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| Meta Title | Burberry macs, tweed jackets and headscarves: uncovering Queen Elizabeth IIâs timeless style | House & Garden |
| Meta Description | A new exhibition set to showcase 10 decades of the late Queenâs clothes and accessories, from off-duty outerwear to ceremonial finery, reveals a woman who cared more about the way she looked than we might previously have realised |
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| Boilerpipe Text | A new exhibition set to showcase 10 decades of the late Queenâs clothes and accessories, from off-duty outerwear to ceremonial finery, reveals a woman who cared more about the way she looked than we might previously have realised
23 March 2026
Caroline de Guitaut has curated a collection of more than 200 items from the Queen's wardrobe.
Royal Collection Trust
There have been moments when staging the collection of
Queen Elizabeth II
âs clothes when Caroline de Guitaut has caught sight of a dress hanging just-so on a mannequin and briefly stopped in her tracks. The models displaying the tweed suits, hacking jackets and evening gowns soon to go on show in an exhibition which will mark the centenary of the late Queenâs birth have been made bespoke so that every waistline and shoulder fits just as it should. The effect is uncanny. âSometimes you catch a glimpse out of the corner of your eye and do a bit of a double take,â she says.
There canât be many people whose silhouette is as recognisable as Elizabeth II. If any of us were to close our eyes and conjure an image of her, a few classic ensembles might come to mind. A Burberry trench coat with an Hermes scarf tied under the chin, perhaps. Or a colourful two piece suit with a matching hat. Blink and you can make out the shape of her, so consistent was her look. In fact, for someone who was so known for having such a distinctive aesthetic itâs odd that she is rarely thought of as having been fashionable. This upcoming exhibition at The King's Gallery, Buckingham Palace will feature over 200 outfits from every decade of life, and will demonstrate that Queen Elizabeth II was, in fact, very fashionable indeed.
Caroline â whose official title is Surveyor of the Kingâs Works of
Art
at the Royal Collection Trust â spent months at the storehouse in Windsor where over 4,000 items of clothing and accessories from throughout the Queenâs life lay tucked away in boxes. Painstakingly picking through box after box, Caroline uncovered pieces that tell the story not just of the Queen and her relationship with fashion (which, it soon emerged, was more intimate than anyone truly realised) but also of the evolution of British design.
Most Popular
Burberry has launched a capsule collection to commemorate the centenary and the exhibition
Max Mumby/Indigo/Getty Images
The collection includes gowns worn on Royal tours in the early years of her reign, when designers like Norman Hartnell and Hardy Amies would be called upon to provide dresses and coats which â in subtle ways, through a native flower stitched on a hem or a particular colour choice â would help the Queen wield that particular brand of soft power. But itâs her off-duty wardrobe that Caroline feels was most influential âon many contemporary British and European designersâ. âThat beautifully tailored tweed jacket, the tartan skirt, the headscarf, the pearls, that whole look â very âladylike
country
womanâ â was perfected I think by the Queen and has endured. We still see people dressing like that today.â
Bespoke tweed (so fashionable again in 2026) is found throughout the collection. âWhatâs wonderful about that off-duty style is â perhaps uniquely â it blends more ready-to-wear with couture. One beautiful ensemble is a Harris tweed jacket which was made by Norman Hartnell and itâs absolutely the essence of a Dior bar jacket. Everything about how itâs cut, the way the material and the pattern has been tailored â itâs really inspired by the bar suit. Itâs from the very early part of the Queenâs life, the late 1940s, so it really fits with that Dior aesthetic. You have your couture jacket and then youâre wearing it with a Balmoral tartan skirt. Balmoral tartan was supposedly designed by Prince Albert and is worn only by members of the Royal family.
