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1. Shard Calculation

Query:

Response:

Calculated Shard: 76 (from laksa085)

2. Crawled Status Check

Query:

curl -X POST \
  'http://laksa076.int.ahrefs:8124/' \
  -H 'Content-Type: text/plain' \
  -H 'X-ClickHouse-Database: crawler3' \
  -H 'Authorization: Basic YXBpOg==' \
  -d 'SELECT getAhrefsURLFromUnparsed(src_unparsed) AS found_url, ifNull(toUnixTimestamp(download_stamp), 0) AS crawl_time, ifNull(toUnixTimestamp(props_url_first_seen), 0) AS first_indexed_time, download_http_code AS http_code, src_unparsed AS src_unparsed, src_root_hash AS src_root_hash, history_drop_reason AS history_drop_reason, meta_title AS meta_title, meta_descriptions AS meta_descriptions, attrs_boilerpipe_text AS attrs_boilerpipe_text, attrs_markdown AS attrs_markdown, attrs_readable_markdown AS attrs_readable_markdown, meta_canonical AS meta_canonical FROM crawler3.page_info_local FINAL PREWHERE (src_root_hash, src_unparsed) IN ((getAhrefsRootHashFromUnparsed(getAhrefsUnparsedNoserviceFromURL(\'https://www.mensjournal.com/entertainment/movies-like-marty-supreme\')), getAhrefsUnparsedNoserviceFromURL(\'https://www.mensjournal.com/entertainment/movies-like-marty-supreme\'))) FORMAT JSONEachRow'

Response:

{"found_url":"https:\/\/www.mensjournal.com\/entertainment\/movies-like-marty-supreme","crawl_time":1776237786,"first_indexed_time":1773587237,"http_code":200,"src_unparsed":"com,mensjournal!www,\/entertainment\/movies-like-marty-supreme s443","src_root_hash":"7471735315811538076","history_drop_reason":null,"meta_title":"5 Extreme Movies to Watch After 'Marty Supreme' - Men's Journal","meta_descriptions":["Five dark, character‑driven films that echo Marty Supreme’s themes of moral decay, messy choices, and gentle filmmakers crafting filthy cinematic worlds."],"attrs_boilerpipe_text":"Marty Supreme\nthrives on guerrilla energy, taboo subject matter, and a cynical worldview shaped by damaged characters.\nTimothée Chalamet’s\nping‑pong‑playing Marty twists his moral contamination into something magnetic, revealing systemic rot in the same way Benny Safdie’s\nThe Curse\nexposes exploitation with icy clarity.\nThese five films share\nMarty Supreme\n’s chaos, decay, and psychological edge. Each also comes from a filmmaker whose personality sharply contrasts with their work.\n1.\nBalls of Fury\n(2007) — Dir. Robert Ben Garant\nRewatching\nBalls of Fury\nafter\nMarty Supreme\nstarted as a joke, but the movie hit harder than I expected. Beneath its ridiculous 2000s slapstick, the film shares surprising thematic DNA with darker character studies.\nGarant, from all accounts, is known for his playful, goofy, collaborative approach and work on\nNight at the Museum\n— is not a cynical filmmaker. Yet this comedy involves:\nunderground criminal operations\nexploitation and coercion\ntraumatic revenge\nabuser–victim power dynamics\nobsessive rivalry\na protagonist scarred by childhood humiliation\nPing‑pong becomes an absurd metaphor for ego, control, and survival — exactly the kind of tonal contrast that defines\nMarty Supreme\n. Garant’s comedic instincts soften the darkness without erasing it, making the film a surprisingly fitting companion piece to\nMarty Supreme\n.\n2.\nBlue Velvet\n(1986) — Dir. David Lynch\nLynch’s follow‑up to\nDune\npeels back the surface of suburban Americana and exposes something rotten beneath. Kyle MacLachlan’s emotionally inexperienced protagonist stumbles into a world of voyeurism, abuse, and surreal horror.\nDespite the film’s intensity, Lynch himself is famously gentle and monk‑like in interviews. Seen often as soft‑spoken, reflective, deeply compassionate. That empathy shapes every frame. Victims are treated with genuine sensitivity, and the violence is framed as emotional rupture rather than spectacle. In particular, Lynch’s\nTwin Peaks\nis another piece that has moments that are distilled of pure, uncanny evil that contrasts with the otherwise calm artist.\n3.\nThe Graduate\n(1967) — Dir. Mike Nichols\nMike Nichols, known for his emotional intelligence and generosity, crafted one of cinema’s most quietly devastating character studies.\nThe Graduate\nfollows Benjamin Braddock, a vulnerable young man manipulated and emotionally cornered by Mrs. Robinson.\nNichols understood the psychological imbalance at the core of their relationship. Benjamin’s confusion and exploitation are never mocked; Mrs. Robinson is complex but still damaging. The film’s emotional brutality works because Nichols approaches both characters with empathy. I think a lot of this comes from his background in theater, and how it may have taught him to draw out more intimate, psychologically layered performances from his actors.\nFincher excels at building psychologically punishing worlds. In\nThe Social Network\n, Mark Zuckerberg becomes a portrait of toxic ambition, insecurity, and moral corrosion. Jesse Eisenberg’s performance captures the intensity of someone who destroys friendships with the same ease he builds systems.