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| Meta Title | âHouse of Gucciâ Review: Murder, Italian-Style - The New York Times |
| Meta Description | Lady Gaga, Adam Driver, Al Pacino and Jared Leto serve up a heaping platter of prosciutto in Ridley Scottâs tale of family treachery. |
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Lady Gaga, Adam Driver, Al Pacino and Jared Leto serve up a heaping platter of prosciutto in Ridley Scottâs tale of family treachery.
Lady Gaga and Adam Driver in âHouse of Gucci.â
Credit...
Fabio Lovino/MGM
Nov. 23, 2021
House of Gucci
Directed by
Ridley Scott
Crime, Drama, Thriller
R
2h 37m
The kindest thing I can say about âHouse of Gucciâ â and also the cruelest â is that it should have been an Italian movie. Set mostly in Milan, it spins out a sprawling, chaotic, borderline-operatic tale of family feuding, sexual jealousy and capitalist intrigue, with plenty of drinks, cigarettes and snacks (the carpaccio comes highly recommended). Also cars, shoes, hats, sport coats, handbags, dresses, lingerie â whatever you want!
But for all that abundance, something is missing. A lot of things, really, but mostly a strong idea and a credible reason for existing. The true story of how the Gucci family lost control of the company that still bears its name â and of how its scion, Maurizio Gucci, lost his life to a hit manâs bullets â could have inspired Bernardo Bertolucci to heights of decadent spectacle,
Luchino Visconti
to flights of dialectical extravagance or
Lina Wertmuller
to feats of perverse ideological analysis. The raw material plays as tragedy and farce at the same time.
The actual director, Ridley Scott, possesses ample style and impressive craft, but at least this time around seems to be lacking the necessary vision or inspiration. (His underrated
âAll the Money in the Worldâ
was a tougher, tarter treatment of similar material.) The script, by Becky Johnston and Roberto Bentivegna (based on
Sara Gay Fordenâs book
), has a repetitive, wheel-spinning quality. Most of the scenes consist of Guccis yelling at other Guccis â in Milan and New York, amid the Alps and near a lake, in hotels and conference rooms and villas and cafes. The shouting, in heavily accented English, lasts from the early â70s to the mid-90s, and you can tell what year it is by scrutinizing the clothes and haircuts. For a while it seems like the music cues (David Bowie, Eurythmics) might also help, but at some point in the â80s the playlist gets scrambled.
Subscribe to The Times
to read as many articles as you like.
A.O. Scott
is a co-chief film critic. He joined The Times in 2000 and has written for the Book Review and The New York Times Magazine. He is also the author of âBetter Living Through Criticism.â
A version of this article appears in print on
Nov. 24, 2021
, Section C, Page 1 of the New York edition with the headline: Itâs Murder Dressed With an Italian Flair
.
Order Reprints
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|
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# âHouse of Gucciâ Review: Murder, Italian-Style
Lady Gaga, Adam Driver, Al Pacino and Jared Leto serve up a heaping platter of prosciutto in Ridley Scottâs tale of family treachery.
- Share full article

Lady Gaga and Adam Driver in âHouse of Gucci.âCredit...Fabio Lovino/MGM
[](https://www.nytimes.com/by/a-o--scott)
By [A.O. Scott](https://www.nytimes.com/by/a-o--scott)
Nov. 23, 2021
House of Gucci
Directed by Ridley Scott
Crime, Drama, Thriller
R
2h 37m
[Find Tickets](https://www.imdb.com/showtimes/title/tt11214590?ref_=ref_ext_NYT)
When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.
The kindest thing I can say about âHouse of Gucciâ â and also the cruelest â is that it should have been an Italian movie. Set mostly in Milan, it spins out a sprawling, chaotic, borderline-operatic tale of family feuding, sexual jealousy and capitalist intrigue, with plenty of drinks, cigarettes and snacks (the carpaccio comes highly recommended). Also cars, shoes, hats, sport coats, handbags, dresses, lingerie â whatever you want\!
But for all that abundance, something is missing. A lot of things, really, but mostly a strong idea and a credible reason for existing. The true story of how the Gucci family lost control of the company that still bears its name â and of how its scion, Maurizio Gucci, lost his life to a hit manâs bullets â could have inspired Bernardo Bertolucci to heights of decadent spectacle, [Luchino Visconti](https://www.nytimes.com/2018/06/07/movies/luchino-visconti-movies-retrospective.html) to flights of dialectical extravagance or [Lina Wertmuller](https://www.nytimes.com/2017/04/19/movies/the-pioneering-director-lina-wertmuller-at-the-quad-cinema.html) to feats of perverse ideological analysis. The raw material plays as tragedy and farce at the same time.
The actual director, Ridley Scott, possesses ample style and impressive craft, but at least this time around seems to be lacking the necessary vision or inspiration. (His underrated [âAll the Money in the Worldâ](https://www.nytimes.com/2017/12/24/movies/all-the-money-in-the-world-review-christopher-plummer.html) was a tougher, tarter treatment of similar material.) The script, by Becky Johnston and Roberto Bentivegna (based on [Sara Gay Fordenâs book](https://www.nytimes.com/2000/10/01/style/second-acts-a-dark-gucci-s-sunshine.html)), has a repetitive, wheel-spinning quality. Most of the scenes consist of Guccis yelling at other Guccis â in Milan and New York, amid the Alps and near a lake, in hotels and conference rooms and villas and cafes. The shouting, in heavily accented English, lasts from the early â70s to the mid-90s, and you can tell what year it is by scrutinizing the clothes and haircuts. For a while it seems like the music cues (David Bowie, Eurythmics) might also help, but at some point in the â80s the playlist gets scrambled.
