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URLhttps://www.theguardian.com/tv-and-radio/2025/aug/23/south-park-trump
Last Crawled2026-03-24 13:44:29 (23 days ago)
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Meta TitleSouth Park has become the most important TV show of the Trump 2.0 era | South Park | The Guardian
Meta DescriptionThis season of the long-running animated sitcom has aimed its ire at the cruelty and stupidity of an administration others have found hard to successfully ridicule
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I ’ll admit it: I’m more of a Simpsons guy than a South Park guy. Nothing really against those South Park guys – I’ve caught plenty of episodes over its astonishing near-30-year run, and loved the 1999 big-screen movie. But while I haven’t always maintained clockwork viewership of The Simpsons, either, those characters have proved durable enough to revive my interest in episodes old and new. South Park has a thinner bench by comparison, and as the show itself astutely pointed out years ago, it’s difficult for a satirically minded animated sitcom to explore ground that The Simpsons hasn’t covered already. South Park’s political bent, too, has often seemed less varied than the warmer (but still sometimes cutting) social ribbing of Matt Groening’s signature show. It’s a fine line between omnidirectional satire and libertarian crankiness. And yet the 27th season of South Park has accomplished something vanishingly few of its peers, whether in animation or topical comedy, have been able to do: getting laughs taking shots at the second Trump administration . It’s not that the White House is beyond reproach. Quite the opposite problem, much-documented: the Donald Trump cabal is so outsized in its stupidity and cruelty that it’s hard to distend it into a “funny” caricature, even a bleak one. In Trump’s second term, it has only gotten bleaker; jokes that were worn out by the end of 2020 are getting retold with a nasty vengeance, and the bar for cathartic laughter has been raised considerably. For a comedy fan, this winds up translating to an aversion. The occasional shots taken by The Simpsons somehow don’t land as squarely as they did when aimed at presidents I liked much, much more. I watch Saturday Night Live every week, and mostly dread James Austin Johnson’s accurate but ultimately defanged impression . (Some weeks, Johnson himself seems bummed out to be doing it.) I respect the hell out of Stephen Colbert, but I have never sought out his Trump commentary; I don’t need any more clapter – the reaction encouraged by comedy that wants your approval more than your laughter – in my life. South Park creators Trey Parker and Matt Stone seemed to agree; Parker’s 2017 announcement that they’d grown bored of taking shots at Trump – then barely into his first presidential term – was one of the show’s many controversies over the years. So how is it that South Park’s revived anti-Trump blows this season have managed to land? A big part of it is precisely Stone and Parker’s allergy to clapter and the grandstanding that inspires it. They obviously resent anything they read as putting on airs and sometimes in the past, this came across as its own form of preachiness, with “everybody chill”-style speeches at an episode’s end that would secretly sound just as prescriptive as the self-righteousness they wanted to send up. With their most recent Trump parody, though, there isn’t much moralizing – just gratifyingly mean caricatures of deserving figures such as Trump, JD Vance and the homeland security secretary, Kristi Noem . Some (not all) of their past roastings have verged on point-and-laugh bullying; here are targets worthy of that derision. Some of this derision speaks through the language of South Park itself. Trump isn’t vocally or visually imitated; he’s depicted in a series of repurposed photos, with the same voice and animation technique that Parker and Stone used to bring Saddam Hussein to life in the South Park movie. He’s also given the same sexual partner: a muscled-up and put-upon version of Satan , who has found himself in another toxic relationship. Calling Trump a wannabe dictator doesn’t break new ground, but there’s something satisfying in Stone and Parker using their personal toolkit