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PropertyValue
URLhttps://www.newyorker.com/goings-on-about-town/movies/house-of-gucci
Last Crawled2026-03-30 13:26:20 (17 days ago)
First Indexed2021-11-26 11:33:34 (4 years ago)
HTTP Status Code200
Meta TitleHouse of Gucci | The New Yorker
Meta Descriptionnull
Meta Canonicalnull
Boilerpipe Text
November 26, 2021 The new Ridley Scott film, springing from real-life scandals, stars Lady Gaga as Patrizia Reggiani, whose father owns a trucking business. Aiming high, she marries Maurizio Gucci (Adam Driver) and gets snarled up in the tangled affairs of the Gucci dynasty. Prominent honchos of the clan are played by Jeremy Irons, Al Pacino, and Jared Leto, and connoisseurs of luxury ham will have a delicious time trying to judge who gives the saltiest performance. Almost everyone converses in rich Italian (or “Italian”) accents; why has this old cinematic habit not been laid to rest? The movie, though executed with Scott’s habitual panache, is ominously long, and Gaga, in particular, is impeded from giving it the comic flourish that it badly needs, and which she seems ever ready to supply. The plot has less to do with fashion than with fiscal irregularities; it’s a relief when Tom Ford (Reeve Carney) shows up and makes something happen on the catwalk. (In theatrical release.)
Markdown
[Skip to main content](https://www.newyorker.com/goings-on-about-town/movies/house-of-gucci#main-content) [![The New Yorker](https://www.newyorker.com/verso/static/thenewyorker-us/assets/logo.svg)](https://www.newyorker.com/) - [Newsletter](https://www.newyorker.com/newsletters?sourceCode=navbar) Search - [The Latest](https://www.newyorker.com/latest) - [News](https://www.newyorker.com/news) - [Books & Culture](https://www.newyorker.com/culture) - [Fiction & Poetry](https://www.newyorker.com/fiction-and-poetry) - [Humor & Cartoons](https://www.newyorker.com/humor) - [Magazine](https://www.newyorker.com/archive) - [Puzzles & Games](https://www.newyorker.com/crossword-puzzles-and-games) - [Video](https://www.newyorker.com/video) - [Podcasts](https://www.newyorker.com/podcasts) - [Goings On](https://www.newyorker.com/goings-on) - [Shop](https://store.newyorker.com/) Open Navigation Menu [![The New Yorker](https://www.newyorker.com/verso/static/thenewyorker-us/assets/logo-header.svg)](https://www.newyorker.com/) [Movies](//) # House of Gucci By [Anthony Lane](https://www.newyorker.com/contributors/anthony-lane) November 26, 2021 The new Ridley Scott film, springing from real-life scandals, stars Lady Gaga as Patrizia Reggiani, whose father owns a trucking business. Aiming high, she marries Maurizio Gucci (Adam Driver) and gets snarled up in the tangled affairs of the Gucci dynasty. Prominent honchos of the clan are played by Jeremy Irons, Al Pacino, and Jared Leto, and connoisseurs of luxury ham will have a delicious time trying to judge who gives the saltiest performance. Almost everyone converses in rich Italian (or “Italian”) accents; why has this old cinematic habit not been laid to rest? The movie, though executed with Scott’s habitual panache, is ominously long, and Gaga, in particular, is impeded from giving it the comic flourish that it badly needs, and which she seems ever ready to supply. The plot has less to do with fashion than with fiscal irregularities; it’s a relief when Tom Ford (Reeve Carney) shows up and makes something happen on the catwalk.*(In theatrical release.)* Published in the print edition of the [December 6, 2021](https://www.newyorker.com/magazine/2021/12/06), issue. [![The New Yorker](https://www.newyorker.com/verso/static/thenewyorker-us/assets/logo-reverse.svg)](https://www.newyorker.com/) Sections - [News](https://www.newyorker.com/news) - [Books & Culture](https://www.newyorker.com/culture) - [Fiction & Poetry](https://www.newyorker.com/fiction-and-poetry) - [Humor & Cartoons](https://www.newyorker.com/humor) - [Magazine](https://www.newyorker.com/archive) - [Crossword](https://www.newyorker.com/crossword-puzzles-and-games) - [Video](https://www.newyorker.com/video) - [Podcasts](https://www.newyorker.com/podcast) - [100th Anniversary](https://www.newyorker.com/100) - [Goings On](https://www.newyorker.com/goings-on) More - [Manage Account](https://www.newyorker.com/account/profile) - [Shop The New Yorker](https://store.newyorker.com/) - [Buy Covers and Cartoons](https://condenaststore.com/art/new+yorker+covers) - [Condé Nast Store](https://condenaststore.com/conde-nast-brand/thenewyorker) - [Digital Access](https://www.newyorker.com/about/digital-access) - [Subscribe](https://www.newyorker.com/subscribe) - [Newsletters](https://www.newyorker.com/newsletter) - [Jigsaw Puzzle](https://www.newyorker.com/jigsaw) - [RSS](https://www.newyorker.com/about/feeds) - [Site Map](https://www.newyorker.com/sitemap) - [About](https://www.newyorker.com/about/us) - [Careers](https://www.newyorker.com/about/careers) - [Contact](https://www.newyorker.com/about/contact) - [F.A.Q.](https://www.newyorker.com/about/faq) - [Media Kit](https://www.condenast.com/advertising) - [Press](https://www.newyorker.com/about/press) - [Accessibility Help](https://www.newyorker.com/about/accessibility-help) - [User Agreement](https://www.condenast.com/user-agreement/) - [Privacy Policy](http://www.condenast.com/privacy-policy#privacypolicy) - [Your California Privacy Rights](http://www.condenast.com/privacy-policy#privacypolicy-california) © 2026 Condé Nast. All rights reserved. *The New Yorker* may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. [Ad Choices](http://www.aboutads.info/)
Readable Markdown
November 26, 2021 The new Ridley Scott film, springing from real-life scandals, stars Lady Gaga as Patrizia Reggiani, whose father owns a trucking business. Aiming high, she marries Maurizio Gucci (Adam Driver) and gets snarled up in the tangled affairs of the Gucci dynasty. Prominent honchos of the clan are played by Jeremy Irons, Al Pacino, and Jared Leto, and connoisseurs of luxury ham will have a delicious time trying to judge who gives the saltiest performance. Almost everyone converses in rich Italian (or “Italian”) accents; why has this old cinematic habit not been laid to rest? The movie, though executed with Scott’s habitual panache, is ominously long, and Gaga, in particular, is impeded from giving it the comic flourish that it badly needs, and which she seems ever ready to supply. The plot has less to do with fashion than with fiscal irregularities; it’s a relief when Tom Ford (Reeve Carney) shows up and makes something happen on the catwalk.*(In theatrical release.)*
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