JNY_VOG_DESKTOP_NAV_ROLLOVER_ROS_0_MARTECH_US_ROS_CONTROL_ZZ)\n\n[Sign In](https:\/\/www.vogue.com\/auth\/initiate?redirectURL=%2Farticle%2Fvogues-milan-beauty-trend-report-fw26&source=VERSO_NAVIGATION)\n\n[Makeup](https:\/\/www.vogue.com\/beauty\/makeup)\n\n# *Vogue*’s Milan Beauty Trend Report\n\nBy [Arden Fanning Andrews](https:\/\/www.vogue.com\/contributor\/arden-fanning)\n\nMarch 1, 2026\n\n![Image may contain Aliya Yussupova Kate Moss Adult Person Photobombing People Fashion Clothing Knitwear and Sweater](https:\/\/assets.vogue.com\/photos\/69a4a9b052951a34a36a655a\/master\/w_2560%2Cc_limit\/MBEAUTYTREND_Margaux%2520&%2520Arden.jpg)\n\nCollage by *Vogue*; Photos: Acielle, Daniele Oberrauch, Filippo Fior, Isidore Montag, Salvatore Dragone, Courtesy of Bottega Veneta, Gucci\n\nSave this story\n\nSave this story\n\nAll products featured on Vogue are independently selected by our editors. However, we may receive compensation from retailers and\/or from purchases of products through these links.\n\n[Milan’s fall 2026](https:\/\/www.vogue.com\/tag\/event\/milan-fashion-week) runways were filled with even more newness than usual. There was Demna’s first Gucci collection with a lot of throwback Tom Ford–era references, down to Kate Moss closing the show in a nostalgic sparkling thong in the back and makeup artist [Sam Visser](https:\/\/www.instagram.com\/samvissermakeup\/?hl=en)’s smoky-eye-nude-lip combo in the front. Then there was Maria Grazia Chiuri’s debut at Fendi with a [Less I, More Us](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/fendi) message of togetherness, where hair artist [Guido Palau](https:\/\/www.instagram.com\/guidopalau\/?hl=en) sent models down the runway in low ponytails that seemed a tribute to the house’s former creative director, Karl Lagerfeld. A similarly chill pony (this time tied by hair artist [Tom Wright](https:\/\/www.instagram.com\/tomwrighthair\/?hl=en)) walked the first Marni collection by Belgian designer Meryll Rogge, who described her vision for the house’s muse as “strong and self-directed: someone with a career, a family, friends, and a genuine engagement with art and culture,” she told [*Vogue’s* Tiziana Cardini](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/marni) backstage of the “wearability factor” she wanted to reflect.\n\nThen there were celebratory looks at Simone Bellotti’s second Jil Sander show. He described his collection to Nicole Phelps on *Vogue*’s podcast [*The Run-Through*](https:\/\/open.spotify.com\/episode\/42Y2A6hgRVZCXPyZSaefFn?si=823736a121e24332) as “the olive in a martini, this extra thing that makes the cocktail perfect.” Above the neck, that was translated by makeup artist [Lucia Pica](https:\/\/www.instagram.com\/luciapicaofficial\/?hl=en) into read-my-lips red mouths, while Glenn Martens’s after-party-coded Diesel catwalk toasted body glitter and neon-painted eyes courtesy of makeup artist [Inge Grognard](https:\/\/models.com\/people\/Inge-Grognard). A controlled sense of messiness was welcomed this week: At Louis Trotter’s second Bottega Veneta show at the brand’s headquarters in the Palazzo San Fedele, Palau sent models out in beanies that celebrated the beauty of a good bad-hair day. “Milan is this sort of very Brutalist city,” Trotter [told journalists backstage](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/bottega-veneta) of its “sensuality that’s a little hidden.”\n\n[![\\<strong\\>Tap Into Vogue\\<\/strong\\> \\<br\\>The \\<strong\\>Vogue app\\<\/strong\\> brings every trend to life. \\<br\\>\\<strong\\>Save\\<\/strong\\> your favorite styles \\<br\\>\\<strong\\>Shop\\<\/strong\\> editor-approved looks \\<br\\>\\<strong\\>Play\\<\/strong\\> the fashion quiz daily \\<br\\>Be a part of fashion's inner circle: See, shop and share every trend. CTA: DOWNLOAD NOW](https:\/\/assets.vogue.com\/photos\/698b5dbf1b9d11bdf7a099f4\/original\/pass\/VOB_Control_In-Content_450x140_2x.gif?format=original)](https:\/\/www.vogue.com\/v2\/offers\/vob010?source=Site_0_JNY_VOG_DESKTOP_IN_CONTENT_0_US_MARTECH_ROS_CONTROL_ZZ)\n\nHere, *Vogue* spotlights the beauty trends worth a double take.\n\n## A Good Bad-Hair Day\nThere is no such thing as a bad hair day on the Milan runways. It started at [Etro](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/etro), where hair artist [Cyndia Harvey](https:\/\/www.instagram.com\/cyndiaharvey\/?hl=en) carried designer Marco de Vincenzo’s “a little mad” theme of abandon and explosion into perfectly greased and tousled tangles. Hair artist [Franco Curletto](https:\/\/www.instagram.com\/franco_curletto?igsh=MTdkbTliNGRxNjh2Yw==) made even the messiest topknot on Marco Rambaldi’s runway look cool, much like Palau’s glorified hat hair for Bottega Veneta. At Moschino, hair director and Kevin Murphy pro ambassador [Eugene Souleiman](https:\/\/www.instagram.com\/eugenesouleiman\/?hl=en) crafted “kind of tongue-in-cheek” looks. “It’s about contradiction, sharp structure meeting soft, unraveling movement,” Souleiman explained. “Polished but slightly undone. For curly hair, we made it wild, big—almost a little witchy,” he said, while for a “rock-and-roll cut, we made it more tousled. Shorter cuts felt more masculine and shiny.” He used [Kevin Murphy Staying Alive mist](https:\/\/cna.st\/affiliate-link\/2mUC6YZJFdd6ua8pog97DC3LZW1VoxDj8drPC4JJ7ALcts2tkZmk3KAFPx4uE3upYKr8HTtbuKFP8y5N8LPk7o9NzJZAQwRegFaFiHnspi69rZCtivFz4vmF4Yfw2Rx5LLsjh9CNVvJADUyx73jkeH9Tqy6USRvUtjLQJmn7SnRd8eKYYccMFDgBXgzTV5nxoWQtrkrwTbTPYRUJ8v6oA2SWQL912owG2M7mmiZvbhfTsB8MNwHYJNoBr9ATkjjtBkRxS7xX1561vJUUZGS46AL7itUfM9A5zmMJ1rFr8MSk9V7E3FXwRK1fZxAuDfrh5Ri46Rbs5q8eR9v1bfEoNzE9iEs2LXwcjNT7TGfFJu9Pct53WKsH4jvSyin7V5rUKSt8EbXzb7jHN4y1k3hPYyiUpy79qzEcHZGcKi3QmMhUrJvn7BtUnTJxmpYguZcPDGazGmkQeBsQFqfTDGnKN2tqrgu5g6sXCYqLaeEmxwVALPYE5XMtjZDozdF57qrvdNV1E62931949p9THBEqZtMh5ZQo6dw5xDtQBEuTwc5DbK19q7JVxBpoXVbpgssBUsAS12oezSiqzjDwKR97zCcGigXKuYwMwx8jyb1) for his signature wisps, with the overall attitude being “elegant, emotional, and just a little bit undone.”\n\n## High Smoke Point\nSooty gazes were piercing across runways, from makeup artist [Lucia Pieroni](https:\/\/www.instagram.com\/lucia_pieroni\/?hl=en)’s sketchy black lines at Prada and subtle smoked eyes at Ferrari to the darkly romantic Blumarine wings that makeup artist [Patrick Glatthaar](https:\/\/www.instagram.com\/patrickglatthaar\/) smudged out and makeup artist [Yadim](https:\/\/www.instagram.com\/yad1m\/?hl=en)’s softly structured shadow at Boss. And yes, there’s a reason you recognize Kate Moss’s aughts-era smoky eyes and nude lips Visser delivered for Demna’s Gucci debut in the Palazzo Delle Scintille. “I realized how important Gucci is in the Italian culture, that it’s kind of part of the whole Michelangelo, Botticelli, and Donatello. So we built a museum for the show,” Demna [told Phelps](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/gucci) of referencing past collections. “For my generation, his Gucci really introduced sex appeal into fashion,” said Demna of Tom Ford’s era at the house, where Moss first walked the runway in Pat McGrath’s original vision of sex-positive makeup.\n\n## Art-Party Girl\nAs mentioned, Milan is known for its art, and the runways fittingly reflected muses traipsing directly from an art party (or basement rave) to the catwalk. Sometimes she was a total surrealist: To capture the theme of fairies and snails at Antonio Marras, MAC key artist [Ricky Morandin](https:\/\/www.instagram.com\/ricky_morandin\/?hl=en) brought the latter straight to models’ brow bones. “I handcrafted two small hornlike elements featuring a chrome rose and a wire that recalls the spiral of a shell, positioned on the forehead to evoke the snail’s antennae,” Morandin explained. Abstract paint splashes were applied directly to the face again at Diesel, where [Grognard](https:\/\/models.com\/people\/Inge-Grognard) used electric shades of [MAC Chromalines](https:\/\/cna.st\/affiliate-link\/2dJkVVomr493wZpZHQkiuLM4tdCKU684waZeN26kCS5GM9Y36UZETJuPEvL16PaAL5mSoaMjt3YQoksmTb8EL3eYp1aQX3bEsh1WD1UJT9k6kv9hTpvjCeYaN62oaEiSJriNhPVk9Eg22beRzQckQXic9r5i19mHahUScXVg5npc8JgKFQ2EdQfBiXbFXFHzNpU2j6p61RtkiPd3L4caQgnrnSfo4hTK88PWAmEh5rw7zRkGj6i6zARoDYBeBNUYg7vchd3Za4s4PmCJ6ETU6iz36ah4KwMWDQ54AgsVzupsLQMrUAPSj2yDo6zXzCmzjxExx5upAPAK9mGEHL2z8N1os6xYmtbGQiUqnmFD8gnjcWw91rB4wP9Pi92wNfCrXcpeA7mPk1PxAHak5JSKTcHHu3eRjzGVy) to capture Martens’s hyperchromatic vision (which Martens called “a vomit of color” when speaking [preshow to *Vogue*’s Luke Leitch](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/diesel#review) about reimagining the morning after a perfect party night). “You obviously don’t have time to look at yourself in the mirror,” said Martens. “But when you’re on the street, you look as hot as fuck because you own it. You’ve had a really good night and everything is fantastic, so you just shine from the inside.”