\nYet Fincher himself is calm, witty, and collaborative. His steady temperament heightens the contrast between creator and creation, as he portrays the psychological profiles of his characters with pinpoint precision.\n5.\nThere Will Be Blood\n(2007) — Dir. Paul Thomas Anderson\nPaul Thomas Anderson is one of the most soft‑spoken, humble directors working today. But\nThere Will Be Blood\nis a ferocious character study of obsession, greed, and generational decay. Daniel Plainview’s descent is total in its depiction, a man consumed by his ambition until nothing remains.\nThis is the kind of character a\nMarty Supreme\nfan gravitates toward: driven, damaged, unraveling. The film is hypnotically bleak, and its psychological gravity has only deepened with time.\nIf\nMarty Supreme\nresonated with you — its rawness, its messy characters, its interrogation of rot and ambition; then these films and their directors will hit your same nerve. They’re built around moral collapse and flawed people, yet made by filmmakers whose empathy sharpens the darkness rather than dilutes it. And it’s these contradictions that make their films memorable.\nMore in Movies","attrs_markdown":"[Skip to main content](https:\/\/www.mensjournal.com\/entertainment\/movies-like-marty-supreme#main-content)\n\n2026 Travel Awards\n\n[Your Blueprint for Adventure](https:\/\/www.mensjournal.com\/travel\/travel-awards)\n\nNewsletter\n\nSign in\n\n[![](https:\/\/www.mensjournal.com\/.image\/NDI6MDAwMDAwMDAwOTI1NjUz\/mj_white.svg?io=1&profile=w256)](https:\/\/www.mensjournal.com\/)\n\n[![](https:\/\/www.mensjournal.com\/.image\/NDI6MDAwMDAwMDAwOTI1NjUz\/mj_white.svg?io=1&profile=w256)](https:\/\/www.mensjournal.com\/)\n\n- [Gear](https:\/\/www.mensjournal.com\/gear\/)\n- [FITNESS](https:\/\/www.mensjournal.com\/health-fitness\/)\n  FITNESS\n  \n  [All FITNESS](https:\/\/www.mensjournal.com\/health-fitness\/)[Ab Workouts](https:\/\/www.mensjournal.com\/workouts\/ab-workouts\/)[Arm Workouts](https:\/\/www.mensjournal.com\/workouts\/arm-workouts\/)[Chest Workouts](https:\/\/www.mensjournal.com\/workouts\/chest-workouts\/)[Leg Workouts](https:\/\/www.mensjournal.com\/workouts\/leg-workouts\/)[Total Body Workouts](https:\/\/www.mensjournal.com\/workouts\/total-body-workouts\/)\n  \n  [View post: I Tried Rucking for 30 Days. 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[Entertainment](https:\/\/www.mensjournal.com\/entertainment\/)\n\n# 5 Extreme Movies to Watch After ‘Marty Supreme’\nExplore five dark, character‑driven films to watch after Marty Supreme, each made by surprisingly gentle filmmakers who create morally filthy worlds.\n\nMar 31, 2026 7:10 PM EDT\n\nBy [Men’s Journal Editors](https:\/\/www.mensjournal.com\/author\/mens-journal-editors)\n\n0\n\n[Add us on](https:\/\/www.google.com\/preferences\/source?q=mensjournal.com)\n\n![Timothée Chalamet serves 1950s swagger in A24’s Marty Supreme. Ping pong gets the Safdie treatment in this high-stakes, stylishly retro drama.](https:\/\/www.mensjournal.com\/.image\/NDI6MDAwMDAwMDAxMTI2ODUz\/marty-supreme-a24.jpeg?io=1&profile=w2560&ar=16-9)\n\nTimothée Chalamet serves 1950s swagger in A24’s Marty Supreme. Ping pong gets the Safdie treatment in this high-stakes, stylishly retro drama.\n\nRelated Articles\n\n[View post: Amazon Prime Video Cuts Off NBA Play-In Game, and Fans Were Going Crazy](https:\/\/www.mensjournal.com\/entertainment\/amazon-prime-video-cuts-off-nba-play-in-game-and-fans-were-going-crazy)![](https:\/\/www.mensjournal.com\/.image\/MjE3MDEwMjQ1NDM4ODc1MTU1\/in-this-photo-illustration-the-amazon-prime-video-logo-is.jpg?io=1&profile=w256&ar=1-1)\n\nEntertainment\n\n[Amazon Prime Video Cuts Off NBA Play-In Game, and Fans Were Going Crazy](https:\/\/www.mensjournal.com\/entertainment\/amazon-prime-video-cuts-off-nba-play-in-game-and-fans-were-going-crazy)\n\nShawn Laib\n\n[View post: ‘The Boys’ Comic's Brutal Ending — Homelander and Every Character’s Final Fate](https:\/\/www.mensjournal.com\/entertainment\/the-boys-comics-ending-homelanders-final-fate)![](https:\/\/www.mensjournal.com\/.image\/NDI6MDAwMDAwMDAxMTU1ODM4\/signage-for-amazons-the-boys.jpg?io=1&profile=w256&ar=1-1&x=51&y=43)\n\nEntertainment\n\n[‘The Boys’ Comic's Brutal Ending — Homelander and Every Character’s Final Fate](https:\/\/www.mensjournal.com\/entertainment\/the-boys-comics-ending-homelanders-final-fate)\n\nJudah Carroll\n\n[View post: Why Keegan-Michael Key Had 5 Lookalikes With Him at the Yankees Game](https:\/\/www.mensjournal.com\/entertainment\/why-keegan-michael-key-had-5-lookalikes-with-him-at-the-yankees-game)![](https:\/\/www.mensjournal.com\/.image\/NDI6MDAwMDAwMDAxMTU1NDYx\/credit-new-york-yankees.jpg?io=1&profile=w256&ar=1-1)\n\nEntertainment\n\n[Why Keegan-Michael Key Had 5 Lookalikes With Him at the Yankees Game](https:\/\/www.mensjournal.com\/entertainment\/why-keegan-michael-key-had-5-lookalikes-with-him-at-the-yankees-game)\n\nMiguel A. Melendez\n\n[View post: YouTube TV Subscribers Get Bad News Before WrestleMania 42](https:\/\/www.mensjournal.com\/entertainment\/youtube-tv-subscribers-get-bad-news-before-wrestlemania-42)![](https:\/\/www.mensjournal.com\/.image\/NDI6MDAwMDAwMDAxMDE0Mjg3\/youtube-tv-photo-illustration.jpg?io=1&profile=w256&ar=1-1)\n\nEntertainment\n\n[YouTube TV Subscribers Get Bad News Before WrestleMania 42](https:\/\/www.mensjournal.com\/entertainment\/youtube-tv-subscribers-get-bad-news-before-wrestlemania-42)\n\nMatt Hladik\n\n*Marty Supreme* thrives on guerrilla energy, taboo subject matter, and a cynical worldview shaped by damaged characters. [Timothée Chalamet’s](https:\/\/www.mensjournal.com\/entertainment\/timothee-chalamet-net-worth) ping‑pong‑playing Marty twists his moral contamination into something magnetic, revealing systemic rot in the same way Benny Safdie’s *The Curse* exposes exploitation with icy clarity.