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| Meta Title | Hungary documentary reveals sobering similarities between OrbĂĄn and Trump | Viktor OrbĂĄn | The Guardian |
| Meta Description | Democracy Noir, portraying OrbĂĄnâs creeping authoritarian takeover, has urgent relevance for US audiences |
| Meta Canonical | null |
| Boilerpipe Text | Just over 40 seconds into Democracy Noir, Connie Fieldâs
documentary
about contemporary
Hungary
, the moral of the tale becomes clear.
On the heels of striking opening shots of the Danube and Budapest,
Viktor OrbĂĄn
, the Hungarian prime minister and the filmâs central subject, is seen introducing himself, in English, to a group of political activists, followed by footage of him chatting amiably with
Vladimir Putin
â and then another scene of him shaking hands with a broadly smiling
Donald Trump
.
Perceptive viewers are unlikely to miss the subliminal message; this is not just about the politics of a smallish east-central European country.
On the contrary, the 90-minute documentary â opening in the US this week and portraying OrbĂĄnâs creeping authoritarian takeover of an erstwhile liberal democracy through the eyes of three women; Timea SzabĂł, an opposition politician, Babette Oroszi, a television journalist, and Niko Antal, a nurse â has universal resonance and urgent relevance for American audiences grappling with the consequences of Trump.
âIâd say this is the most âhitting the zeitgeistâ film Iâve made,â said Field, an award-winning director whose
previous work
includes documentaries about the fall of apartheid in South Africa, the US civil rights movement and the My Lai massacre during the Vietnam war.
âOne of our absolute, biggest dangers weâre facing in the world today is the demise of democracy. People think that word is abstract. Itâs not. Itâs really the best system we have to work towards real equality in our societies.â
Fields, whose husband, Pierre Divenyi, is Hungarian, started filming and chronicling events in the country after witnessing a demonstration in Budapestâs Liberty Square in 2014. Demonstrators were protesting against a memorial commissioned by OrbĂĄnâs government they said falsely portrayed the second world war-era Hungarian government as a victim, rather than recognize that it was allied with Nazi Germany.
Her initial aim was to depict the decline and possible demise of democracy in
Hungary
â a Nato and European Union member â as OrbĂĄn relentlessly pursued his goal of fashioning an illiberal state by changing the constitution to skew election outcomes and retain power, while emptying institutions like the courts, universities and public broadcasters of dissenting elements.
But the advent of Trump â and the forging of ties between the two men â has made the topic startlingly relevant in her native US.
Some of Trumpâs leading followers have cited Hungary
as the model
that the US should emulate. OrbĂĄn
visited Trump
at Mar-a-Lago three times in 2024, including in the weeks after his election victory over Kamala Harris. In turn, CPAC, the Trump-supporting rightwing political action committee, has
staged several conferences
in Budapest.
But the sensitivities over OrbĂĄnâs links with Trump have become clear in Washington DC, where the documentaryâs distributor, Clarity Films, has yet to find a local cinema prepared to screen it â in at least one case, allegedly because of fears that it may upset people linked to the White House.
âOne theater owner said they didnât want to alienate their audience, or some of their audience, or people working for Trump,â said Field. âThey told my distributor they were afraid of alienating half their constituency.â
Separately, a cinema in Boise, Idaho â a solidly Republican state â withdrew from an agreement to show the film, claiming that there was no local market.
Field is convinced that the events of recent months, when the Trumpâs administration has targeted immigrants, transgender rights and vast segments of the federal government, will enable those Americans who do see the film to clearly see the parallels.
âIâve had certain small audiences,â Field said, including a benefit event for Indivisible, a progressive movement that has been involved in protests against Trump since his return to the White House.
âThey went: âOh my God, this is whatâs happening.â It gave them a way to understand it totally by seeing all the similarities in the strategies. It became apparent to people in a much clearer way, thatâs what they were facing.â
Field sees one overarching common thread between Trump and OrbĂĄn, a former liberal and George Soros-financed scholar at Oxford University who underwent a sharp political conversion after leading a center-right government to defeat in 2002.