\n\n### Vogue Beauty\nThe biggest beauty stories, trends, and product recommendations.\n## Chill Low Pony\nAt long last, the low ponytail is being celebrated. We saw hints of its extreme ease in the pulled-back looks that [walked NYFW,](https:\/\/www.vogue.com\/article\/new-york-fashion-week-beauty-fw26) and soon Palau cemented the style on more than one Milan runway. At Prada, his chill ponytails were tied with scarves from the collection or left with bare elastics, and he delivered a similar look for Chiuri’s Fendi debut with just as many fuzzy flyaways. At Marni, [Wright](https:\/\/www.instagram.com\/tomwrighthair\/?hl=en) pulled back texture that seemed to float—not fall—down models’ backs, and it spoke to Rogge’s vision for her first collection for the house. “I’ve been a Marni fan since I was a teenager; it has truly shaped my vision of fashion,” she said backstage of the aforementioned “wearability factor” she wanted to celebrate from the house’s codes.\n\n## Read My Lips\nThe femme fatale glamour [that swept the New York presentations](https:\/\/www.vogue.com\/article\/new-york-fashion-week-beauty-fw26) took a red-eye to Italy and got walking. After all, we love a statement lip that makes an actual statement. At Roberto Cavalli, Fausto Puglisi referenced the chaotic state of the world: “I’m happy, but I’m also sad,” he [told Phelps](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/roberto-cavalli). “I’m sure you read the same articles.” [Yadim](https:\/\/www.instagram.com\/yad1m\/?hl=en) carried dark gothic lips onto the Cavalli runway, which read as a visual tribute to the dark cloud hovering over the world. At Jil Sander, Bellotti’s martini mood tried to perk things up, and [Pica](https:\/\/www.instagram.com\/luciapicaofficial\/?hl=en) translated it into neon red lips, much brighter than those that walked for Dolce & Gabbana ([the brand’s own liquid lip in a brick shade called Audacity](https:\/\/www.dolcegabbana.com\/fr-fr\/produits-de-beaute\/maquillage\/maquillage-levres\/rouges-a-levres-liquides\/everkiss-liquid-lip-410-audacity-158054754401240.html?utm_source=google&utm_medium=cpc&utm_campaign=FR_GAds_PMax_Beauty_Products&utm_content=&utm_term=&gclsrc=aw.ds&gad_source=1&gad_campaignid=21340113035&gbraid=0AAAAAp902nWJq2OIHtuBlRbHuiwABJNmN&gclid=Cj0KCQiA5I_NBhDVARIsAOrqIsal4Mst388NrE7_jjh8V8WoaMmpiV8Il22HSQpeV31TaEizN7xsNpQaAvkrEALw_wcB)). “I imagine how she wants to feel when she gets dressed,” Ermanno Scervino told [*Vogue*’s Giulia di Giamberadino backstage](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/ermanno-scervino) of his show, where some models walked with oxblood-painted mouths. It opened, di Giamberadino pointed out, with the voice of Mina singing “Sacumdì Sacumdà”: “One day the devil meets me in the street and says, ‘Come along, no one will see. I have everything you need.’”\n\nRelated Video\n\n[Ariana Grande’s ’60s Cat Eye and “Pretty In Pink” Makeup Look](https:\/\/www.vogue.com\/video\/watch\/beauty-secrets-ariana-grande)\n\n*Have a beauty or wellness trend you're curious about? We want to know! Send* Vogue’*s senior beauty and wellness editor an email at beauty@vogue.com.*\n\n[![](https:\/\/assets.vogue.com\/photos\/67cda7eba759fcad4d5aebdd\/1:1\/w_90%2Cc_limit\/Paris_Couture_FW24_StreetStyle_PhilOh_Day1-038RZ.jpg)](https:\/\/www.vogue.com\/contributor\/arden-fanning)\n\n[Arden Fanning Andrews](https:\/\/www.vogue.com\/contributor\/arden-fanning), *Vogue*’s Beauty Editor-at-Large, started her career with the magazine a decade ago. Yes, her [*Vogue* TikTok closet tour](https:\/\/www.tiktok.com\/t\/ZT8pjV4Xe\/) is an all-time highlight, and her favorite ([first-ever](https:\/\/open.spotify.com\/episode\/1jnnDUvOyHO9FMKlRzAEtW?si=dcb19bc54ca741f5)) podcast is *The Run-Through.* She loves connecting the dots between fashion, culture, and beauty, from [transforming into Barbie](https:\/\/www.vogue.com\/article\/how-it-felt-to-transform-into-barbie-for-a-day) to covering Paris ... [Read More](https:\/\/www.vogue.com\/contributor\/arden-fanning)\n\nVogue Beauty Editor-at-Large\n\nTopics[Milan Fashion Week](https:\/\/www.vogue.com\/tag\/event\/milan-fashion-week)\n\n### Vogue Beauty\nThe biggest beauty stories, trends, and product recommendations.\n\nRead More\n\n- [![Taylor Swift Takes Carolyn Bessette-Kennedy-Core for a Test Drive](https:\/\/assets.vogue.com\/photos\/69d91bf404ff264d0e0f7c95\/1:1\/w_640%2Cc_limit\/undefined)Fashion Taylor Swift Takes Carolyn Bessette-Kennedy-Core for a Test Drive By Anna Cafolla](https:\/\/www.vogue.com\/article\/taylor-swift-carolyn-bessette-kennedy-style-new-york#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n- [![The Skirt Suit Makes a Triumphant Return for Spring](https:\/\/assets.vogue.com\/photos\/69ceb458ee8ce5d3d79274b6\/1:1\/w_640%2Cc_limit\/undefined)Fashion The Skirt Suit Makes a Triumphant Return for Spring By Minty Mellon](https:\/\/www.vogue.com\/article\/skirt-suit-outfits#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n- [![Jaafar Jackson on What It Took to Portray His Uncle, the King of Pop, in Michael](https:\/\/assets.vogue.com\/photos\/69da85f50f146fc4c8261b10\/1:1\/w_640%2Cc_limit\/undefined)Celebrity Style Jaafar Jackson on What It Took to Portray His Uncle, the King of Pop, in *Michael* By Christian Allaire](https:\/\/www.vogue.com\/article\/jaafar-jackson-michael-movie-premiere-press-tour#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n- [![The Best Celebrity Coachella Outfits of 2026 So Far: Lisa, Justin Bieber, Kendall Jenner & More](https:\/\/assets.vogue.com\/photos\/69dbcc08745add90cd83abf6\/1:1\/w_640%2Cc_limit\/undefined)Celebrity Style The Best Celebrity Coachella Outfits of 2026 So Far: Lisa, Justin Bieber, Kendall Jenner & More By Christian Allaire](https:\/\/www.vogue.com\/slideshow\/best-celebrity-coachella-outfits-2026#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n- [![Clogs Are Having a Spring Resurgence—Shop the Best Pairs](https:\/\/assets.vogue.com\/photos\/69cc2cdd7512f36ced554f56\/1:1\/w_640%2Cc_limit\/undefined)Fashion Clogs Are Having a Spring Resurgence—Shop the Best Pairs By Andrea Zendejas](https:\/\/www.vogue.com\/article\/best-clogs-for-women#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n- [![Inside the Most Star-Studded Party of Coachella at the Guess Compound](https:\/\/assets.vogue.com\/photos\/69dacc129ca09ebe698bcc76\/1:1\/w_640%2Cc_limit\/undefined)Parties Inside the Most Star-Studded Party of Coachella at the Guess Compound By Christian Allaire](https:\/\/www.vogue.com\/slideshow\/coachella-2026-guess-jeans-compound-party#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n- [![The 5 Maxi Dress Trends That Will Shape Summer 2026](https:\/\/assets.vogue.com\/photos\/68e4393bdf7a6ee79214869c\/1:1\/w_640%2Cc_limit\/undefined)Fashion The 5 Maxi Dress Trends That Will Shape Summer 2026 By Chloé Versabeau](https:\/\/www.vogue.com\/article\/maxi-dress-trend-summer-2026#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n- [![Pumps Are In! Here’s How the Street Style Set Is Styling the Staple](https:\/\/assets.vogue.com\/photos\/69d678a6ef101333aed423fb\/1:1\/w_640%2Cc_limit\/undefined)Fashion Pumps Are In! Here’s How the Street Style Set Is Styling the Staple By Laura Jackson](https:\/\/www.vogue.com\/article\/how-to-style-pumps#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n- [![5 Signs You’re Not Getting Enough