\n\nThese five films share *Marty Supreme*’s chaos, decay, and psychological edge. Each also comes from a filmmaker whose personality sharply contrasts with their work.\n\n# **1\\. *Balls of Fury* (2007) — Dir. Robert Ben Garant**\nRewatching *Balls of Fury* after *Marty Supreme* started as a joke, but the movie hit harder than I expected. Beneath its ridiculous 2000s slapstick, the film shares surprising thematic DNA with darker character studies.\n\nGarant, from all accounts, is known for his playful, goofy, collaborative approach and work on *Night at the Museum* — is not a cynical filmmaker. Yet this comedy involves:\n\n- underground criminal operations\n- exploitation and coercion\n- traumatic revenge\n- abuser–victim power dynamics\n- obsessive rivalry\n- a protagonist scarred by childhood humiliation\n\nPing‑pong becomes an absurd metaphor for ego, control, and survival — exactly the kind of tonal contrast that defines *Marty Supreme*. Garant’s comedic instincts soften the darkness without erasing it, making the film a surprisingly fitting companion piece to *Marty Supreme*.\n\n# **2\\. *Blue Velvet* (1986) — Dir. David Lynch**\nLynch’s follow‑up to *Dune* peels back the surface of suburban Americana and exposes something rotten beneath. Kyle MacLachlan’s emotionally inexperienced protagonist stumbles into a world of voyeurism, abuse, and surreal horror.\n\nDespite the film’s intensity, Lynch himself is famously gentle and monk‑like in interviews. Seen often as soft‑spoken, reflective, deeply compassionate. That empathy shapes every frame. Victims are treated with genuine sensitivity, and the violence is framed as emotional rupture rather than spectacle. In particular, Lynch’s *Twin Peaks* is another piece that has moments that are distilled of pure, uncanny evil that contrasts with the otherwise calm artist.\n\n# **3\\. *The Graduate* (1967) — Dir. Mike Nichols**\nMike Nichols, known for his emotional intelligence and generosity, crafted one of cinema’s most quietly devastating character studies. *The Graduate* follows Benjamin Braddock, a vulnerable young man manipulated and emotionally cornered by Mrs. Robinson.\n\nNichols understood the psychological imbalance at the core of their relationship. Benjamin’s confusion and exploitation are never mocked; Mrs. Robinson is complex but still damaging. The film’s emotional brutality works because Nichols approaches both characters with empathy. I think a lot of this comes from his background in theater, and how it may have taught him to draw out more intimate, psychologically layered performances from his actors.\n\n# **4\\. *The Social Network* (2010) — Dir. David Fincher**\nFincher excels at building psychologically punishing worlds. In *The Social Network*, Mark Zuckerberg becomes a portrait of toxic ambition, insecurity, and moral corrosion. Jesse Eisenberg’s performance captures the intensity of someone who destroys friendships with the same ease he builds systems.\n\nYet Fincher himself is calm, witty, and collaborative. His steady temperament heightens the contrast between creator and creation, as he portrays the psychological profiles of his characters with pinpoint precision.\n***\n# **5\\. *There Will Be Blood* (2007) — Dir. Paul Thomas Anderson**\nPaul Thomas Anderson is one of the most soft‑spoken, humble directors working today. But *There Will Be Blood* is a ferocious character study of obsession, greed, and generational decay. Daniel Plainview’s descent is total in its depiction, a man consumed by his ambition until nothing remains.\n\nThis is the kind of character a *Marty Supreme* fan gravitates toward: driven, damaged, unraveling. The film is hypnotically bleak, and its psychological gravity has only deepened with time.\n\nIf *Marty Supreme* resonated with you — its rawness, its messy characters, its interrogation of rot and ambition; then these films and their directors will hit your same nerve. They’re built around moral collapse and flawed people, yet made by filmmakers whose empathy sharpens the darkness rather than dilutes it. And it’s these contradictions that make their films memorable.