âAfter he lost the election in 2002, it put him in a real big depression,â she said. âSo he went about literally trying to organize a constituency that he could represent, that would be loyal to him.â She drew a parallel with Trumpâs construction of the âMake America great againâ movement.
But she also sees sobering â and disturbing â differences, leading her to conclude that Trump poses a greater danger.
Where OrbĂĄn moved slowly, accumulating autocratic power gradually over several years, Trump is now subjecting the US to âa complete onslaughtâ.
âHeâs trying to paint a picture for us now that this is coming for you, if you donât watch out. And he starts with the most vulnerable, the immigrants. OrbĂĄn never had to use any of that.â
Still, Fieldâs message is one of hope. The US has two advantages in countering his autocratic ambitions that Hungary lacked: the devolving of political power to the states (in contrast to Hungaryâs easily mastered unitary model) and the Democratsâ status as a well-funded opposition party.
In the face of years of spirited Hungarian resistance, exemplified by the three heroines of Fieldâs film, OrbĂĄn remains in office, although polls show his governing Fidesz party on course to lose next yearâs scheduled election to the opposition Tisza party, led by PĂ©ter Magyar. That would signal the first change in power in 16 years.
âThe story I tell is of people trying to resist this, no matter what,â said Field.
âThe most important thing for me now is that audiences understand we must fight back and that democracy is crucially important to everything. I was very impressed by these Hungarian women whoâve been carrying on this fight for 12 years and never giving up. I find that very invigorating and hopeful â and I hope my American audience finds it the same way.â |
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The Hungarian prime minister, Viktor OrbĂĄn, in The Hague, Netherlands, on 24 June. Photograph: Beata Zawrzel/NurPhoto via Getty Images
[View image in fullscreen](https://www.theguardian.com/world/2025/sep/06/democracy-noir-viktor-orban-hungary-trump#img-1)
The Hungarian prime minister, Viktor OrbĂĄn, in The Hague, Netherlands, on 24 June. Photograph: Beata Zawrzel/NurPhoto via Getty Images
[Viktor OrbĂĄn](https://www.theguardian.com/world/viktor-orban)
This article is more than **6 months old**
# Hungary documentary reveals sobering similarities between OrbĂĄn and Trump
This article is more than 6 months old
Democracy Noir, portraying OrbĂĄnâs creeping authoritarian takeover, has urgent relevance for US audiences
[Robert Tait](https://www.theguardian.com/profile/roberttait)
Sat 6 Sep 2025 15.00 CEST
Last modified on Sat 6 Sep 2025 15.04 CEST
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Just over 40 seconds into Democracy Noir, Connie Fieldâs [documentary](https://www.theguardian.com/film/documentary) about contemporary [Hungary](https://www.theguardian.com/world/hungary), the moral of the tale becomes clear.
On the heels of striking opening shots of the Danube and Budapest, [Viktor OrbĂĄn](https://www.theguardian.com/world/viktor-orban), the Hungarian prime minister and the filmâs central subject, is seen introducing himself, in English, to a group of political activists, followed by footage of him chatting amiably with [Vladimir Putin](https://www.theguardian.com/world/vladimir-putin) â and then another scene of him shaking hands with a broadly smiling [Donald Trump](https://www.theguardian.com/us-news/donaldtrump).
Perceptive viewers are unlikely to miss the subliminal message; this is not just about the politics of a smallish east-central European country.
On the contrary, the 90-minute documentary â opening in the US this week and portraying OrbĂĄnâs creeping authoritarian takeover of an erstwhile liberal democracy through the eyes of three women; Timea SzabĂł, an opposition politician, Babette Oroszi, a television journalist, and Niko Antal, a nurse â has universal resonance and urgent relevance for American audiences grappling with the consequences of Trump.