Protein](https:\/\/assets.vogue.com\/photos\/67db036376f8e93288168dbf\/1:1\/w_640%2Cc_limit\/undefined)Beauty 5 Signs You’re Not Getting Enough Protein By Lorena Meouchi](https:\/\/www.vogue.com\/article\/5-signs-you-are-not-getting-enough-protein#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n- [![These ’90s Jeans Are About to Be Everywhere](https:\/\/assets.vogue.com\/photos\/68aae2967012e18b9d02d6fb\/1:1\/w_640%2Cc_limit\/undefined)Fashion These ’90s Jeans Are About to Be Everywhere By Daisy Jones](https:\/\/www.vogue.com\/article\/90s-cropped-jeans#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n- [![‘I’ve Always Been a Decorator’: Why Pamela Anderson Is Turning Her Hand to Furniture Design](https:\/\/assets.vogue.com\/photos\/69d80fb651ce8a7fa315f040\/1:1\/w_640%2Cc_limit\/undefined)Homes ‘I’ve Always Been a Decorator’: Why Pamela Anderson Is Turning Her Hand to Furniture Design By Jocelyn Silver](https:\/\/www.vogue.com\/article\/pamela-anderson-olive-ateliers-furniture-collection#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n- [![Kendall and Kylie Jenner Bring Opposite Sister Style to Coachella 2026](https:\/\/assets.vogue.com\/photos\/69db7abc8fd52154caf77c5c\/1:1\/w_640%2Cc_limit\/undefined)Fashion Kendall and Kylie Jenner Bring Opposite Sister Style to Coachella 2026 By Anna Cafolla](https:\/\/www.vogue.com\/article\/kendall-jenner-kylie-jenner-sister-style-coachella-2026#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2)\n\n[![\\<strong\\>Tap Into Vogue\\<\/strong\\> \\<br\\>The \\<strong\\>Vogue app\\<\/strong\\> brings every trend to life. \\<br\\>\\<strong\\>Save\\<\/strong\\> your favorite styles \\<br\\>\\<strong\\>Shop\\<\/strong\\> editor-approved looks \\<br\\>\\<strong\\>Play\\<\/strong\\> the fashion quiz daily \\<br\\>Be a part of fashion's inner circle: See, shop and share every trend. CTA: DOWNLOAD NOW](https:\/\/assets.vogue.com\/photos\/698b5c53ba7d1443f4667609\/original\/pass\/VOB_Control_Footer_940x140_2x.gif?format=original)](https:\/\/www.vogue.com\/v2\/offers\/vob010?source=Site_0_JNY_VOG_DESKTOP_FOOTER_0_US_MARTECH_ROS_CONTROL_ZZ)\n\n[![Vogue](https:\/\/www.vogue.com\/verso\/static\/vogue-global\/assets\/us\/logo-reverse.svg)](https:\/\/www.vogue.com\/)\n\nThe latest fashion news, beauty coverage, celebrity style, fashion week updates, culture reviews, and videos on Vogue.com.\n\nMore from Vogue\n\n- [Newsletter](https:\/\/www.vogue.com\/newsletter)\n- [Manage Account](https:\/\/www.vogue.com\/account\/profile)\n- [Verify Subscription](https:\/\/www.vogue.com\/auth\/initiate?redirectURL=https:\/\/www.vogue.com\/account\/link)\n- [Contact us](https:\/\/www.vogue.com\/contact)\n- [FAQ](https:\/\/www.vogue.com\/about\/faq)\n- [About Vogue](https:\/\/www.vogue.com\/about-us)\n- [How We Test](https:\/\/www.vogue.com\/info\/how-we-test)\n- [Careers](https:\/\/www.condenast.com\/careers)\n- [Projects](https:\/\/www.vogue.com\/tag\/misc\/special-projects\/)\n- [Vogue Archive](https:\/\/archive.vogue.com\/)\n- [Forces of Fashion](https:\/\/www.vogueforcesoffashion.com\/)\n- [Vogue College of Fashion](https:\/\/www.voguecollege.com\/)\n- [Subscribe](https:\/\/www.vogue.com\/subscribe)\n\nSee More Stories\n\n- [Fashion](https:\/\/www.vogue.com\/fashion)\n- [Beauty](https:\/\/www.vogue.com\/beauty)\n- [Culture](https:\/\/www.vogue.com\/culture)\n- [Living](https:\/\/www.vogue.com\/living)\n- [Runway](https:\/\/www.vogue.com\/fashion-shows)\n- [Shopping](https:\/\/www.vogue.com\/shopping)\n- [Magazine](https:\/\/www.vogue.com\/magazine)\n- [Gift Guides](https:\/\/www.vogue.com\/tag\/misc\/holiday-gifts)\n- [Best of Sale](https:\/\/www.vogue.com\/tag\/event\/cyber-week)\n- [Cyber Monday](https:\/\/www.vogue.com\/tag\/event\/cyber-week)\n\n- [User Agreement](https:\/\/www.condenast.com\/user-agreement\/)\n- [Privacy Policy](http:\/\/www.condenast.com\/privacy-policy#privacypolicy)\n- [Your California Privacy Rights](http:\/\/www.condenast.com\/privacy-policy#privacypolicy-california)\n- [Accessibility Help](https:\/\/www.vogue.com\/accessibility-help)\n- [Masthead](https:\/\/www.vogue.com\/masthead)\n- [Visual Stories](https:\/\/www.vogue.com\/tag\/misc\/visual-stories)\n- [Site Map](https:\/\/www.vogue.com\/sitemap)\n- Your Privacy Choices\n\n© 2026 Condé Nast. 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[Ad Choices](http:\/\/www.aboutads.info\/)\n\nCN Fashion & Beauty\n\n###### Select international site\nUnited States\n\n- [Adria](https:\/\/vogueadria.com\/)\n- [Arabia](https:\/\/en.vogue.me\/)\n- [Australia](https:\/\/www.vogue.com.au\/)\n- [Brasil](https:\/\/vogue.globo.com\/)\n- [Britain](https:\/\/www.vogue.co.uk\/)\n- [China](https:\/\/www.vogue.com.cn\/)\n- [Czechoslovakia](https:\/\/www.vogue.cz\/)\n- [España](https:\/\/www.vogue.es\/)\n- [France](https:\/\/www.vogue.fr\/)\n- [Germany](https:\/\/www.vogue.de\/)\n- [Greece](https:\/\/vogue.gr\/)\n- [Hong Kong](https:\/\/www.voguehk.com\/zh\/)\n- [India](https:\/\/www.vogue.in\/)\n- [Italia](https:\/\/www.vogue.it\/)\n- [Japan](https:\/\/www.vogue.co.jp\/)\n- [Korea](https:\/\/www.vogue.co.kr\/)\n- [México](https:\/\/www.vogue.mx\/)\n- [Nederland](https:\/\/www.vogue.nl\/)\n- [Philippines](https:\/\/vogue.ph\/)\n- [Polska](https:\/\/www.vogue.pl\/)\n- [Portugal](https:\/\/www.vogue.pt\/)\n- [Scandinavia](https:\/\/www.voguescandinavia.com\/)\n- [Singapore](https:\/\/vogue.sg\/)\n- [Taiwan](https:\/\/www.vogue.com.tw\/)\n- [Thailand](https:\/\/www.vogue.co.th\/)\n- [Türkiye](https:\/\/vogue.com.tr\/)\n- [Ukraine](https:\/\/vogue.ua\/)","attrs_readable_markdown":"All products featured on Vogue are independently selected by our editors. However, we may receive compensation from retailers and\/or from purchases of products through these links.\n\n[Milan’s fall 2026](https:\/\/www.vogue.com\/tag\/event\/milan-fashion-week) runways were filled with even more newness than usual. There was Demna’s first Gucci collection with a lot of throwback Tom Ford–era references, down to Kate Moss closing the show in a nostalgic sparkling thong in the back and makeup artist [Sam Visser](https:\/\/www.instagram.com\/samvissermakeup\/?hl=en)’s smoky-eye-nude-lip combo in the front. Then there was Maria Grazia Chiuri’s debut at Fendi with a [Less I, More Us](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/fendi) message of togetherness, where hair artist [Guido Palau](https:\/\/www.instagram.com\/guidopalau\/?hl=en) sent models down the runway in low ponytails that seemed a tribute to the house’s former creative director, Karl Lagerfeld. A similarly chill pony (this time tied by hair artist [Tom Wright](https:\/\/www.instagram.com\/tomwrighthair\/?hl=en)) walked the first Marni collection by Belgian designer Meryll Rogge, who described her vision for the house’s muse as “strong and self-directed: someone with a career, a family, friends, and a genuine engagement with art and culture,” she told [*Vogue’s* Tiziana Cardini](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/marni) backstage of the “wearability factor” she wanted to reflect.\n\nThen there were celebratory looks at Simone Bellotti’s second Jil Sander show. He described his collection to Nicole Phelps on *Vogue*’s podcast [*The Run-Through*](https:\/\/open.spotify.com\/episode\/42Y2A6hgRVZCXPyZSaefFn?si=823736a121e24332) as “the olive in a martini, this extra thing that makes the cocktail perfect.” Above the neck, that was translated by makeup artist [Lucia Pica](https:\/\/www.instagram.com\/luciapicaofficial\/?hl=en) into read-my-lips red mouths, while Glenn Martens’s after-party-coded Diesel catwalk toasted body glitter and neon-painted eyes courtesy of makeup artist [Inge Grognard](https:\/\/models.com\/people\/Inge-Grognard). A controlled sense of messiness was welcomed this week: At Louis Trotter’s second Bottega Veneta show at the brand’s headquarters in the Palazzo San Fedele, Palau sent models out in beanies that celebrated the beauty of a good bad-hair day. “Milan is this sort of very Brutalist city,” Trotter [told journalists backstage](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/bottega-veneta) of its “sensuality that’s a little hidden.”