\n\n## More in Movies\n[View post: What Is a 'Death Doula'? Nicole Kidman Pursues Unexpected New Line of Work](https:\/\/www.mensjournal.com\/entertainment\/what-is-a-death-doula-nicole-kidman-pursues-unexpected-new-line-of-work)![](https:\/\/www.mensjournal.com\/.image\/NDI6MDAwMDAwMDAxMTU1ODUz\/australian-us-actress-nicole-kidman-attends-the-premiere-of-apple-tvs-margos-got-money-troubles-at-regal-union-square-in-new-york-on-april-8-2026-photo-by-angela-weiss-afp-via-getty-images-stockpack-g.jpg?io=1&profile=w828&ar=16-9)\n\n### [What Is a 'Death Doula'? Nicole Kidman Pursues Unexpected New Line of Work](https:\/\/www.mensjournal.com\/entertainment\/what-is-a-death-doula-nicole-kidman-pursues-unexpected-new-line-of-work)\n\n[View post: Iconic Summer Thriller Is Quietly Leaving Netflix in May](https:\/\/www.mensjournal.com\/entertainment\/iconic-summer-thriller-is-quietly-leaving-netflix-in-may)![](https:\/\/www.mensjournal.com\/.image\/NDI6MDAwMDAwMDAxMTMxNzQ1\/companies-on-the-smartphone-photos-illustrations.jpg?io=1&profile=w828&ar=16-9)\n\n### [Iconic Summer Thriller Is Quietly Leaving Netflix in May](https:\/\/www.mensjournal.com\/entertainment\/iconic-summer-thriller-is-quietly-leaving-netflix-in-may)\n\n[View post: Youngest-Ever Actor Considered for James Bond Has a Solid Resume](https:\/\/www.mensjournal.com\/entertainment\/louis-partridge-dating-history-james-bond)![](https:\/\/www.mensjournal.com\/.image\/NDI6MDAwMDAwMDAxMTU0Nzkx\/los-angeles-california-november-11-louis-partridge-attends-the-los-angeles-premiere-of-netflixs-jay-kelly-at-the-egyptian-theatre-hollywood-on-november-11-2025-in-los-angeles-california-photo-by-rodin.jpg?io=1&profile=w828&ar=16-9)\n\n### [Youngest-Ever Actor Considered for James Bond Has a Solid Resume](https:\/\/www.mensjournal.com\/entertainment\/louis-partridge-dating-history-james-bond)\n\n[View post: Why Steven Soderbergh's \"Cheaper\" James Bond Pitch Makes So Much Sense](https:\/\/www.mensjournal.com\/entertainment\/steven-soderberghs-cheaper-james-bond-pitch)![](https:\/\/www.mensjournal.com\/.image\/NDI6MDAwMDAwMDAxMTU0MjIy\/31st-august-1962-scottish-actor-sean-connery-the-new-face-of-superspy-james-bond-enjoys-a-game-of-bar-billiards-at-his-basement-flat-in-north-west-london-photo-by-chris-warekeystone-featureshulton-arc.jpg?io=1&profile=w828&ar=16-9)\n\n### [Why Steven Soderbergh's \"Cheaper\" James Bond Pitch Makes So Much Sense](https:\/\/www.mensjournal.com\/entertainment\/steven-soderberghs-cheaper-james-bond-pitch)\n\n## About the author\n## [Men’s Journal Editors](https:\/\/www.mensjournal.com\/author\/mens-journal-editors)\n\nStart the Conversation\n\n[![](https:\/\/www.mensjournal.com\/.image\/NDI6MDAwMDAwMDAwOTI1NjUz\/mj_white.svg?io=1&profile=w256)](https:\/\/www.mensjournal.com\/)\n***\n- [Gear](https:\/\/www.mensjournal.com\/gear\/)\n  Gear\n  - 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[Shaving](https:\/\/www.mensjournal.com\/tag\/shaving\/)\n  - [Cologne](https:\/\/www.mensjournal.com\/tag\/cologne\/)\n  - [Grooming Awards](https:\/\/www.mensjournal.com\/grooming\/mens-journal-grooming-awards)\n  - [Hair](https:\/\/www.mensjournal.com\/tag\/hair\/)\n  - [Shaving](https:\/\/www.mensjournal.com\/tag\/shaving\/)\n- [Entertainment](https:\/\/www.mensjournal.com\/entertainment\/)\n  Entertainment\n  - [Music](https:\/\/www.mensjournal.com\/tag\/music\/)\n  - [Sports](https:\/\/www.mensjournal.com\/sports\/)\n  - [Streaming](https:\/\/www.mensjournal.com\/tag\/streaming\/)\n  - [Music](https:\/\/www.mensjournal.com\/tag\/music\/)\n  - [Sports](https:\/\/www.mensjournal.com\/sports\/)\n  - [Streaming](https:\/\/www.mensjournal.com\/tag\/streaming\/)\n***\n- [Sitemap](https:\/\/www.mensjournal.com\/sitemap)\n- [About Us](https:\/\/www.mensjournal.com\/about-us\/)\n- [Editorial Policy](https:\/\/www.mensjournal.com\/editorial-policy\/)\n- [Privacy Policy](https:\/\/thearenagroup.net\/privacy-policy\/)\n- [Licensing Request](https:\/\/info.wrightsmedia.com\/the-arena-group-licensing)\n- [Terms of Use](https:\/\/thearenagroup.net\/terms-of-use\/)\n\n© 2026 The Arena Media Brands, LLC MENS JOURNAL is a registered trademark of The Arena Media Brands, LLC.","attrs_readable_markdown":"*Marty Supreme* thrives on guerrilla energy, taboo subject matter, and a cynical worldview shaped by damaged characters. [Timothée Chalamet’s](https:\/\/www.mensjournal.com\/entertainment\/timothee-chalamet-net-worth) ping‑pong‑playing Marty twists his moral contamination into something magnetic, revealing systemic rot in the same way Benny Safdie’s *The Curse* exposes exploitation with icy clarity.\n\nThese five films share *Marty Supreme*’s chaos, decay, and psychological edge. Each also comes from a filmmaker whose personality sharply contrasts with their work.\n\n## **1\\. *Balls of Fury* (2007) — Dir. Robert Ben Garant**\nRewatching *Balls of Fury* after *Marty Supreme* started as a joke, but the movie hit harder than I expected. Beneath its ridiculous 2000s slapstick, the film shares surprising thematic DNA with darker character studies.