to draw a line between Trump and Saddam; if they thought it was a histrionic comparison, they’d be making fun of it instead of making it. Similarly, there’s real spite animating the depiction of Noem as a dog-murdering zealot whose glamorous face needs to be repeatedly lacquered and reaffixed to her head as she commands an army of Immigration and Customs Enforcement thugs. Not all of the season’s satire has involved making real-life figures regulars on the show. Because South Park’s ensemble has rarely felt as vast or believably developed as Springfield of The Simpsons (or even Arlen on King of the Hill), it’s also flexible enough to turn Randy, Stan’s desperately trend-following dad, into a ketamine-microdosing, tech-bro moron addicted to the soothing, empty reassurances of ChatGPT – the focus of the most recent episode , to the point where most of the core child cast doesn’t appear. Surprisingly, this season has deployed forever favorite Cartman more sparingly so far, again getting self-referential in the season’s second episode, where the id-driven and arguably evil little kid is incensed to find out that podcasters have stolen his “shtick” – his pervasive hatefulness, repackaged as a challenge to debate where the aggressor is always the self-appointed winner. Ascribing this “master debater” title to Cartman (alongside a fellow kid serving as an obvious Charlie Kirk/Ben Shapiro stand-in) somehow manages to make this ridiculous behavior funny in its petty smallness without glorifying it. A South Park diehard would probably describe this praise as a fair-weather fan only enjoying the show when it goes after the “right” targets. Maybe that’s true, but it’s also a lot easier to take some joy in savaging Vance as a meme-faced version of a Fantasy Island sidekick than, say, accusing George Lucas and Steven Spielberg of cultural rape. It’s probably wishful thinking to wonder if Parker and Stone might actually move the needle of the perception on tech bros, debate-me podcasters and Trump-world ghouls, especially among the dude demo. But it’s also just a blessed change of pace to see say-anything, first-amendment types finding a fresher target than the wokeness bogeyman. While countless standups continue to whine about being silenced, Parker and Stone seem highly aware of their rarified position (and, as Paramount contractors, also aware of what actual political-corporate interference looks like). In a world where Trump’s actual political opponents seem terrified to actually fight him, some well-deserved, point-and-laugh meanness has become a surprising novelty.
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[Tips](https://www.theguardian.com/tips) - - [Search jobs](https://jobs.theguardian.com/) - [Holidays](https://holidays.theguardian.com/?INTCMP=holidays_int_web_newheader) - [Digital Archive](https://theguardian.newspapers.com/) - [Guardian Licensing](https://licensing.theguardian.com/) - [Live events](https://www.theguardian.com/guardian-live-events?INTCMP=live_eur_header_dropdown) - [About Us](https://www.theguardian.com/about) - [Books](https://www.theguardian.com/books) - [Music](https://www.theguardian.com/music) - [TV & radio](https://www.theguardian.com/tv-and-radio) - [Art & design](https://www.theguardian.com/artanddesign) - [Film](https://www.theguardian.com/film) - [Games](https://www.theguardian.com/games) - [Classical](https://www.theguardian.com/music/classicalmusicandopera) - [Stage](https://www.theguardian.com/stage) ![animated satan next to trump](https://i.guim.co.uk/img/media/b354c1bf94283e821ad8f4ba99741b98a9e96fd5/833_0_2596_2078/master/2596.jpg?width=465&dpr=1&s=none&crop=none) A still from South Park. Photograph: Comedy Central [View image in fullscreen](https://www.theguardian.com/tv-and-radio/2025/aug/23/south-park-trump#img-1) A still from South Park. Photograph: Comedy Central [South Park](https://www.theguardian.com/tv-and-radio/south-park) This article is more than **6 months old** # South Park has become the most important TV show of the Trump 2.0 era This article is more than 6 months old [Jesse Hassenger](https://www.theguardian.com/profile/jesse-hassenger) This season of the long-running animated sitcom has aimed its ire at the cruelty and stupidity of an administration others have found hard to