\n\n[![\\<strong\\>Tap Into Vogue\\<\/strong\\> \\<br\\>The \\<strong\\>Vogue app\\<\/strong\\> brings every trend to life. \\<br\\>\\<strong\\>Save\\<\/strong\\> your favorite styles \\<br\\>\\<strong\\>Shop\\<\/strong\\> editor-approved looks \\<br\\>\\<strong\\>Play\\<\/strong\\> the fashion quiz daily \\<br\\>Be a part of fashion's inner circle: See, shop and share every trend. CTA: DOWNLOAD NOW](https:\/\/assets.vogue.com\/photos\/698b5dbf1b9d11bdf7a099f4\/original\/pass\/VOB_Control_In-Content_450x140_2x.gif?format=original)](https:\/\/www.vogue.com\/v2\/offers\/vob010?source=Site_0_JNY_VOG_DESKTOP_IN_CONTENT_0_US_MARTECH_ROS_CONTROL_ZZ)\n\nHere, *Vogue* spotlights the beauty trends worth a double take.\n\n## A Good Bad-Hair Day\nThere is no such thing as a bad hair day on the Milan runways. It started at [Etro](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/etro), where hair artist [Cyndia Harvey](https:\/\/www.instagram.com\/cyndiaharvey\/?hl=en) carried designer Marco de Vincenzo’s “a little mad” theme of abandon and explosion into perfectly greased and tousled tangles. Hair artist [Franco Curletto](https:\/\/www.instagram.com\/franco_curletto?igsh=MTdkbTliNGRxNjh2Yw==) made even the messiest topknot on Marco Rambaldi’s runway look cool, much like Palau’s glorified hat hair for Bottega Veneta. At Moschino, hair director and Kevin Murphy pro ambassador [Eugene Souleiman](https:\/\/www.instagram.com\/eugenesouleiman\/?hl=en) crafted “kind of tongue-in-cheek” looks. “It’s about contradiction, sharp structure meeting soft, unraveling movement,” Souleiman explained. “Polished but slightly undone. For curly hair, we made it wild, big—almost a little witchy,” he said, while for a “rock-and-roll cut, we made it more tousled. Shorter cuts felt more masculine and shiny.” He used [Kevin Murphy Staying Alive mist](https:\/\/cna.st\/affiliate-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) for his signature wisps, with the overall attitude being “elegant, emotional, and just a little bit undone.”\n\n## High Smoke Point\nSooty gazes were piercing across runways, from makeup artist [Lucia Pieroni](https:\/\/www.instagram.com\/lucia_pieroni\/?hl=en)’s sketchy black lines at Prada and subtle smoked eyes at Ferrari to the darkly romantic Blumarine wings that makeup artist [Patrick Glatthaar](https:\/\/www.instagram.com\/patrickglatthaar\/) smudged out and makeup artist [Yadim](https:\/\/www.instagram.com\/yad1m\/?hl=en)’s softly structured shadow at Boss. And yes, there’s a reason you recognize Kate Moss’s aughts-era smoky eyes and nude lips Visser delivered for Demna’s Gucci debut in the Palazzo Delle Scintille. “I realized how important Gucci is in the Italian culture, that it’s kind of part of the whole Michelangelo, Botticelli, and Donatello. So we built a museum for the show,” Demna [told Phelps](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/gucci) of referencing past collections. “For my generation, his Gucci really introduced sex appeal into fashion,” said Demna of Tom Ford’s era at the house, where Moss first walked the runway in Pat McGrath’s original vision of sex-positive makeup.\n\n## Art-Party Girl\nAs mentioned, Milan is known for its art, and the runways fittingly reflected muses traipsing directly from an art party (or basement rave) to the catwalk. Sometimes she was a total surrealist: To capture the theme of fairies and snails at Antonio Marras, MAC key artist [Ricky Morandin](https:\/\/www.instagram.com\/ricky_morandin\/?hl=en) brought the latter straight to models’ brow bones. “I handcrafted two small hornlike elements featuring a chrome rose and a wire that recalls the spiral of a shell, positioned on the forehead to evoke the snail’s antennae,” Morandin explained. Abstract paint splashes were applied directly to the face again at Diesel, where [Grognard](https:\/\/models.com\/people\/Inge-Grognard) used electric shades of [MAC Chromalines](https:\/\/cna.st\/affiliate-link\/2dJkVVomr493wZpZHQkiuLM4tdCKU684waZeN26kCS5GM9Y36UZETJuPEvL16PaAL5mSoaMjt3YQoksmTb8EL3eYp1aQX3bEsh1WD1UJT9k6kv9hTpvjCeYaN62oaEiSJriNhPVk9Eg22beRzQckQXic9r5i19mHahUScXVg5npc8JgKFQ2EdQfBiXbFXFHzNpU2j6p61RtkiPd3L4caQgnrnSfo4hTK88PWAmEh5rw7zRkGj6i6zARoDYBeBNUYg7vchd3Za4s4PmCJ6ETU6iz36ah4KwMWDQ54AgsVzupsLQMrUAPSj2yDo6zXzCmzjxExx5upAPAK9mGEHL2z8N1os6xYmtbGQiUqnmFD8gnjcWw91rB4wP9Pi92wNfCrXcpeA7mPk1PxAHak5JSKTcHHu3eRjzGVy) to capture Martens’s hyperchromatic vision (which Martens called “a vomit of color” when speaking [preshow to *Vogue*’s Luke Leitch](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/diesel#review) about reimagining the morning after a perfect party night). “You obviously don’t have time to look at yourself in the mirror,” said Martens. “But when you’re on the street, you look as hot as fuck because you own it. You’ve had a really good night and everything is fantastic, so you just shine from the inside.”\n\n### Vogue Beauty\nThe biggest beauty stories, trends, and product recommendations.\n## Chill Low Pony\nAt long last, the low ponytail is being celebrated. We saw hints of its extreme ease in the pulled-back looks that [walked NYFW,](https:\/\/www.vogue.com\/article\/new-york-fashion-week-beauty-fw26) and soon Palau cemented the style on more than one Milan runway. At Prada, his chill ponytails were tied with scarves from the collection or left with bare elastics, and he delivered a similar look for Chiuri’s Fendi debut with just as many fuzzy flyaways. At Marni, [Wright](https:\/\/www.instagram.com\/tomwrighthair\/?hl=en) pulled back texture that seemed to float—not fall—down models’ backs, and it spoke to Rogge’s vision for her first collection for the house. “I’ve been a Marni fan since I was a teenager; it has truly shaped my vision of fashion,” she said backstage of the aforementioned “wearability factor” she wanted to celebrate from the house’s codes.\n\n## Read My Lips\nThe femme fatale glamour [that swept the New York presentations](https:\/\/www.vogue.com\/article\/new-york-fashion-week-beauty-fw26) took a red-eye to Italy and got walking. After all, we love a statement lip that makes an actual statement. At Roberto Cavalli, Fausto Puglisi referenced the chaotic state of the world: “I’m happy, but I’m also sad,” he [told Phelps](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/roberto-cavalli). “I’m sure you read the same articles.” [Yadim](https:\/\/www.instagram.com\/yad1m\/?hl=en) carried dark gothic lips onto the Cavalli runway, which read as a visual tribute to the dark cloud hovering over the world. At Jil Sander, Bellotti’s martini mood tried to perk things up, and [Pica](https:\/\/www.instagram.com\/luciapicaofficial\/?hl=en) translated it into neon red lips, much brighter than those that walked for Dolce & Gabbana ([the brand’s own liquid lip in a brick shade called Audacity](https:\/\/www.dolcegabbana.com\/fr-fr\/produits-de-beaute\/maquillage\/maquillage-levres\/rouges-a-levres-liquides\/everkiss-liquid-lip-410-audacity-158054754401240.html?utm_source=google&utm_medium=cpc&utm_campaign=FR_GAds_PMax_Beauty_Products&utm_content=&utm_term=&gclsrc=aw.ds&gad_source=1&gad_campaignid=21340113035&gbraid=0AAAAAp902nWJq2OIHtuBlRbHuiwABJNmN&gclid=Cj0KCQiA5I_NBhDVARIsAOrqIsal4Mst388NrE7_jjh8V8WoaMmpiV8Il22HSQpeV31TaEizN7xsNpQaAvkrEALw_wcB)). “I imagine how she wants to feel when she gets dressed,” Ermanno Scervino told [*Vogue*’s Giulia di Giamberadino backstage](https:\/\/www.vogue.com\/fashion-shows\/fall-2026-ready-to-wear\/ermanno-scervino) of his show, where some models walked with oxblood-painted mouths. It opened, di Giamberadino pointed out, with the voice of Mina singing “Sacumdì Sacumdà”: “One day the devil meets me in the street and says, ‘Come along, no one will see. I have everything you need.’”\n\n*Have a beauty or wellness trend you're curious about? We want to know! Send* Vogue’*s senior beauty and wellness editor an email at beauty@vogue.com.*","meta_canonical":null}

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Meta Title	Vogue’s Milan Beauty Trend Report \| Vogue