âIâd say this is the most âhitting the zeitgeistâ film Iâve made,â said Field, an award-winning director whose [previous work](https://www.imdb.com/name/nm0275908/) includes documentaries about the fall of apartheid in South Africa, the US civil rights movement and the My Lai massacre during the Vietnam war.
[He is the strongman who inspired Trump â but is Viktor OrbĂĄn losing his grip on power? Read more](https://www.theguardian.com/news/ng-interactive/2025/jun/01/he-is-the-strongman-who-inspired-trump-but-is-viktor-orban-losing-his-grip-on-power)
âOne of our absolute, biggest dangers weâre facing in the world today is the demise of democracy. People think that word is abstract. Itâs not. Itâs really the best system we have to work towards real equality in our societies.â
Fields, whose husband, Pierre Divenyi, is Hungarian, started filming and chronicling events in the country after witnessing a demonstration in Budapestâs Liberty Square in 2014. Demonstrators were protesting against a memorial commissioned by OrbĂĄnâs government they said falsely portrayed the second world war-era Hungarian government as a victim, rather than recognize that it was allied with Nazi Germany.
Her initial aim was to depict the decline and possible demise of democracy in [Hungary](https://www.theguardian.com/world/hungary) â a Nato and European Union member â as OrbĂĄn relentlessly pursued his goal of fashioning an illiberal state by changing the constitution to skew election outcomes and retain power, while emptying institutions like the courts, universities and public broadcasters of dissenting elements.
But the advent of Trump â and the forging of ties between the two men â has made the topic startlingly relevant in her native US.
Some of Trumpâs leading followers have cited Hungary [as the model](https://www.theguardian.com/us-news/2025/feb/07/trump-viktor-orban-electoral-autocracy) that the US should emulate. OrbĂĄn [visited Trump](https://www.theguardian.com/world/article/2024/jul/11/nato-viktor-orban-peace-mission-trump) at Mar-a-Lago three times in 2024, including in the weeks after his election victory over Kamala Harris. In turn, CPAC, the Trump-supporting rightwing political action committee, has [staged several conferences](https://www.theguardian.com/us-news/2023/may/05/cpac-hungary-kari-lake-rightwing-press-freedom) in Budapest.
But the sensitivities over OrbĂĄnâs links with Trump have become clear in Washington DC, where the documentaryâs distributor, Clarity Films, has yet to find a local cinema prepared to screen it â in at least one case, allegedly because of fears that it may upset people linked to the White House.
âOne theater owner said they didnât want to alienate their audience, or some of their audience, or people working for Trump,â said Field. âThey told my distributor they were afraid of alienating half their constituency.â
> One of our absolute, biggest dangers weâre facing in the world today is the demise of democracy. People think that word is abstract. Itâs not
Connie Field, Democracy Noir director
Separately, a cinema in Boise, Idaho â a solidly Republican state â withdrew from an agreement to show the film, claiming that there was no local market.
Field is convinced that the events of recent months, when the Trumpâs administration has targeted immigrants, transgender rights and vast segments of the federal government, will enable those Americans who do see the film to clearly see the parallels.
âIâve had certain small audiences,â Field said, including a benefit event for Indivisible, a progressive movement that has been involved in protests against Trump since his return to the White House.
âThey went: âOh my God, this is whatâs happening.â It gave them a way to understand it totally by seeing all the similarities in the strategies. It became apparent to people in a much clearer way, thatâs what they were facing.â
Field sees one overarching common thread between Trump and OrbĂĄn, a former liberal and George Soros-financed scholar at Oxford University who underwent a sharp political conversion after leading a center-right government to defeat in 2002.
âAfter he lost the election in 2002, it put him in a real big depression,â she said. âSo he went about literally trying to organize a constituency that he could represent, that would be loyal to him.â She drew a parallel with Trumpâs construction of the âMake America great againâ movement.
But she also sees sobering â and disturbing â differences, leading her to conclude that Trump poses a greater danger.
Where OrbĂĄn moved slowly, accumulating autocratic power gradually over several years, Trump is now subjecting the US to âa complete onslaughtâ.