[Subscribe to The Times](https://www.nytimes.com/subscription?campaignId=8WXW7) to read as many articles as you like.
#### House of Gucci
[Find Tickets](https://www.imdb.com/showtimes/title/tt11214590?ref_=ref_ext_NYT)
When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.
Director
Ridley Scott
Writers
Becky Johnston, Roberto Bentivegna
Stars
Lady Gaga, Adam Driver, Al Pacino, Jeremy Irons, Jared Leto
Rating
R
Running Time
2h 37m
Genres
Crime, Drama, Thriller
Movie data powered by IMDb.com
[A.O. Scott](https://www.nytimes.com/by/a-o--scott) is a co-chief film critic. He joined The Times in 2000 and has written for the Book Review and The New York Times Magazine. He is also the author of âBetter Living Through Criticism.â
A version of this article appears in print on Nov. 24, 2021, Section C, Page 1 of the New York edition with the headline: Itâs Murder Dressed With an Italian Flair. [Order Reprints](https://nytimes.wrightsmedia.com/) \| [Todayâs Paper](https://www.nytimes.com/section/todayspaper) \| [Subscribe](https://www.nytimes.com/subscriptions/Multiproduct/lp8HYKU.html?campaignId=48JQY)
See more on: [Ridley Scott](https://www.nytimes.com/topic/person/ridley-scott), [Lady Gaga](https://www.nytimes.com/topic/lady-gaga), [Adam Driver](https://www.nytimes.com/topic/adam-driver), [Gucci](https://www.nytimes.com/topic/gucci)
- Share full article
***
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Lady Gaga, Adam Driver, Al Pacino and Jared Leto serve up a heaping platter of prosciutto in Ridley Scottâs tale of family treachery.

Lady Gaga and Adam Driver in âHouse of Gucci.âCredit...Fabio Lovino/MGM
Nov. 23, 2021
House of Gucci
Directed by Ridley Scott
Crime, Drama, Thriller
R
2h 37m
The kindest thing I can say about âHouse of Gucciâ â and also the cruelest â is that it should have been an Italian movie. Set mostly in Milan, it spins out a sprawling, chaotic, borderline-operatic tale of family feuding, sexual jealousy and capitalist intrigue, with plenty of drinks, cigarettes and snacks (the carpaccio comes highly recommended). Also cars, shoes, hats, sport coats, handbags, dresses, lingerie â whatever you want\!
But for all that abundance, something is missing. A lot of things, really, but mostly a strong idea and a credible reason for existing. The true story of how the Gucci family lost control of the company that still bears its name â and of how its scion, Maurizio Gucci, lost his life to a hit manâs bullets â could have inspired Bernardo Bertolucci to heights of decadent spectacle, [Luchino Visconti](https://www.nytimes.com/2018/06/07/movies/luchino-visconti-movies-retrospective.html) to flights of dialectical extravagance or [Lina Wertmuller](https://www.nytimes.com/2017/04/19/movies/the-pioneering-director-lina-wertmuller-at-the-quad-cinema.html) to feats of perverse ideological analysis. The raw material plays as tragedy and farce at the same time.
The actual director, Ridley Scott, possesses ample style and impressive craft, but at least this time around seems to be lacking the necessary vision or inspiration. (His underrated [âAll the Money in the Worldâ](https://www.nytimes.com/2017/12/24/movies/all-the-money-in-the-world-review-christopher-plummer.html) was a tougher, tarter treatment of similar material.) The script, by Becky Johnston and Roberto Bentivegna (based on [Sara Gay Fordenâs book](https://www.nytimes.com/2000/10/01/style/second-acts-a-dark-gucci-s-sunshine.html)), has a repetitive, wheel-spinning quality. Most of the scenes consist of Guccis yelling at other Guccis â in Milan and New York, amid the Alps and near a lake, in hotels and conference rooms and villas and cafes. The shouting, in heavily accented English, lasts from the early â70s to the mid-90s, and you can tell what year it is by scrutinizing the clothes and haircuts. For a while it seems like the music cues (David Bowie, Eurythmics) might also help, but at some point in the â80s the playlist gets scrambled.
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[A.O. Scott](https://www.nytimes.com/by/a-o--scott) is a co-chief film critic. He joined The Times in 2000 and has written for the Book Review and The New York Times Magazine. He is also the author of âBetter Living Through Criticism.â
A version of this article appears in print on Nov. 24, 2021, Section C, Page 1 of the New York edition with the headline: Itâs Murder Dressed With an Italian Flair. [Order Reprints](https://nytimes.wrightsmedia.com/) \| [Todayâs Paper](https://www.nytimes.com/section/todayspaper) \| [Subscribe](https://www.nytimes.com/subscriptions/Multiproduct/lp8HYKU.html?campaignId=48JQY)
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