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Boilerpipe Text	All products featured on Vogue are independently selected by our editors. However, we may receive compensation from retailers and/or from purchases of products through these links. Milan’s fall 2026 runways were filled with even more newness than usual. There was Demna’s first Gucci collection with a lot of throwback Tom Ford–era references, down to Kate Moss closing the show in a nostalgic sparkling thong in the back and makeup artist Sam Visser ’s smoky-eye-nude-lip combo in the front. Then there was Maria Grazia Chiuri’s debut at Fendi with a Less I, More Us message of togetherness, where hair artist Guido Palau sent models down the runway in low ponytails that seemed a tribute to the house’s former creative director, Karl Lagerfeld. A similarly chill pony (this time tied by hair artist Tom Wright ) walked the first Marni collection by Belgian designer Meryll Rogge, who described her vision for the house’s muse as “strong and self-directed: someone with a career, a family, friends, and a genuine engagement with art and culture,” she told Vogue’s Tiziana Cardini backstage of the “wearability factor” she wanted to reflect. Then there were celebratory looks at Simone Bellotti’s second Jil Sander show. He described his collection to Nicole Phelps on Vogue ’s podcast The Run-Through as “the olive in a martini, this extra thing that makes the cocktail perfect.” Above the neck, that was translated by makeup artist Lucia Pica into read-my-lips red mouths, while Glenn Martens’s after-party-coded Diesel catwalk toasted body glitter and neon-painted eyes courtesy of makeup artist Inge Grognard . A controlled sense of messiness was welcomed this week: At Louis Trotter’s second Bottega Veneta show at the brand’s headquarters in the Palazzo San Fedele, Palau sent models out in beanies that celebrated the beauty of a good bad-hair day. “Milan is this sort of very Brutalist city,” Trotter told journalists backstage of its “sensuality that’s a little hidden.” Here, Vogue spotlights the beauty trends worth a double take. A Good Bad-Hair Day There is no such thing as a bad hair day on the Milan runways. It started at Etro , where hair artist Cyndia Harvey carried designer Marco de Vincenzo’s “a little mad” theme of abandon and explosion into perfectly greased and tousled tangles. Hair artist Franco Curletto made even the messiest topknot on Marco Rambaldi’s runway look cool, much like Palau’s glorified hat hair for Bottega Veneta. At Moschino, hair director and Kevin Murphy pro ambassador Eugene Souleiman crafted “kind of tongue-in-cheek” looks. “It’s about contradiction, sharp structure meeting soft, unraveling movement,” Souleiman explained. “Polished but slightly undone. For curly hair, we made it wild, big—almost a little witchy,” he said, while for a “rock-and-roll cut, we made it more tousled. Shorter cuts felt more masculine and shiny.” He used Kevin Murphy Staying Alive mist for his signature wisps, with the overall attitude being “elegant, emotional, and just a little bit undone.” High Smoke Point Sooty gazes were piercing across runways, from makeup artist Lucia Pieroni ’s sketchy black lines at Prada and subtle smoked eyes at Ferrari to the darkly romantic Blumarine wings that makeup artist Patrick Glatthaar smudged out and makeup artist Yadim ’s softly structured shadow at Boss. And yes, there’s a reason you recognize Kate Moss’s aughts-era smoky eyes and nude lips Visser delivered for Demna’s Gucci debut in the Palazzo Delle Scintille. “I realized how important Gucci is in the Italian culture, that it’s kind of part of the whole Michelangelo, Botticelli, and Donatello. So we built a museum for the show,” Demna told Phelps of referencing past collections. “For my generation, his Gucci really introduced sex appeal into fashion,” said Demna of Tom Ford’s era at the house, where Moss first walked the runway in Pat McGrath’s original vision of sex-positive makeup. Art-Party Girl As mentioned, Milan is known for its art, and the runways fittingly reflected muses traipsing directly from an art party (or basement rave) to the catwalk. Sometimes she was a total surrealist: To capture the theme of fairies and snails at Antonio Marras, MAC key artist Ricky Morandin brought the latter straight to models’ brow bones. “I handcrafted two small hornlike elements featuring a chrome rose and a wire that recalls the spiral of a shell, positioned on the forehead to evoke the snail’s antennae,” Morandin explained. Abstract paint splashes were applied directly to the face again at Diesel, where Grognard used electric shades of MAC Chromalines to capture Martens’s hyperchromatic vision (which Martens called “a vomit of color” when speaking preshow to Vogue ’s Luke Leitch about reimagining the morning after a perfect party night). “You obviously don’t have time to look at yourself in the mirror,” said Martens. “But when you’re on the street, you look as hot as fuck because you own it. You’ve had a really good night and everything is fantastic, so you just shine from the inside.” Vogue Beauty The biggest beauty stories, trends, and product recommendations. Chill Low Pony At long last, the low ponytail is being celebrated. We saw hints of its extreme ease in the pulled-back looks that walked NYFW, and soon Palau cemented the style on more than one Milan runway. At Prada, his chill ponytails were tied with scarves from the collection or left with bare elastics, and he delivered a similar look for Chiuri’s Fendi debut with just as many fuzzy flyaways. At Marni, Wright pulled back texture that seemed to float—not fall—down models’ backs, and it spoke to Rogge’s vision for her first collection for the house. “I’ve been a Marni fan since I was a teenager; it has truly shaped my vision of fashion,” she said backstage of the aforementioned “wearability factor” she wanted to celebrate from the house’s codes. Read My Lips The femme fatale glamour that swept the New York presentations took a red-eye to Italy and got walking. After all, we love a statement lip that makes an actual statement. At Roberto Cavalli, Fausto Puglisi referenced the chaotic state of the world: “I’m happy, but I’m also sad,” he told Phelps . “I’m sure you read the same articles.” Yadim carried dark gothic lips onto the Cavalli runway, which read as a visual tribute to the dark cloud hovering over the world. At Jil Sander, Bellotti’s martini mood tried to perk things up, and Pica translated it into neon red lips, much brighter than those that walked for Dolce & Gabbana ( the brand’s own liquid lip in a brick shade called Audacity ). “I imagine how she wants to feel when she gets dressed,” Ermanno Scervino told Vogue ’s Giulia di Giamberadino backstage of his show, where some models walked with oxblood-painted mouths. It opened, di Giamberadino pointed out, with the voice of Mina singing “Sacumdì Sacumdà”: “One day the devil meets me in the street and says, ‘Come along, no one will see. I have everything you need.’” Have a beauty or wellness trend you're curious about? We want to know! Send Vogue’ s senior beauty and wellness editor an email at beauty@vogue.com.