\n\nGarant, from all accounts, is known for his playful, goofy, collaborative approach and work on *Night at the Museum* — is not a cynical filmmaker. Yet this comedy involves:\n\n- underground criminal operations\n- exploitation and coercion\n- traumatic revenge\n- abuser–victim power dynamics\n- obsessive rivalry\n- a protagonist scarred by childhood humiliation\n\nPing‑pong becomes an absurd metaphor for ego, control, and survival — exactly the kind of tonal contrast that defines *Marty Supreme*. Garant’s comedic instincts soften the darkness without erasing it, making the film a surprisingly fitting companion piece to *Marty Supreme*.\n\n## **2\\. *Blue Velvet* (1986) — Dir. David Lynch**\nLynch’s follow‑up to *Dune* peels back the surface of suburban Americana and exposes something rotten beneath. Kyle MacLachlan’s emotionally inexperienced protagonist stumbles into a world of voyeurism, abuse, and surreal horror.\n\nDespite the film’s intensity, Lynch himself is famously gentle and monk‑like in interviews. Seen often as soft‑spoken, reflective, deeply compassionate. That empathy shapes every frame. Victims are treated with genuine sensitivity, and the violence is framed as emotional rupture rather than spectacle. In particular, Lynch’s *Twin Peaks* is another piece that has moments that are distilled of pure, uncanny evil that contrasts with the otherwise calm artist.\n\n## **3\\. *The Graduate* (1967) — Dir. Mike Nichols**\nMike Nichols, known for his emotional intelligence and generosity, crafted one of cinema’s most quietly devastating character studies. *The Graduate* follows Benjamin Braddock, a vulnerable young man manipulated and emotionally cornered by Mrs. Robinson.\n\nNichols understood the psychological imbalance at the core of their relationship. Benjamin’s confusion and exploitation are never mocked; Mrs. Robinson is complex but still damaging. The film’s emotional brutality works because Nichols approaches both characters with empathy. I think a lot of this comes from his background in theater, and how it may have taught him to draw out more intimate, psychologically layered performances from his actors.\n\nFincher excels at building psychologically punishing worlds. In *The Social Network*, Mark Zuckerberg becomes a portrait of toxic ambition, insecurity, and moral corrosion. Jesse Eisenberg’s performance captures the intensity of someone who destroys friendships with the same ease he builds systems.\n\nYet Fincher himself is calm, witty, and collaborative. His steady temperament heightens the contrast between creator and creation, as he portrays the psychological profiles of his characters with pinpoint precision.\n***\n## **5\\. *There Will Be Blood* (2007) — Dir. Paul Thomas Anderson**\nPaul Thomas Anderson is one of the most soft‑spoken, humble directors working today. But *There Will Be Blood* is a ferocious character study of obsession, greed, and generational decay. Daniel Plainview’s descent is total in its depiction, a man consumed by his ambition until nothing remains.\n\nThis is the kind of character a *Marty Supreme* fan gravitates toward: driven, damaged, unraveling. The film is hypnotically bleak, and its psychological gravity has only deepened with time.\n\nIf *Marty Supreme* resonated with you — its rawness, its messy characters, its interrogation of rot and ambition; then these films and their directors will hit your same nerve. They’re built around moral collapse and flawed people, yet made by filmmakers whose empathy sharpens the darkness rather than dilutes it. And it’s these contradictions that make their films memorable.\n\nMore in Movies","meta_canonical":null}

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Boilerpipe Text	Marty Supreme thrives on guerrilla energy, taboo subject matter, and a cynical worldview shaped by damaged characters. Timothée Chalamet’s ping‑pong‑playing Marty twists his moral contamination into something magnetic, revealing systemic rot in the same way Benny Safdie’s The Curse exposes exploitation with icy clarity. These five films share Marty Supreme ’s chaos, decay, and psychological edge. Each also comes from a filmmaker whose personality sharply contrasts with their work. 1. Balls of Fury (2007) — Dir. Robert Ben Garant Rewatching Balls of Fury after Marty Supreme started as a joke, but the movie hit harder than I expected. Beneath its ridiculous 2000s slapstick, the film shares surprising thematic DNA with darker character studies. Garant, from all accounts, is known for his playful, goofy, collaborative approach and work on Night at the Museum — is not a cynical filmmaker. Yet this comedy involves: underground criminal operations exploitation and coercion traumatic revenge abuser–victim power dynamics obsessive rivalry a protagonist scarred by childhood humiliation Ping‑pong becomes an absurd metaphor for ego, control, and survival — exactly the kind of tonal contrast that defines Marty Supreme . Garant’s comedic instincts soften the darkness without erasing it, making the film a surprisingly fitting companion piece to Marty Supreme . 