successfully ridicule Sat 23 Aug 2025 11.02 CEST Last modified on Mon 25 Aug 2025 20.08 CEST Share I’ll admit it: I’m more of a [Simpsons](https://www.theguardian.com/tv-and-radio/the-simpsons) guy than a [South Park](https://www.theguardian.com/tv-and-radio/south-park) guy. Nothing really against those South Park guys – I’ve caught plenty of episodes over its astonishing near-30-year run, and loved the 1999 big-screen movie. But while I haven’t always maintained clockwork viewership of The Simpsons, either, those characters have proved durable enough to revive my interest in episodes old and new. South Park has a thinner bench by comparison, and as the show itself astutely pointed out years ago, it’s difficult for a satirically minded animated sitcom to explore ground that The Simpsons hasn’t covered already. South Park’s political bent, too, has often seemed less varied than the warmer (but still sometimes cutting) social ribbing of Matt Groening’s signature show. It’s a fine line between omnidirectional satire and libertarian crankiness. And yet the [27th season of South Park](https://www.theguardian.com/tv-and-radio/2025/jul/26/south-park-history-controversy-trump) has accomplished something vanishingly few of its peers, whether in animation or topical comedy, have been able to do: getting laughs taking shots at the second [Trump administration](https://www.theguardian.com/us-news/trump-administration). It’s not that the White House is beyond reproach. Quite the opposite problem, much-documented: the [Donald Trump](https://www.theguardian.com/us-news/donaldtrump) cabal is so outsized in its stupidity and cruelty that it’s hard to distend it into a “funny” caricature, even a bleak one. In Trump’s second term, it has only gotten bleaker; jokes that were worn out by the end of 2020 are getting retold with a nasty vengeance, and the bar for cathartic laughter has been raised considerably. [![Randy and Stan Marsh in the South Park episode Sickofancy.](https://i.guim.co.uk/img/media/be451fc82a0a0950bb9be9dcc288381b05a410f2/356_0_1688_1350/master/1688.jpg?width=460&quality=85&auto=format&fit=max&s=0f8c9a717adb0ed6225c7a463987467e)Satire at its finest: South Park takes on Trump’s martial takeover, AI and tech bros Read more](https://www.theguardian.com/tv-and-radio/2025/aug/21/south-park-takes-on-trumps-martial-takeover-ai-and-tech-bros) For a comedy fan, this winds up translating to an aversion. The occasional shots taken by The Simpsons somehow don’t land as squarely as they did when aimed at presidents I liked much, much more. I watch [Saturday Night Live](https://www.theguardian.com/tv-and-radio/saturday-night-live) every week, and mostly dread James Austin Johnson’s accurate but ultimately defanged [impression](https://www.theguardian.com/tv-and-radio/2021/nov/07/saturday-night-live-trump-james-austin-johnson-kieran-culkin). (Some weeks, Johnson himself seems bummed out to be doing it.) I respect the hell out of Stephen Colbert, but I have never sought out his Trump commentary; I don’t need any more clapter – the reaction encouraged by comedy that wants your approval more than your laughter – in my life. South Park creators Trey Parker and Matt Stone seemed to agree; Parker’s 2017 announcement that they’d grown bored of taking shots at Trump – then barely into his first presidential term – was one of the show’s [many controversies](https://www.theguardian.com/tv-and-radio/2025/jul/26/south-park-history-controversy-trump) over the years. So how is it that South Park’s revived anti-Trump blows this season have managed to land? A big part of it is precisely Stone and Parker’s allergy to clapter and the grandstanding that inspires it. They obviously resent anything they read as putting on airs and sometimes in the past, this came across as its own form of preachiness, with “everybody chill”-style speeches at an episode’s end that would secretly sound just as prescriptive as the self-righteousness they wanted to send up. With their most recent Trump parody, though, there isn’t much moralizing – just gratifyingly mean caricatures of deserving figures such as Trump, [JD Vance](https://www.theguardian.com/tv-and-radio/2025/aug/07/south-park-anti-deportation-episode-ice) and the homeland security secretary, [Kristi