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CTA: SUBSCRIBE NOW](https://assets.vogue.com/photos/69d4f6b0cac30b579c74aa1d/original/pass/2502_VOG_May%20Issue_Rollover_300x200_2x.gif?format=original)](https://www.vogue.com/v2/offers/voga01070?source=Site_0_JNY_VOG_DESKTOP_NAV_ROLLOVER_ROS_0_MARTECH_US_ROS_CONTROL_ZZ) [Sign In](https://www.vogue.com/auth/initiate?redirectURL=%2Farticle%2Fvogues-milan-beauty-trend-report-fw26&source=VERSO_NAVIGATION) [Makeup](https://www.vogue.com/beauty/makeup) # Vogue’s Milan Beauty Trend Report By [Arden Fanning Andrews](https://www.vogue.com/contributor/arden-fanning) March 1, 2026 ![Image may contain Aliya Yussupova Kate Moss Adult Person Photobombing People Fashion Clothing Knitwear and Sweater](https://assets.vogue.com/photos/69a4a9b052951a34a36a655a/master/w_2560%2Cc_limit/MBEAUTYTREND_Margaux%2520&%2520Arden.jpg) Collage by Vogue; Photos: Acielle, Daniele Oberrauch, Filippo Fior, Isidore Montag, Salvatore Dragone, Courtesy of Bottega Veneta, Gucci Save this story Save this story All products featured on Vogue are independently selected by our editors. However, we may receive compensation from retailers and/or from purchases of products through these links. [Milan’s fall 2026](https://www.vogue.com/tag/event/milan-fashion-week) runways were filled with even more newness than usual. There was Demna’s first Gucci collection with a lot of throwback Tom Ford–era references, down to Kate Moss closing the show in a nostalgic sparkling thong in the back and makeup artist [Sam Visser](https://www.instagram.com/samvissermakeup/?hl=en)’s smoky-eye-nude-lip combo in the front. Then there was Maria Grazia Chiuri’s debut at Fendi with a [Less I, More Us](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/fendi) message of togetherness, where hair artist [Guido Palau](https://www.instagram.com/guidopalau/?hl=en) sent models down the runway in low ponytails that seemed a tribute to the house’s former creative director, Karl Lagerfeld. A similarly chill pony (this time tied by hair artist [Tom Wright](https://www.instagram.com/tomwrighthair/?hl=en)) walked the first Marni collection by Belgian designer Meryll Rogge, who described her vision for the house’s muse as “strong and self-directed: someone with a career, a family, friends, and a genuine engagement with art and culture,” she told [Vogue’s Tiziana Cardini](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/marni) backstage of the “wearability factor” she wanted to reflect. Then there were celebratory looks at Simone Bellotti’s second Jil Sander show. He described his collection to Nicole Phelps on Vogue’s podcast [The Run-Through](https://open.spotify.com/episode/42Y2A6hgRVZCXPyZSaefFn?si=823736a121e24332) as “the olive in a martini, this extra thing that makes the cocktail perfect.” Above the neck, that was translated by makeup artist [Lucia Pica](https://www.instagram.com/luciapicaofficial/?hl=en) into read-my-lips red mouths, while Glenn Martens’s after-party-coded Diesel catwalk toasted body glitter and neon-painted eyes courtesy of makeup artist [Inge Grognard](https://models.com/people/Inge-Grognard). A controlled sense of messiness was welcomed this week: At Louis Trotter’s second Bottega Veneta show at the brand’s headquarters in the Palazzo San Fedele, Palau sent models out in beanies that celebrated the beauty of a good bad-hair day. “Milan is this sort of very Brutalist city,” Trotter [told journalists backstage](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/bottega-veneta) of its “sensuality that’s a little hidden.” [![\<strong\>Tap Into Vogue\</strong\> \<br\>The \<strong\>Vogue app\</strong\> brings every trend to life. \<br\>\<strong\>Save\</strong\> your favorite styles \<br\>\<strong\>Shop\</strong\> editor-approved looks \<br\>\<strong\>Play\</strong\> the fashion quiz daily \<br\>Be a part of fashion's inner circle: See, shop and share every trend. CTA: DOWNLOAD NOW](https://assets.vogue.com/photos/698b5dbf1b9d11bdf7a099f4/original/pass/VOB_Control_In-Content_450x140_2x.gif?format=original)](https://www.vogue.com/v2/offers/vob010?source=Site_0_JNY_VOG_DESKTOP_IN_CONTENT_0_US_MARTECH_ROS_CONTROL_ZZ) Here, Vogue spotlights the beauty trends worth a double take. ## A Good Bad-Hair Day There is no such thing as a bad hair day on the Milan runways. It started at [Etro](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/etro), where hair artist [Cyndia Harvey](https://www.instagram.com/cyndiaharvey/?hl=en) carried designer Marco de Vincenzo’s “a little mad” theme of abandon and explosion into perfectly greased and tousled tangles. Hair artist [Franco Curletto](https://www.instagram.com/franco_curletto?igsh=MTdkbTliNGRxNjh2Yw==) made even the messiest topknot on Marco Rambaldi’s runway look cool, much like Palau’s glorified hat hair for Bottega Veneta. At Moschino, hair director and Kevin Murphy pro ambassador [Eugene Souleiman](https://www.instagram.com/eugenesouleiman/?hl=en) crafted “kind of tongue-in-cheek” looks. “It’s about contradiction, sharp structure meeting soft, unraveling movement,” Souleiman explained. “Polished but slightly undone. For curly hair, we made it wild, big—almost a little witchy,” he said, while for a “rock-and-roll cut, we made it more tousled. Shorter cuts felt more masculine and shiny.” He used [Kevin Murphy Staying Alive mist](https://cna.st/affiliate-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) for his signature wisps, with the overall attitude being “elegant, emotional, and just a little bit undone.” ## High Smoke Point Sooty gazes were piercing across runways, from makeup artist [Lucia Pieroni](https://www.instagram.com/lucia_pieroni/?hl=en)’s sketchy black lines at Prada and subtle smoked eyes at Ferrari to the darkly romantic Blumarine wings that makeup artist [Patrick Glatthaar](https://www.instagram.com/patrickglatthaar/) smudged out and makeup artist [Yadim](https://www.instagram.com/yad1m/?hl=en)’s softly structured shadow at Boss. And yes, there’s a reason you recognize Kate Moss’s aughts-era smoky eyes and nude lips Visser delivered for Demna’s Gucci debut in the Palazzo Delle Scintille. “I realized how important Gucci is in the Italian culture, that it’s kind of part of the whole Michelangelo, Botticelli, and Donatello. So we built a museum for the show,” Demna [told Phelps](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/gucci) of referencing past collections. “For my generation, his Gucci really introduced sex appeal into fashion,” said Demna of Tom Ford’s era at the house, where Moss first walked the runway in Pat McGrath’s original vision of sex-positive makeup. ## Art-Party Girl As mentioned, Milan is known for its art, and the runways fittingly reflected muses traipsing directly from an art party (or basement rave) to the catwalk. Sometimes she was a total surrealist: To capture the theme of fairies and snails at Antonio Marras, MAC key artist [Ricky Morandin](https://www.instagram.com/ricky_morandin/?hl=en) brought the latter straight to models’ brow bones. “I handcrafted two small hornlike elements featuring a chrome rose and a wire that recalls the spiral of a shell, positioned on the forehead to evoke the snail’s antennae,” Morandin explained. Abstract paint splashes were applied directly to the face again at Diesel, where [Grognard](https://models.com/people/Inge-Grognard) used electric shades of [MAC Chromalines](https://cna.st/affiliate-link/2dJkVVomr493wZpZHQkiuLM4tdCKU684waZeN26kCS5GM9Y36UZETJuPEvL16PaAL5mSoaMjt3YQoksmTb8EL3eYp1aQX3bEsh1WD1UJT9k6kv9hTpvjCeYaN62oaEiSJriNhPVk9Eg22beRzQckQXic9r5i19mHahUScXVg5npc8JgKFQ2EdQfBiXbFXFHzNpU2j6p61RtkiPd3L4caQgnrnSfo4hTK88PWAmEh5rw7zRkGj6i6zARoDYBeBNUYg7vchd3Za4s4PmCJ6ETU6iz36ah4KwMWDQ54AgsVzupsLQMrUAPSj2yDo6zXzCmzjxExx5upAPAK9mGEHL2z8N1os6xYmtbGQiUqnmFD8gnjcWw91rB4wP9Pi92wNfCrXcpeA7mPk1PxAHak5JSKTcHHu3eRjzGVy) to capture Martens’s hyperchromatic vision (which Martens called “a vomit of color” when speaking [preshow to Vogue’s Luke Leitch](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/diesel#review) about reimagining the morning after a perfect party night). “You obviously don’t have time to look at yourself in the mirror,” said Martens. “But when you’re on the street, you look as hot as fuck because you own it. You’ve had a really good night and everything is fantastic, so you just shine from the inside.” ### Vogue Beauty The biggest beauty stories, trends, and product recommendations. ## Chill Low Pony At long last, the low ponytail is being celebrated. We saw hints of its extreme ease in the pulled-back looks that [walked NYFW,](https://www.vogue.com/article/new-york-fashion-week-beauty-fw26) and soon Palau cemented the style on more than one Milan runway. At Prada, his chill ponytails were tied with scarves from the collection or left with bare elastics, and he delivered a similar look for Chiuri’s Fendi debut with just as many fuzzy flyaways. At Marni, [Wright](https://www.instagram.com/tomwrighthair/?hl=en) pulled back texture that seemed to float—not fall—down models’ backs, and it spoke to Rogge’s vision for her first collection for the house. “I’ve been a Marni fan since I was a teenager; it has truly shaped my vision of fashion,” she said backstage of the aforementioned “wearability factor” she wanted to celebrate from the house’s codes. ## Read