2. Blue Velvet (1986) — Dir. David Lynch Lynch’s follow‑up to Dune peels back the surface of suburban Americana and exposes something rotten beneath. Kyle MacLachlan’s emotionally inexperienced protagonist stumbles into a world of voyeurism, abuse, and surreal horror. Despite the film’s intensity, Lynch himself is famously gentle and monk‑like in interviews. Seen often as soft‑spoken, reflective, deeply compassionate. That empathy shapes every frame. Victims are treated with genuine sensitivity, and the violence is framed as emotional rupture rather than spectacle. In particular, Lynch’s Twin Peaks is another piece that has moments that are distilled of pure, uncanny evil that contrasts with the otherwise calm artist. 3. The Graduate (1967) — Dir. Mike Nichols Mike Nichols, known for his emotional intelligence and generosity, crafted one of cinema’s most quietly devastating character studies. The Graduate follows Benjamin Braddock, a vulnerable young man manipulated and emotionally cornered by Mrs. Robinson. Nichols understood the psychological imbalance at the core of their relationship. Benjamin’s confusion and exploitation are never mocked; Mrs. Robinson is complex but still damaging. The film’s emotional brutality works because Nichols approaches both characters with empathy. I think a lot of this comes from his background in theater, and how it may have taught him to draw out more intimate, psychologically layered performances from his actors. Fincher excels at building psychologically punishing worlds. In The Social Network , Mark Zuckerberg becomes a portrait of toxic ambition, insecurity, and moral corrosion. Jesse Eisenberg’s performance captures the intensity of someone who destroys friendships with the same ease he builds systems. Yet Fincher himself is calm, witty, and collaborative. His steady temperament heightens the contrast between creator and creation, as he portrays the psychological profiles of his characters with pinpoint precision. 5. There Will Be Blood (2007) — Dir. Paul Thomas Anderson Paul Thomas Anderson is one of the most soft‑spoken, humble directors working today. But There Will Be Blood is a ferocious character study of obsession, greed, and generational decay. Daniel Plainview’s descent is total in its depiction, a man consumed by his ambition until nothing remains. This is the kind of character a Marty Supreme fan gravitates toward: driven, damaged, unraveling. The film is hypnotically bleak, and its psychological gravity has only deepened with time. If Marty Supreme resonated with you — its rawness, its messy characters, its interrogation of rot and ambition; then these films and their directors will hit your same nerve. They’re built around moral collapse and flawed people, yet made by filmmakers whose empathy sharpens the darkness rather than dilutes it. And it’s these contradictions that make their films memorable. More in Movies
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[Entertainment](https://www.mensjournal.com/entertainment/) # 5 Extreme Movies to Watch After ‘Marty Supreme’ Explore five dark, character‑driven films to watch after Marty Supreme, each made by surprisingly gentle filmmakers who create morally filthy worlds. Mar 31, 2026 7:10 PM EDT By [Men’s Journal Editors](https://www.mensjournal.com/author/mens-journal-editors) 0 [Add us on](https://www.google.com/preferences/source?q=mensjournal.com) ![Timothée Chalamet serves 1950s swagger in A24’s Marty Supreme. Ping pong gets the Safdie treatment in this high-stakes, stylishly retro drama.](https://www.mensjournal.com/.image/NDI6MDAwMDAwMDAxMTI2ODUz/marty-supreme-a24.jpeg?io=1&profile=w2560&ar=16-9) Timothée Chalamet serves 1950s swagger in A24’s Marty Supreme. Ping pong gets the Safdie treatment in this high-stakes, stylishly retro drama. Related Articles [View post: Amazon Prime Video Cuts Off NBA Play-In Game, and Fans Were Going Crazy](https://www.mensjournal.com/entertainment/amazon-prime-video-cuts-off-nba-play-in-game-and-fans-were-going-crazy)![](https://www.mensjournal.com/.image/MjE3MDEwMjQ1NDM4ODc1MTU1/in-this-photo-illustration-the-amazon-prime-video-logo-is.jpg?io=1&profile=w256&ar=1-1) Entertainment [Amazon Prime Video Cuts Off NBA Play-In Game, and Fans Were Going Crazy](https://www.mensjournal.com/entertainment/amazon-prime-video-cuts-off-nba-play-in-game-and-fans-were-going-crazy) Shawn Laib [View post: ‘The Boys’ Comic's Brutal Ending — Homelander and Every Character’s Final Fate](https://www.mensjournal.com/entertainment/the-boys-comics-ending-homelanders-final-fate)![](https://www.mensjournal.com/.image/NDI6MDAwMDAwMDAxMTU1ODM4/signage-for-amazons-the-boys.jpg?io=1&profile=w256&ar=1-1&x=51&y=43) Entertainment [‘The Boys’ Comic's Brutal Ending — Homelander and Every Character’s Final Fate](https://www.mensjournal.com/entertainment/the-boys-comics-ending-homelanders-final-fate) Judah Carroll [View post: Why Keegan-Michael Key Had 5 Lookalikes With Him at the Yankees Game](https://www.mensjournal.com/entertainment/why-keegan-michael-key-had-5-lookalikes-with-him-at-the-yankees-game)![](https://www.mensjournal.com/.image/NDI6MDAwMDAwMDAxMTU1NDYx/credit-new-york-yankees.jpg?io=1&profile=w256&ar=1-1) Entertainment [Why Keegan-Michael Key Had 5 