[Donald Trump says he is not a dictator. Isnât he? Read more](https://www.theguardian.com/us-news/ng-interactive/2025/sep/01/trump-dictator-authoritarianism-politics)
âHeâs trying to paint a picture for us now that this is coming for you, if you donât watch out. And he starts with the most vulnerable, the immigrants. OrbĂĄn never had to use any of that.â
Still, Fieldâs message is one of hope. The US has two advantages in countering his autocratic ambitions that Hungary lacked: the devolving of political power to the states (in contrast to Hungaryâs easily mastered unitary model) and the Democratsâ status as a well-funded opposition party.
In the face of years of spirited Hungarian resistance, exemplified by the three heroines of Fieldâs film, OrbĂĄn remains in office, although polls show his governing Fidesz party on course to lose next yearâs scheduled election to the opposition Tisza party, led by PĂ©ter Magyar. That would signal the first change in power in 16 years.
âThe story I tell is of people trying to resist this, no matter what,â said Field.
âThe most important thing for me now is that audiences understand we must fight back and that democracy is crucially important to everything. I was very impressed by these Hungarian women whoâve been carrying on this fight for 12 years and never giving up. I find that very invigorating and hopeful â and I hope my American audience finds it the same way.â
Explore more on these topics
- [Viktor OrbĂĄn](https://www.theguardian.com/world/viktor-orban)
- [Hungary](https://www.theguardian.com/world/hungary)
- [Europe](https://www.theguardian.com/world/europe-news)
- [Documentary films](https://www.theguardian.com/film/documentary)
- [Donald Trump](https://www.theguardian.com/us-news/donaldtrump)
- [Vladimir Putin](https://www.theguardian.com/world/vladimir-putin)
- [Trump administration](https://www.theguardian.com/us-news/trump-administration)
- [features](https://www.theguardian.com/tone/features)
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| Readable Markdown | Just over 40 seconds into Democracy Noir, Connie Fieldâs [documentary](https://www.theguardian.com/film/documentary) about contemporary [Hungary](https://www.theguardian.com/world/hungary), the moral of the tale becomes clear.
On the heels of striking opening shots of the Danube and Budapest, [Viktor OrbĂĄn](https://www.theguardian.com/world/viktor-orban), the Hungarian prime minister and the filmâs central subject, is seen introducing himself, in English, to a group of political activists, followed by footage of him chatting amiably with [Vladimir Putin](https://www.theguardian.com/world/vladimir-putin) â and then another scene of him shaking hands with a broadly smiling [Donald Trump](https://www.theguardian.com/us-news/donaldtrump).
Perceptive viewers are unlikely to miss the subliminal message; this is not just about the politics of a smallish east-central European country.
On the contrary, the 90-minute documentary â opening in the US this week and portraying OrbĂĄnâs creeping authoritarian takeover of an erstwhile liberal democracy through the eyes of three women; Timea SzabĂł, an opposition politician, Babette Oroszi, a television journalist, and Niko Antal, a nurse â has universal resonance and urgent relevance for American audiences grappling with the consequences of Trump.
âIâd say this is the most âhitting the zeitgeistâ film Iâve made,â said Field, an award-winning director whose [previous work](https://www.imdb.com/name/nm0275908/) includes documentaries about the fall of apartheid in South Africa, the US civil rights movement and the My Lai massacre during the Vietnam war.
âOne of our absolute, biggest dangers weâre facing in the world today is the demise of democracy. People think that word is abstract. Itâs not. Itâs really the best system we have to work towards real equality in our societies.â
Fields, whose husband, Pierre Divenyi, is Hungarian, started filming and chronicling events in the country after witnessing a demonstration in Budapestâs Liberty Square in 2014. Demonstrators were protesting against a memorial commissioned by OrbĂĄnâs government they said falsely portrayed the second world war-era Hungarian government as a victim, rather than recognize that it was allied with Nazi Germany.