My Lips The femme fatale glamour [that swept the New York presentations](https://www.vogue.com/article/new-york-fashion-week-beauty-fw26) took a red-eye to Italy and got walking. After all, we love a statement lip that makes an actual statement. At Roberto Cavalli, Fausto Puglisi referenced the chaotic state of the world: “I’m happy, but I’m also sad,” he [told Phelps](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/roberto-cavalli). “I’m sure you read the same articles.” [Yadim](https://www.instagram.com/yad1m/?hl=en) carried dark gothic lips onto the Cavalli runway, which read as a visual tribute to the dark cloud hovering over the world. At Jil Sander, Bellotti’s martini mood tried to perk things up, and [Pica](https://www.instagram.com/luciapicaofficial/?hl=en) translated it into neon red lips, much brighter than those that walked for Dolce & Gabbana ([the brand’s own liquid lip in a brick shade called Audacity](https://www.dolcegabbana.com/fr-fr/produits-de-beaute/maquillage/maquillage-levres/rouges-a-levres-liquides/everkiss-liquid-lip-410-audacity-158054754401240.html?utm_source=google&utm_medium=cpc&utm_campaign=FR_GAds_PMax_Beauty_Products&utm_content=&utm_term=&gclsrc=aw.ds&gad_source=1&gad_campaignid=21340113035&gbraid=0AAAAAp902nWJq2OIHtuBlRbHuiwABJNmN&gclid=Cj0KCQiA5I_NBhDVARIsAOrqIsal4Mst388NrE7_jjh8V8WoaMmpiV8Il22HSQpeV31TaEizN7xsNpQaAvkrEALw_wcB)). “I imagine how she wants to feel when she gets dressed,” Ermanno Scervino told [Vogue’s Giulia di Giamberadino backstage](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/ermanno-scervino) of his show, where some models walked with oxblood-painted mouths. It opened, di Giamberadino pointed out, with the voice of Mina singing “Sacumdì Sacumdà”: “One day the devil meets me in the street and says, ‘Come along, no one will see. I have everything you need.’” Related Video [Ariana Grande’s ’60s Cat Eye and “Pretty In Pink” Makeup Look](https://www.vogue.com/video/watch/beauty-secrets-ariana-grande) Have a beauty or wellness trend you're curious about? We want to know! Send Vogue’s senior beauty and wellness editor an email at beauty@vogue.com. [![](https://assets.vogue.com/photos/67cda7eba759fcad4d5aebdd/1:1/w_90%2Cc_limit/Paris_Couture_FW24_StreetStyle_PhilOh_Day1-038RZ.jpg)](https://www.vogue.com/contributor/arden-fanning) [Arden Fanning Andrews](https://www.vogue.com/contributor/arden-fanning), Vogue’s Beauty Editor-at-Large, started her career with the magazine a decade ago. Yes, her [Vogue TikTok closet tour](https://www.tiktok.com/t/ZT8pjV4Xe/) is an all-time highlight, and her favorite ([first-ever](https://open.spotify.com/episode/1jnnDUvOyHO9FMKlRzAEtW?si=dcb19bc54ca741f5)) podcast is The Run-Through. She loves connecting the dots between fashion, culture, and beauty, from [transforming into Barbie](https://www.vogue.com/article/how-it-felt-to-transform-into-barbie-for-a-day) to covering Paris ... [Read More](https://www.vogue.com/contributor/arden-fanning) Vogue Beauty Editor-at-Large Topics[Milan Fashion Week](https://www.vogue.com/tag/event/milan-fashion-week) ### Vogue Beauty The biggest beauty stories, trends, and product recommendations. Read More - [![Taylor Swift Takes Carolyn Bessette-Kennedy-Core for a Test Drive](https://assets.vogue.com/photos/69d91bf404ff264d0e0f7c95/1:1/w_640%2Cc_limit/undefined)Fashion Taylor Swift Takes Carolyn Bessette-Kennedy-Core for a Test Drive By Anna Cafolla](https://www.vogue.com/article/taylor-swift-carolyn-bessette-kennedy-style-new-york#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2) - [![The Skirt Suit Makes a Triumphant Return for Spring](https://assets.vogue.com/photos/69ceb458ee8ce5d3d79274b6/1:1/w_640%2Cc_limit/undefined)Fashion The Skirt Suit Makes a Triumphant Return for Spring By Minty Mellon](https://www.vogue.com/article/skirt-suit-outfits#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2) - [![Jaafar Jackson on What It Took to Portray His Uncle, the King of Pop, in Michael](https://assets.vogue.com/photos/69da85f50f146fc4c8261b10/1:1/w_640%2Cc_limit/undefined)Celebrity Style Jaafar Jackson on What It Took to Portray His Uncle, the King of Pop, in Michael By Christian Allaire](https://www.vogue.com/article/jaafar-jackson-michael-movie-premiere-press-tour#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2) - [![The Best Celebrity Coachella Outfits of 2026 So Far: Lisa, Justin Bieber, Kendall Jenner & More](https://assets.vogue.com/photos/69dbcc08745add90cd83abf6/1:1/w_640%2Cc_limit/undefined)Celebrity Style The Best Celebrity Coachella Outfits of 2026 So Far: Lisa, Justin Bieber, Kendall Jenner & More By Christian Allaire](https://www.vogue.com/slideshow/best-celebrity-coachella-outfits-2026#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2) - [![Clogs Are Having a Spring Resurgence—Shop the Best Pairs](https://assets.vogue.com/photos/69cc2cdd7512f36ced554f56/1:1/w_640%2Cc_limit/undefined)Fashion Clogs Are Having a Spring Resurgence—Shop the Best Pairs By Andrea Zendejas](https://www.vogue.com/article/best-clogs-for-women#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2) - [![Inside the Most Star-Studded Party of Coachella at the Guess Compound](https://assets.vogue.com/photos/69dacc129ca09ebe698bcc76/1:1/w_640%2Cc_limit/undefined)Parties Inside the Most Star-Studded Party of Coachella at the Guess Compound By Christian Allaire](https://www.vogue.com/slideshow/coachella-2026-guess-jeans-compound-party#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2) - [![The 5 Maxi Dress Trends That Will Shape Summer 2026](https://assets.vogue.com/photos/68e4393bdf7a6ee79214869c/1:1/w_640%2Cc_limit/undefined)Fashion The 5 Maxi Dress Trends That Will Shape Summer 2026 By Chloé Versabeau](https://www.vogue.com/article/maxi-dress-trend-summer-2026#intcid=_vogue-article-bottom-recirc_855e8892-6021-4450-ac7f-39ab4d419d35_text2vec1_fallback_popular4-2) - [![Pumps Are In! 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Readable Markdown	All products featured on Vogue are independently selected by our editors. However, we may receive compensation from retailers and/or from purchases of products through these links. [Milan’s fall 2026](https://www.vogue.com/tag/event/milan-fashion-week) runways were filled with even more newness than usual. There was Demna’s first Gucci collection with a lot of throwback Tom Ford–era references, down to Kate Moss closing the show in a nostalgic sparkling thong in the back and makeup artist [Sam Visser](https://www.instagram.com/samvissermakeup/?hl=en)’s smoky-eye-nude-lip combo in the front. Then there was Maria Grazia Chiuri’s debut at Fendi with a [Less I, More Us](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/fendi) message of togetherness, where hair artist [Guido Palau](https://www.instagram.com/guidopalau/?hl=en) sent models down the runway in low ponytails that seemed a tribute to the house’s former creative director, Karl Lagerfeld. A similarly chill pony (this time tied by hair artist [Tom Wright](https://www.instagram.com/tomwrighthair/?hl=en)) walked the first Marni collection by Belgian designer Meryll Rogge, who described her vision for the house’s muse as “strong and self-directed: someone with a career, a family, friends, and a genuine engagement with art and culture,” she told [Vogue’s Tiziana Cardini](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/marni) backstage of the “wearability factor” she wanted to reflect. Then there were celebratory looks at Simone Bellotti’s second Jil Sander show. He described his collection to Nicole Phelps on Vogue’s podcast [The Run-Through](https://open.spotify.com/episode/42Y2A6hgRVZCXPyZSaefFn?si=823736a121e24332) as “the olive in a martini, this extra thing that makes the cocktail perfect.” Above the neck, that was translated by makeup artist [Lucia Pica](https://www.instagram.com/luciapicaofficial/?hl=en) into read-my-lips red mouths, while Glenn Martens’s after-party-coded Diesel catwalk toasted body glitter and neon-painted eyes courtesy of makeup artist [Inge Grognard](https://models.com/people/Inge-Grognard). A controlled sense of messiness was welcomed this week: At Louis Trotter’s second