Lookalikes With Him at the Yankees Game](https://www.mensjournal.com/entertainment/why-keegan-michael-key-had-5-lookalikes-with-him-at-the-yankees-game) Miguel A. Melendez [View post: YouTube TV Subscribers Get Bad News Before WrestleMania 42](https://www.mensjournal.com/entertainment/youtube-tv-subscribers-get-bad-news-before-wrestlemania-42)![](https://www.mensjournal.com/.image/NDI6MDAwMDAwMDAxMDE0Mjg3/youtube-tv-photo-illustration.jpg?io=1&profile=w256&ar=1-1) Entertainment [YouTube TV Subscribers Get Bad News Before WrestleMania 42](https://www.mensjournal.com/entertainment/youtube-tv-subscribers-get-bad-news-before-wrestlemania-42) Matt Hladik Marty Supreme thrives on guerrilla energy, taboo subject matter, and a cynical worldview shaped by damaged characters. [Timothée Chalamet’s](https://www.mensjournal.com/entertainment/timothee-chalamet-net-worth) ping‑pong‑playing Marty twists his moral contamination into something magnetic, revealing systemic rot in the same way Benny Safdie’s The Curse exposes exploitation with icy clarity. These five films share Marty Supreme’s chaos, decay, and psychological edge. Each also comes from a filmmaker whose personality sharply contrasts with their work. # *1\. Balls of Fury* (2007) — Dir. Robert Ben Garant** Rewatching Balls of Fury after Marty Supreme started as a joke, but the movie hit harder than I expected. Beneath its ridiculous 2000s slapstick, the film shares surprising thematic DNA with darker character studies. Garant, from all accounts, is known for his playful, goofy, collaborative approach and work on Night at the Museum — is not a cynical filmmaker. Yet this comedy involves: - underground criminal operations - exploitation and coercion - traumatic revenge - abuser–victim power dynamics - obsessive rivalry - a protagonist scarred by childhood humiliation Ping‑pong becomes an absurd metaphor for ego, control, and survival — exactly the kind of tonal contrast that defines Marty Supreme. Garant’s comedic instincts soften the darkness without erasing it, making the film a surprisingly fitting companion piece to Marty Supreme. # *2\. Blue Velvet* (1986) — Dir. David Lynch** Lynch’s follow‑up to Dune peels back the surface of suburban Americana and exposes something rotten beneath. Kyle MacLachlan’s emotionally inexperienced protagonist stumbles into a world of voyeurism, abuse, and surreal horror. Despite the film’s intensity, Lynch himself is famously gentle and monk‑like in interviews. Seen often as soft‑spoken, reflective, deeply compassionate. That empathy shapes every frame. Victims are treated with genuine sensitivity, and the violence is framed as emotional rupture rather than spectacle. In particular, Lynch’s Twin Peaks is another piece that has moments that are distilled of pure, uncanny evil that contrasts with the otherwise calm artist. # *3\. The Graduate* (1967) — Dir. Mike Nichols** Mike Nichols, known for his emotional intelligence and generosity, crafted one of cinema’s most quietly devastating character studies. The Graduate follows Benjamin Braddock, a vulnerable young man manipulated and emotionally cornered by Mrs. Robinson. Nichols understood the psychological imbalance at the core of their relationship. Benjamin’s confusion and exploitation are never mocked; Mrs. Robinson is complex but still damaging. The film’s emotional brutality works because Nichols approaches both characters with empathy. I think a lot of this comes from his background in theater, and how it may have taught him to draw out more intimate, psychologically layered performances from his actors. # *4\. The Social Network* (2010) — Dir. David Fincher** Fincher excels at building psychologically punishing worlds. In The Social Network, Mark Zuckerberg becomes a portrait of toxic ambition, insecurity, and moral corrosion. Jesse Eisenberg’s performance captures the intensity of someone who destroys friendships with the same ease he builds systems. Yet Fincher himself is calm, witty, and collaborative. His steady temperament heightens the contrast between creator and creation, as he portrays the psychological profiles of his characters with pinpoint precision. * # 5\. There Will Be Blood (2007) — Dir. Paul Thomas Anderson** Paul Thomas Anderson is one of the most soft‑spoken, humble directors working today. But There Will Be Blood is a ferocious character study of obsession, greed, and generational decay. Daniel Plainview’s descent is total in its depiction, a man consumed by his ambition until nothing remains. This is the kind of character a Marty Supreme fan gravitates toward: driven, damaged, unraveling. The film is hypnotically bleak, and its psychological gravity has only deepened with time. If Marty Supreme resonated with you — its rawness, its messy characters, its interrogation of rot and ambition; then these films and their directors will hit your same nerve. They’re built around moral collapse and flawed people, yet made by filmmakers whose empathy sharpens the darkness rather than dilutes it. And it’s these contradictions that make their films memorable. ## More in Movies [View post: What Is a 'Death Doula'? Nicole Kidman Pursues Unexpected New Line of Work](https://www.mensjournal.com/entertainment/what-is-a-death-doula-nicole-kidman-pursues-unexpected-new-line-of-work)![](https://www.mensjournal.com/.image/NDI6MDAwMDAwMDAxMTU1ODUz/australian-us-actress-nicole-kidman-attends-the-premiere-of-apple-tvs-margos-got-money-troubles-at-regal-union-square-in-new-york-on-april-8-2026-photo-by-angela-weiss-afp-via-getty-images-stockpack-g.jpg?io=1&profile=w828&ar=16-9) ### [What Is a 'Death Doula'? 