Noem](https://www.theguardian.com/us-news/2025/aug/08/homeland-security-kristi-noem-south-park). Some (not all) of their past roastings have verged on point-and-laugh bullying; here are targets worthy of that derision. Some of this derision speaks through the language of South Park itself. Trump isn’t vocally or visually imitated; he’s depicted in a series of repurposed photos, with the same voice and animation technique that Parker and Stone used to bring Saddam Hussein to life in the South Park movie. He’s also given the same sexual partner: a [muscled-up and put-upon version of Satan](https://www.theguardian.com/tv-and-radio/2025/jul/24/south-park-most-furious-episode-ever-the-jaw-dropping-satanic-takedown-of-donald-trump), who has found himself in another toxic relationship. Calling Trump a wannabe dictator doesn’t break new ground, but there’s something satisfying in Stone and Parker using their personal toolkit to draw a line between Trump and Saddam; if they thought it was a histrionic comparison, they’d be making fun of it instead of making it. Similarly, there’s real spite animating the depiction of Noem as a [dog-murdering](https://www.theguardian.com/books/2024/apr/26/trump-kristi-noem-shot-dog-and-goat-book) zealot whose glamorous face needs to be repeatedly lacquered and reaffixed to her head as she commands an army of Immigration and Customs Enforcement thugs. [![South Park Sermon on the Mount](https://i.guim.co.uk/img/media/fb168fdd444a31cb75f9753e368a058805e09c4c/493_0_2347_1878/master/2347.jpg?width=460&quality=85&auto=format&fit=max&s=20a80e700d147cb5ee7b72972c2708de)Lewd, crude and politically astute: South Park’s history of controversy Read more](https://www.theguardian.com/tv-and-radio/2025/jul/26/south-park-history-controversy-trump) Not all of the season’s satire has involved making real-life figures regulars on the show. Because South Park’s ensemble has rarely felt as vast or believably developed as Springfield of The Simpsons (or even Arlen on King of the Hill), it’s also flexible enough to turn Randy, Stan’s desperately trend-following dad, into a ketamine-microdosing, tech-bro moron addicted to the soothing, empty reassurances of ChatGPT – the focus of [the most recent episode](https://www.theguardian.com/tv-and-radio/2025/aug/21/south-park-takes-on-trumps-martial-takeover-ai-and-tech-bros), to the point where most of the core child cast doesn’t appear. Surprisingly, this season has deployed forever favorite Cartman more sparingly so far, again getting self-referential in the season’s second episode, where the id-driven and arguably evil little kid is incensed to find out that podcasters have stolen his “shtick” – his pervasive hatefulness, repackaged as a challenge to debate where the aggressor is always the self-appointed winner. Ascribing this “master debater” title to Cartman (alongside a fellow kid serving as an obvious Charlie Kirk/Ben Shapiro stand-in) somehow manages to make this ridiculous behavior funny in its petty smallness without glorifying it. A South Park diehard would probably describe this praise as a fair-weather fan only enjoying the show when it goes after the “right” targets. Maybe that’s true, but it’s also a lot easier to take some joy in savaging Vance as a meme-faced version of a Fantasy Island sidekick than, say, accusing George Lucas and Steven Spielberg of cultural rape. It’s probably wishful thinking to wonder if Parker and Stone might actually move the needle of the perception on tech bros, debate-me podcasters and Trump-world ghouls, especially among the dude demo. But it’s also just a blessed change of pace to see say-anything, first-amendment types finding a fresher target than the wokeness bogeyman. While countless standups continue to whine about being silenced, Parker and Stone seem highly aware of their rarified position (and, as [Paramount](https://www.theguardian.com/culture/2025/jul/19/paramount-cbs-trump) contractors, also [aware](https://www.theguardian.com/tv-and-radio/2025/jul/24/south-park-trump-paramount) of what actual political-corporate [interference](https://www.theguardian.com/media/2025/jul/02/paramount-settles-with-trump-for-16m-over-60-minutes-interview-with-kamala-harris) looks like). In a world where Trump’s actual political opponents seem terrified to actually fight him, some