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| Meta Title | House of Gucci | The New Yorker |
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| Boilerpipe Text | November 26, 2021
The new Ridley Scott film, springing from real-life scandals, stars Lady Gaga as Patrizia Reggiani, whose father owns a trucking business. Aiming high, she marries Maurizio Gucci (Adam Driver) and gets snarled up in the tangled affairs of the Gucci dynasty. Prominent honchos of the clan are played by Jeremy Irons, Al Pacino, and Jared Leto, and connoisseurs of luxury ham will have a delicious time trying to judge who gives the saltiest performance. Almost everyone converses in rich Italian (or “Italian”) accents; why has this old cinematic habit not been laid to rest? The movie, though executed with Scott’s habitual panache, is ominously long, and Gaga, in particular, is impeded from giving it the comic flourish that it badly needs, and which she seems ever ready to supply. The plot has less to do with fashion than with fiscal irregularities; it’s a relief when Tom Ford (Reeve Carney) shows up and makes something happen on the catwalk.
(In theatrical release.) |
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# House of Gucci
By [Anthony Lane](https://www.newyorker.com/contributors/anthony-lane)
November 26, 2021
The new Ridley Scott film, springing from real-life scandals, stars Lady Gaga as Patrizia Reggiani, whose father owns a trucking business. Aiming high, she marries Maurizio Gucci (Adam Driver) and gets snarled up in the tangled affairs of the Gucci dynasty. Prominent honchos of the clan are played by Jeremy Irons, Al Pacino, and Jared Leto, and connoisseurs of luxury ham will have a delicious time trying to judge who gives the saltiest performance. Almost everyone converses in rich Italian (or “Italian”) accents; why has this old cinematic habit not been laid to rest? The movie, though executed with Scott’s habitual panache, is ominously long, and Gaga, in particular, is impeded from giving it the comic flourish that it badly needs, and which she seems ever ready to supply. The plot has less to do with fashion than with fiscal irregularities; it’s a relief when Tom Ford (Reeve Carney) shows up and makes something happen on the catwalk.*(In theatrical release.)*
Published in the print edition of the [December 6, 2021](https://www.newyorker.com/magazine/2021/12/06), issue.
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| Readable Markdown | November 26, 2021
The new Ridley Scott film, springing from real-life scandals, stars Lady Gaga as Patrizia Reggiani, whose father owns a trucking business. Aiming high, she marries Maurizio Gucci (Adam Driver) and gets snarled up in the tangled affairs of the Gucci dynasty. Prominent honchos of the clan are played by Jeremy Irons, Al Pacino, and Jared Leto, and connoisseurs of luxury ham will have a delicious time trying to judge who gives the saltiest performance. Almost everyone converses in rich Italian (or “Italian”) accents; why has this old cinematic habit not been laid to rest? The movie, though executed with Scott’s habitual panache, is ominously long, and Gaga, in particular, is impeded from giving it the comic flourish that it badly needs, and which she seems ever ready to supply. The plot has less to do with fashion than with fiscal irregularities; it’s a relief when Tom Ford (Reeve Carney) shows up and makes something happen on the catwalk.*(In theatrical release.)* |
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