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Readable Markdown	Marty Supreme thrives on guerrilla energy, taboo subject matter, and a cynical worldview shaped by damaged characters. [Timothée Chalamet’s](https://www.mensjournal.com/entertainment/timothee-chalamet-net-worth) ping‑pong‑playing Marty twists his moral contamination into something magnetic, revealing systemic rot in the same way Benny Safdie’s The Curse exposes exploitation with icy clarity. These five films share Marty Supreme’s chaos, decay, and psychological edge. Each also comes from a filmmaker whose personality sharply contrasts with their work. ## *1\. Balls of Fury* (2007) — Dir. Robert Ben Garant** Rewatching Balls of Fury after Marty Supreme started as a joke, but the movie hit harder than I expected. Beneath its ridiculous 2000s slapstick, the film shares surprising thematic DNA with darker character studies. Garant, from all accounts, is known for his playful, goofy, collaborative approach and work on Night at the Museum — is not a cynical filmmaker. Yet this comedy involves: - underground criminal operations - exploitation and coercion - traumatic revenge - abuser–victim power dynamics - obsessive rivalry - a protagonist scarred by childhood humiliation Ping‑pong becomes an absurd metaphor for ego, control, and survival — exactly the kind of tonal contrast that defines Marty Supreme. Garant’s comedic instincts soften the darkness without erasing it, making the film a surprisingly fitting companion piece to Marty Supreme. ## *2\. Blue Velvet* (1986) — Dir. David Lynch** Lynch’s follow‑up to Dune peels back the surface of suburban Americana and exposes something rotten beneath. Kyle MacLachlan’s emotionally inexperienced protagonist stumbles into a world of voyeurism, abuse, and surreal horror. Despite the film’s intensity, Lynch himself is famously gentle and monk‑like in interviews. Seen often as soft‑spoken, reflective, deeply compassionate. That empathy shapes every frame. Victims are treated with genuine sensitivity, and the violence is framed as emotional rupture rather than spectacle. In particular, Lynch’s Twin Peaks is another piece that has moments that are distilled of pure, uncanny evil that contrasts with the otherwise calm artist. ## *3\. The Graduate* (1967) — Dir. Mike Nichols** Mike Nichols, known for his emotional intelligence and generosity, crafted one of cinema’s most quietly devastating character studies. The Graduate follows Benjamin Braddock, a vulnerable young man manipulated and emotionally cornered by Mrs. Robinson. Nichols understood the psychological imbalance at the core of their relationship. Benjamin’s confusion and exploitation are never mocked; Mrs. Robinson is complex but still damaging. The film’s emotional brutality works because Nichols approaches both characters with empathy. I think a lot of this comes from his background in theater, and how it may have taught him to draw out more intimate, psychologically layered performances from his actors. Fincher excels at building psychologically punishing worlds. In The Social Network, Mark Zuckerberg becomes a portrait of toxic ambition, insecurity, and moral corrosion. Jesse Eisenberg’s performance captures the intensity of someone who destroys friendships with the same ease he builds systems. Yet Fincher himself is calm, witty, and collaborative. His steady temperament heightens the contrast between creator and creation, as he portrays the psychological profiles of his characters with pinpoint precision. * ## 5\. There Will Be Blood (2007) — Dir. Paul Thomas Anderson** Paul Thomas Anderson is one of the most soft‑spoken, humble directors working today. But There Will Be Blood is a ferocious character study of obsession, greed, and generational decay. Daniel Plainview’s descent is total in its depiction, a man consumed by his ambition until nothing remains. This is the kind of character a Marty Supreme fan gravitates toward: driven, damaged, unraveling. The film is hypnotically bleak, and its psychological gravity has only deepened with time. If Marty Supreme resonated with you — its rawness, its messy characters, its interrogation of rot and ambition; then these films and their directors will hit your same nerve. They’re built around moral collapse and flawed people, yet made by filmmakers whose empathy sharpens the darkness rather than dilutes it. And it’s these contradictions that make their films memorable. More in Movies
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