well-deserved, point-and-laugh meanness has become a surprising novelty. Explore more on these topics - [South Park](https://www.theguardian.com/tv-and-radio/south-park) - [Animation on TV](https://www.theguardian.com/tv-and-radio/animation) - [TV comedy](https://www.theguardian.com/tv-and-radio/comedy) - [Comedy](https://www.theguardian.com/culture/comedy) - [Television](https://www.theguardian.com/culture/television) - [US television](https://www.theguardian.com/tv-and-radio/us-television) - [Donald Trump](https://www.theguardian.com/us-news/donaldtrump) - [comment](https://www.theguardian.com/tone/comment) Share [Reuse this content](https://syndication.theguardian.com/?url=https%3A%2F%2Fwww.theguardian.com%2Ftv-and-radio%2F2025%2Faug%2F23%2Fsouth-park-trump&type=article&internalpagecode=tv-and-radio/2025/aug/23/south-park-trump "Reuse this content") ### Most viewed - [![](https://i.guim.co.uk/img/media/500108cd775f15cb9f5b64b8aaa97c36d853bede/103_0_2154_1723/master/2154.jpg?width=75&dpr=1&s=none&crop=none) US quadruple amputee cornhole champion arrested on suspicion of murder](https://www.theguardian.com/us-news/2026/mar/24/amputee-cornhole-player-arrested) - [![](https://i.guim.co.uk/img/media/53a518d2d5a65abf2d275052b522ae7e0402cce7/366_0_3655_2924/master/3655.jpg?width=75&dpr=1&s=none&crop=none) Molly Miller, ‘pretty privilege’ and women’s basketball’s beauty trap](https://www.theguardian.com/sport/2026/mar/24/molly-miller-arizona-state-university-basketball) - [![](https://i.guim.co.uk/img/media/60a255ba80e680da37d92b3a7532ad95f5f609cd/2128_389_3437_2751/master/3437.jpg?width=75&dpr=1&s=none&crop=none) Behind the rise of Clavicular and ‘looksmaxxing’ there are insecure young men who feel they don’t measure upJason Okundaye](https://www.theguardian.com/society/commentisfree/2026/mar/24/clavicular-insecure-young-men-looksmaxxing) - [![](https://i.guim.co.uk/img/media/896d84533ce42fcb1d038292185bc768f4500450/962_0_6830_5464/master/6830.jpg?width=75&dpr=1&s=none&crop=none) LiveMiddle East crisis live: Pakistan reportedly favouring Vance for role in possible US-Iran peace talks](https://www.theguardian.com/world/live/2026/mar/24/iran-war-live-updates-trump-ursula-von-der-leyen-oil-prices-energy-crisis-israel-strikes) - [![](https://i.guim.co.uk/img/media/f868a652078dac0f90df268a30fb5b872c5f4b4f/224_0_1350_1080/master/1350.jpg?width=75&dpr=1&s=none&crop=none) The ‘self-deportee’ hounded out of the US to Mexico: ‘There are days when I feel literally insane’](https://www.theguardian.com/world/ng-interactive/2026/mar/24/self-deportation-los-angeles-mexico-trump-immigration) ## Related stories ## Related stories - ![](https://i.guim.co.uk/img/media/57a4486d762c962e1d1432faa5c39169d0249b5d/294_0_3000_2400/master/3000.jpg?width=220&dpr=1&s=none&crop=5%3A4) ### Donald Trump and JD Vance have graphic sex (in South Park) 13 Nov 2025 - ![](https://i.guim.co.uk/img/media/d836bfe4c4378e557e72530a0d2f0c686472007f/286_0_1349_1080/master/1349.jpg?width=220&dpr=1&s=none&crop=5%3A4) ### A South Park Halloween: latest episode destroys Trump over White House demolition 1 Nov 2025 - ![](https://i.guim.co.uk/img/media/76a59729a1e116afe29f4ee17af20173b5651718/0_0_2765_2212/master/2765.jpg?width=220&dpr=1&s=none&crop=5%3A4) ### ‘Explicit and outrageous’: South Park is back with its most gratuitous episode since naked Trump 16 Oct 2025 - ![](https://i.guim.co.uk/img/media/550bd061b8b5dcffea4602d928f078bfb3e62887/273_0_2730_2184/master/2730.jpg?width=220&dpr=1&s=none&crop=5%3A4) ### They’ve finally gone there: South Park lets rip at Benjamin Netanyahu 25 Sept 2025 - ![](https://i.guim.co.uk/img/media/be451fc82a0a0950bb9be9dcc288381b05a410f2/356_0_1688_1350/master/1688.jpg?width=220&dpr=1&s=none&crop=5%3A4) ### Satire at its finest: South Park takes on Trump’s martial takeover, AI and tech bros 21 Aug 2025 - ![](https://i.guim.co.uk/img/media/fb168fdd444a31cb75f9753e368a058805e09c4c/493_0_2347_1878/master/2347.jpg?width=220&dpr=1&s=none&crop=5%3A4) ### Lewd, crude and politically astute: South Park’s history of controversy 26 Jul 2025 - ![](https://i.guim.co.uk/img/media/2b9425ced15758b2bb32f4d15961a7a7c594874e/221_0_1535_922/master/1535.jpg?width=220&dpr=1&s=none&crop=5%3A4) ### South Park pandemic special: a biting and surprisingly affecting satire 2 Oct 2020 - ![](https://i.guim.co.uk/img/media/c78e37bb636dfe8690f4a2e7158a1f3cfed695f7/43_0_1292_775/master/1292.png?width=220&dpr=1&s=none&crop=5%3A4) ### New season of South Park takes aim at white supremacy 13 Sept 2017 ## More from culture ## More from culture - ![](https://i.guim.co.uk/img/media/dc2a186e4738c68d6395aa1ca47d513406651bfe/0_1001_2775_2219/master/2775.jpg?width=220&dpr=1&s=none&crop=5%3A4) ### BooksEnough Said by Alan Bennett review – a man for all seasons 5h ago - ![](https://i.guim.co.uk/img/media/7123022afb5a835bf270484aea508c6eb4d28c35/327_0_2917_2334/master/2917.jpg?width=220&dpr=1&s=none&crop=5%3A4) ### MusicManchester’s Strange Quarter is alive with creativity. 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Readable Markdown
I’ll admit it: I’m more of a [Simpsons](https://www.theguardian.com/tv-and-radio/the-simpsons) guy than a [South Park](https://www.theguardian.com/tv-and-radio/south-park) guy. Nothing really against those South Park guys – I’ve caught plenty of episodes over its astonishing near-30-year run, and loved the 1999 big-screen movie. But while I haven’t always maintained clockwork viewership of The Simpsons, either, those characters have proved durable enough to revive my interest in episodes old and new. South Park has a thinner bench by comparison, and as the show itself astutely pointed out years ago, it’s difficult for a satirically minded animated sitcom to explore ground that The Simpsons hasn’t covered already. South Park’s political bent, too, has often seemed less varied than the warmer (but still sometimes cutting) social ribbing of Matt Groening’s signature show. It’s a fine line between omnidirectional satire and libertarian crankiness. And yet the [27th season of South Park](https://www.theguardian.com/tv-and-radio/2025/jul/26/south-park-history-controversy-trump) has accomplished something vanishingly few of its peers, whether in animation or topical comedy, have been able to do: getting laughs taking shots at the second [Trump administration](https://www.theguardian.com/us-news/trump-administration). It’s not that the White House is beyond reproach. Quite the opposite problem, much-documented: the [Donald Trump](https://www.theguardian.com/us-news/donaldtrump) cabal is so outsized in its stupidity and cruelty that it’s hard to distend it into a “funny” caricature, even a bleak one. In Trump’s second term, it has only gotten bleaker; jokes that were worn out by the end of 2020 are getting retold with a nasty vengeance, and the bar for cathartic laughter has been raised considerably. For a comedy fan, this winds up translating to an aversion. The occasional shots taken by The Simpsons somehow don’t land as squarely as they did when aimed at presidents I liked much, much more. I watch [Saturday Night Live](https://www.theguardian.com/tv-and-radio/saturday-night-live) every week, and mostly dread James Austin Johnson’s accurate but ultimately defanged [impression](https://www.theguardian.com/tv-and-radio/2021/nov/07/saturday-night-live-trump-james-austin-johnson-kieran-culkin). (Some weeks, Johnson himself seems bummed out to be doing it.) I respect the hell out of Stephen Colbert, but I have never sought out his Trump commentary; I don’t need any more clapter – the reaction encouraged by comedy that wants your approval more than your laughter – in my life. South Park creators Trey Parker and Matt Stone seemed to agree; Parker’s 2017 announcement that they’d grown bored of taking shots at Trump – then barely into his first presidential term – was one of the show’s [many controversies](https://www.theguardian.com/tv-and-radio/2025/jul/26/south-park-history-controversy-trump) over the years. So how is it that South Park’s revived anti-Trump blows this season have managed to land? A big part of it is precisely Stone and Parker’s allergy to clapter and the grandstanding that inspires it. They obviously resent anything they read as putting on airs and sometimes in the past, this came across as its own form of preachiness, with “everybody chill”-style speeches at an episode’s end that would secretly sound just as prescriptive as the self-righteousness they wanted to send up. With their most recent Trump parody, though, there isn’t much moralizing – just gratifyingly mean caricatures of deserving figures