Her initial aim was to depict the decline and possible demise of democracy in [Hungary](https://www.theguardian.com/world/hungary) â a Nato and European Union member â as OrbĂĄn relentlessly pursued his goal of fashioning an illiberal state by changing the constitution to skew election outcomes and retain power, while emptying institutions like the courts, universities and public broadcasters of dissenting elements.
But the advent of Trump â and the forging of ties between the two men â has made the topic startlingly relevant in her native US.
Some of Trumpâs leading followers have cited Hungary [as the model](https://www.theguardian.com/us-news/2025/feb/07/trump-viktor-orban-electoral-autocracy) that the US should emulate. OrbĂĄn [visited Trump](https://www.theguardian.com/world/article/2024/jul/11/nato-viktor-orban-peace-mission-trump) at Mar-a-Lago three times in 2024, including in the weeks after his election victory over Kamala Harris. In turn, CPAC, the Trump-supporting rightwing political action committee, has [staged several conferences](https://www.theguardian.com/us-news/2023/may/05/cpac-hungary-kari-lake-rightwing-press-freedom) in Budapest.
But the sensitivities over OrbĂĄnâs links with Trump have become clear in Washington DC, where the documentaryâs distributor, Clarity Films, has yet to find a local cinema prepared to screen it â in at least one case, allegedly because of fears that it may upset people linked to the White House.
âOne theater owner said they didnât want to alienate their audience, or some of their audience, or people working for Trump,â said Field. âThey told my distributor they were afraid of alienating half their constituency.â
Separately, a cinema in Boise, Idaho â a solidly Republican state â withdrew from an agreement to show the film, claiming that there was no local market.
Field is convinced that the events of recent months, when the Trumpâs administration has targeted immigrants, transgender rights and vast segments of the federal government, will enable those Americans who do see the film to clearly see the parallels.
âIâve had certain small audiences,â Field said, including a benefit event for Indivisible, a progressive movement that has been involved in protests against Trump since his return to the White House.
âThey went: âOh my God, this is whatâs happening.â It gave them a way to understand it totally by seeing all the similarities in the strategies. It became apparent to people in a much clearer way, thatâs what they were facing.â
Field sees one overarching common thread between Trump and OrbĂĄn, a former liberal and George Soros-financed scholar at Oxford University who underwent a sharp political conversion after leading a center-right government to defeat in 2002.
âAfter he lost the election in 2002, it put him in a real big depression,â she said. âSo he went about literally trying to organize a constituency that he could represent, that would be loyal to him.â She drew a parallel with Trumpâs construction of the âMake America great againâ movement.
But she also sees sobering â and disturbing â differences, leading her to conclude that Trump poses a greater danger.
Where OrbĂĄn moved slowly, accumulating autocratic power gradually over several years, Trump is now subjecting the US to âa complete onslaughtâ.
âHeâs trying to paint a picture for us now that this is coming for you, if you donât watch out. And he starts with the most vulnerable, the immigrants. OrbĂĄn never had to use any of that.â
Still, Fieldâs message is one of hope. The US has two advantages in countering his autocratic ambitions that Hungary lacked: the devolving of political power to the states (in contrast to Hungaryâs easily mastered unitary model) and the Democratsâ status as a well-funded opposition party.
In the face of years of spirited Hungarian resistance, exemplified by the three heroines of Fieldâs film, OrbĂĄn remains in office, although polls show his governing Fidesz party on course to lose next yearâs scheduled election to the opposition Tisza party, led by PĂ©ter Magyar. That would signal the first change in power in 16 years.
âThe story I tell is of people trying to resist this, no matter what,â said Field.
âThe most important thing for me now is that audiences understand we must fight back and that democracy is crucially important to everything. I was very impressed by these Hungarian women whoâve been carrying on this fight for 12 years and never giving up. I find that very invigorating and hopeful â and I hope my American audience finds it the same way.â |
| Shard | 99 (laksa) |
| Root Hash | 4161074618625082499 |
| Unparsed URL | com,theguardian!www,/world/2025/sep/06/democracy-noir-viktor-orban-hungary-trump s443 |