Bottega Veneta show at the brand’s headquarters in the Palazzo San Fedele, Palau sent models out in beanies that celebrated the beauty of a good bad-hair day. “Milan is this sort of very Brutalist city,” Trotter [told journalists backstage](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/bottega-veneta) of its “sensuality that’s a little hidden.” [![\<strong\>Tap Into Vogue\</strong\> \<br\>The \<strong\>Vogue app\</strong\> brings every trend to life. \<br\>\<strong\>Save\</strong\> your favorite styles \<br\>\<strong\>Shop\</strong\> editor-approved looks \<br\>\<strong\>Play\</strong\> the fashion quiz daily \<br\>Be a part of fashion's inner circle: See, shop and share every trend. CTA: DOWNLOAD NOW](https://assets.vogue.com/photos/698b5dbf1b9d11bdf7a099f4/original/pass/VOB_Control_In-Content_450x140_2x.gif?format=original)](https://www.vogue.com/v2/offers/vob010?source=Site_0_JNY_VOG_DESKTOP_IN_CONTENT_0_US_MARTECH_ROS_CONTROL_ZZ) Here, Vogue spotlights the beauty trends worth a double take. ## A Good Bad-Hair Day There is no such thing as a bad hair day on the Milan runways. It started at [Etro](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/etro), where hair artist [Cyndia Harvey](https://www.instagram.com/cyndiaharvey/?hl=en) carried designer Marco de Vincenzo’s “a little mad” theme of abandon and explosion into perfectly greased and tousled tangles. Hair artist [Franco Curletto](https://www.instagram.com/franco_curletto?igsh=MTdkbTliNGRxNjh2Yw==) made even the messiest topknot on Marco Rambaldi’s runway look cool, much like Palau’s glorified hat hair for Bottega Veneta. At Moschino, hair director and Kevin Murphy pro ambassador [Eugene Souleiman](https://www.instagram.com/eugenesouleiman/?hl=en) crafted “kind of tongue-in-cheek” looks. “It’s about contradiction, sharp structure meeting soft, unraveling movement,” Souleiman explained. “Polished but slightly undone. For curly hair, we made it wild, big—almost a little witchy,” he said, while for a “rock-and-roll cut, we made it more tousled. Shorter cuts felt more masculine and shiny.” He used [Kevin Murphy Staying Alive mist](https://cna.st/affiliate-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) for his signature wisps, with the overall attitude being “elegant, emotional, and just a little bit undone.” ## High Smoke Point Sooty gazes were piercing across runways, from makeup artist [Lucia Pieroni](https://www.instagram.com/lucia_pieroni/?hl=en)’s sketchy black lines at Prada and subtle smoked eyes at Ferrari to the darkly romantic Blumarine wings that makeup artist [Patrick Glatthaar](https://www.instagram.com/patrickglatthaar/) smudged out and makeup artist [Yadim](https://www.instagram.com/yad1m/?hl=en)’s softly structured shadow at Boss. And yes, there’s a reason you recognize Kate Moss’s aughts-era smoky eyes and nude lips Visser delivered for Demna’s Gucci debut in the Palazzo Delle Scintille. “I realized how important Gucci is in the Italian culture, that it’s kind of part of the whole Michelangelo, Botticelli, and Donatello. So we built a museum for the show,” Demna [told Phelps](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/gucci) of referencing past collections. “For my generation, his Gucci really introduced sex appeal into fashion,” said Demna of Tom Ford’s era at the house, where Moss first walked the runway in Pat McGrath’s original vision of sex-positive makeup. ## Art-Party Girl As mentioned, Milan is known for its art, and the runways fittingly reflected muses traipsing directly from an art party (or basement rave) to the catwalk. Sometimes she was a total surrealist: To capture the theme of fairies and snails at Antonio Marras, MAC key artist [Ricky Morandin](https://www.instagram.com/ricky_morandin/?hl=en) brought the latter straight to models’ brow bones. “I handcrafted two small hornlike elements featuring a chrome rose and a wire that recalls the spiral of a shell, positioned on the forehead to evoke the snail’s antennae,” Morandin explained. Abstract paint splashes were applied directly to the face again at Diesel, where [Grognard](https://models.com/people/Inge-Grognard) used electric shades of [MAC Chromalines](https://cna.st/affiliate-link/2dJkVVomr493wZpZHQkiuLM4tdCKU684waZeN26kCS5GM9Y36UZETJuPEvL16PaAL5mSoaMjt3YQoksmTb8EL3eYp1aQX3bEsh1WD1UJT9k6kv9hTpvjCeYaN62oaEiSJriNhPVk9Eg22beRzQckQXic9r5i19mHahUScXVg5npc8JgKFQ2EdQfBiXbFXFHzNpU2j6p61RtkiPd3L4caQgnrnSfo4hTK88PWAmEh5rw7zRkGj6i6zARoDYBeBNUYg7vchd3Za4s4PmCJ6ETU6iz36ah4KwMWDQ54AgsVzupsLQMrUAPSj2yDo6zXzCmzjxExx5upAPAK9mGEHL2z8N1os6xYmtbGQiUqnmFD8gnjcWw91rB4wP9Pi92wNfCrXcpeA7mPk1PxAHak5JSKTcHHu3eRjzGVy) to capture Martens’s hyperchromatic vision (which Martens called “a vomit of color” when speaking [preshow to Vogue’s Luke Leitch](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/diesel#review) about reimagining the morning after a perfect party night). “You obviously don’t have time to look at yourself in the mirror,” said Martens. “But when you’re on the street, you look as hot as fuck because you own it. You’ve had a really good night and everything is fantastic, so you just shine from the inside.” ### Vogue Beauty The biggest beauty stories, trends, and product recommendations. ## Chill Low Pony At long last, the low ponytail is being celebrated. We saw hints of its extreme ease in the pulled-back looks that [walked NYFW,](https://www.vogue.com/article/new-york-fashion-week-beauty-fw26) and soon Palau cemented the style on more than one Milan runway. At Prada, his chill ponytails were tied with scarves from the collection or left with bare elastics, and he delivered a similar look for Chiuri’s Fendi debut with just as many fuzzy flyaways. At Marni, [Wright](https://www.instagram.com/tomwrighthair/?hl=en) pulled back texture that seemed to float—not fall—down models’ backs, and it spoke to Rogge’s vision for her first collection for the house. “I’ve been a Marni fan since I was a teenager; it has truly shaped my vision of fashion,” she said backstage of the aforementioned “wearability factor” she wanted to celebrate from the house’s codes. ## Read My Lips The femme fatale glamour [that swept the New York presentations](https://www.vogue.com/article/new-york-fashion-week-beauty-fw26) took a red-eye to Italy and got walking. After all, we love a statement lip that makes an actual statement. At Roberto Cavalli, Fausto Puglisi referenced the chaotic state of the world: “I’m happy, but I’m also sad,” he [told Phelps](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/roberto-cavalli). “I’m sure you read the same articles.” [Yadim](https://www.instagram.com/yad1m/?hl=en) carried dark gothic lips onto the Cavalli runway, which read as a visual tribute to the dark cloud hovering over the world. At Jil Sander, Bellotti’s martini mood tried to perk things up, and [Pica](https://www.instagram.com/luciapicaofficial/?hl=en) translated it into neon red lips, much brighter than those that walked for Dolce & Gabbana ([the brand’s own liquid lip in a brick shade called Audacity](https://www.dolcegabbana.com/fr-fr/produits-de-beaute/maquillage/maquillage-levres/rouges-a-levres-liquides/everkiss-liquid-lip-410-audacity-158054754401240.html?utm_source=google&utm_medium=cpc&utm_campaign=FR_GAds_PMax_Beauty_Products&utm_content=&utm_term=&gclsrc=aw.ds&gad_source=1&gad_campaignid=21340113035&gbraid=0AAAAAp902nWJq2OIHtuBlRbHuiwABJNmN&gclid=Cj0KCQiA5I_NBhDVARIsAOrqIsal4Mst388NrE7_jjh8V8WoaMmpiV8Il22HSQpeV31TaEizN7xsNpQaAvkrEALw_wcB)). “I imagine how she wants to feel when she gets dressed,” Ermanno Scervino told [Vogue’s Giulia di Giamberadino backstage](https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/ermanno-scervino) of his show, where some models walked with oxblood-painted mouths. It opened, di Giamberadino pointed out, with the voice of Mina singing “Sacumdì Sacumdà”: “One day the devil meets me in the street and says, ‘Come along, no one will see. I have everything you need.’” Have a beauty or wellness trend you're curious about? We want to know! Send Vogue’s senior beauty and wellness editor an email at beauty@vogue.com.
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