such as Trump, [JD Vance](https://www.theguardian.com/tv-and-radio/2025/aug/07/south-park-anti-deportation-episode-ice) and the homeland security secretary, [Kristi Noem](https://www.theguardian.com/us-news/2025/aug/08/homeland-security-kristi-noem-south-park). Some (not all) of their past roastings have verged on point-and-laugh bullying; here are targets worthy of that derision. Some of this derision speaks through the language of South Park itself. Trump isn’t vocally or visually imitated; he’s depicted in a series of repurposed photos, with the same voice and animation technique that Parker and Stone used to bring Saddam Hussein to life in the South Park movie. He’s also given the same sexual partner: a [muscled-up and put-upon version of Satan](https://www.theguardian.com/tv-and-radio/2025/jul/24/south-park-most-furious-episode-ever-the-jaw-dropping-satanic-takedown-of-donald-trump), who has found himself in another toxic relationship. Calling Trump a wannabe dictator doesn’t break new ground, but there’s something satisfying in Stone and Parker using their personal toolkit to draw a line between Trump and Saddam; if they thought it was a histrionic comparison, they’d be making fun of it instead of making it. Similarly, there’s real spite animating the depiction of Noem as a [dog-murdering](https://www.theguardian.com/books/2024/apr/26/trump-kristi-noem-shot-dog-and-goat-book) zealot whose glamorous face needs to be repeatedly lacquered and reaffixed to her head as she commands an army of Immigration and Customs Enforcement thugs. Not all of the season’s satire has involved making real-life figures regulars on the show. Because South Park’s ensemble has rarely felt as vast or believably developed as Springfield of The Simpsons (or even Arlen on King of the Hill), it’s also flexible enough to turn Randy, Stan’s desperately trend-following dad, into a ketamine-microdosing, tech-bro moron addicted to the soothing, empty reassurances of ChatGPT – the focus of [the most recent episode](https://www.theguardian.com/tv-and-radio/2025/aug/21/south-park-takes-on-trumps-martial-takeover-ai-and-tech-bros), to the point where most of the core child cast doesn’t appear. Surprisingly, this season has deployed forever favorite Cartman more sparingly so far, again getting self-referential in the season’s second episode, where the id-driven and arguably evil little kid is incensed to find out that podcasters have stolen his “shtick” – his pervasive hatefulness, repackaged as a challenge to debate where the aggressor is always the self-appointed winner. Ascribing this “master debater” title to Cartman (alongside a fellow kid serving as an obvious Charlie Kirk/Ben Shapiro stand-in) somehow manages to make this ridiculous behavior funny in its petty smallness without glorifying it. A South Park diehard would probably describe this praise as a fair-weather fan only enjoying the show when it goes after the “right” targets. Maybe that’s true, but it’s also a lot easier to take some joy in savaging Vance as a meme-faced version of a Fantasy Island sidekick than, say, accusing George Lucas and Steven Spielberg of cultural rape. It’s probably wishful thinking to wonder if Parker and Stone might actually move the needle of the perception on tech bros, debate-me podcasters and Trump-world ghouls, especially among the dude demo. But it’s also just a blessed change of pace to see say-anything, first-amendment types finding a fresher target than the wokeness bogeyman. While countless standups continue to whine about being silenced, Parker and Stone seem highly aware of their rarified position (and, as [Paramount](https://www.theguardian.com/culture/2025/jul/19/paramount-cbs-trump) contractors, also [aware](https://www.theguardian.com/tv-and-radio/2025/jul/24/south-park-trump-paramount) of what actual political-corporate [interference](https://www.theguardian.com/media/2025/jul/02/paramount-settles-with-trump-for-16m-over-60-minutes-interview-with-kamala-harris) looks like). In a world where Trump’s actual political opponents seem terrified to actually fight him, some well-deserved, point-and-laugh meanness has become a surprising novelty.
Shard99 (laksa)
Root Hash4161074618625082499
Unparsed URLcom,theguardian!www,/tv-and-radio/2025/aug/23/south-park-trump s443