Tweed Jacket and Balmoral Tartan Skirt, Norman Hartnell, c.1950
Royal Collection Trust
âItâs that perfect blend. We donât quite know who made the skirt. Itâs a beautiful piece but itâs not high fashion. And I love that idea of mixing the two together. We also see the way the Queen, through her support of British fashion, was supporting British textile production too.â
Most Popular
Caroline uncovered boxes of Scottish knitwear and Irish aran. âAll those materials and traditional makers and ways of making things are absolutely redolent in the collection,â she says, as we talk in an
office
at St Jamesâs palace, poring over images in the book she has written to accompany the exhibition. âThere are things made by leading British brands [which are] still going today. Burberry rain capes and Barbour coats and waistcoats that were just practical for walking the dogs and going to Windsor horse show.â
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Sign up to the House and Garden Daily
The Queenâs off-duty style âmight not be everyoneâs definition of comfortableâ, says Caroline. âIt was still formal. It was still appropriate and practical for what the day was going to hold, whether she was at Windsor, Balmoral or Sandringham. Quite often a cashmere twin set with riding clothes, or a little air-tex t-shirt or a short sleeved shirt. Brogues by Lobb or Churches. Really practical, but still the best.â
One of Carolineâs favourite items in the collection is covered in gold stitching and pearls; itâs a plastic rain mac. âHardy Amies worked with Stanley Kubrick on 2001 A Space Odyssey. He was interested in futuristic design and Amies really pushed his boundaries and this really speaks to that period. There was a fashion for wearing these types of plastic rain coats but this is obviously a couture [one]. The mother of pearl buttons are so stunning, and the stitching. For me this is the forerunner of the birdcage umbrella she began using from Fulton, with the coloured trim. Itâs perfect because itâs chic, itâs stylish, itâs practical and her clothes can still be seen underneath. I donât think she would have worn this to walk the corgis. This is much more [for wearing] out on an engagement. Iâm going to display it with the umbrellas because we have them in every colour.â
Silk Dress, Coat and Plastic Raincoat, Hardy Amies, c.1960
Royal Collection Trust
A hacking jacket âworn over multiple decadesâ was another find. âWhen one examines it you can tell itâs been worn, it has wear, but itâs still in such beautiful condition. Her young adulthood was during the Second World War and so this idea of thrift and frugality was very firmly instilled.â
On first glance it might look simple, but itâs an extraordinary piece of design, she says. âFor something that looks relatively ordinary, the tailoring is just amazing. Bernard Weatherall worked for the Queen for over 70 years producing formal things â he produced her tunics for Trooping the Colour. Itâs in the detail [in items like this hacking jacket] where the delight really is. The lining is worn and a bit discoloured due to repeated wear. The back flap is lined with gabardine so that itâs completely waterproof. If youâre riding and it starts raining the water will gather on the back of the saddle and it just gets wicked away.â
Most Popular
Burberry crops up again and again â a stalwart of her outdoor wardrobe. This month, Burberry has launched a new collection in collaboration with the Royal Collection Trust in honour of the centenary featuring a belted car coat, a tartan scarf and a silk scarf all inspired by the Queenâs wardrobe.
Headscarves are another common thread through the collection. Scarves were fashionable throughout the 50s and 60s (and like Burberry and tweed, theyâre back in fashion now) but Caroline suspects the way the Queen wore them was distinct. âShe began wearing them in the 40s. She always tied them under her chin in a bow, which is actually really unusual. [...] People knew she wore them so she was often given them as gifts which explains why we have quite a few. Hermes features heavily â and thatâs an unusual example of her wearing non-British.â There is an Oliver Messel-designed one which is âbeautifulâ, and another which features âthe winners of the Derbyâ.
A Loden Coat, Angela Kelly Couture
Royal Collection Trust
The King, who himself has a keen interest in fashion and sustainability, has been kept closely informed of plans for the exhibition, says Caroline. After the exhibition, partnerships with the Kingâs Foundation will ensure students of design and fashion can access the archive. âThis tells the story of British couture from the demise of the court dressmaker to the rise of
London
couture and the British fashion designer. It runs throughout that whole period because of the Queenâs wonderful long life and itâs all there to see and be inspired by.â
For Caroline, what has been striking is how involved the Queen was in curating her wardrobe. Caroline found notes on logs of Royal tours that show she cared deeply about what she wore. âI didnât appreciate how much she took the lead in things as opposed to what I had originally thought which was she would say to her dresser âIâm going on tour can you sort something outâ. It was much more: âok Iâm going to be away for six weeks, I need five coats, six evening dresses, three suitsâ.â
Letters from designers were revealing too. âThere are letters from Hartnell and Hardy Amies that she kept privately all her life. They were just tucked away in her desk. Hartnell would write: âall my team without fail will just do anything for youâ. There was this really strong bond, and through that, because she was able to wear these beautiful clothes she understood what went into making them.â
Most Popular
Whatâs clear is âthis was someone who was deeply committed to their appearanceâ. She may have been practical, but she knew that how she looked to the outside world meant something. Itâs perhaps why, as Caroline says, most of us can still conjure her distinctive style. âYou can close your eyes and you can see it,â she says.
Queen Elizabeth II: Her Life in Style is at
The King's Gallery
from 10 April 2026
Eleanor Steafel
is House and Gardenâs Lifestyle Director. She joined the magazine in 2026, having been a feature writer and recipe columnist at the Daily Telegraph for over a decade. Her first cookbook, The Art of Friday Night Dinner, was shortlisted for a Fortnum and Mason award for debut cookbook. ...
Read More
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Sign up to the House and Garden Daily
Read More |
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# Burberry macs, tweed jackets and headscarves: uncovering Queen Elizabeth IIâs timeless style
A new exhibition set to showcase 10 decades of the late Queenâs clothes and accessories, from off-duty outerwear to ceremonial finery, reveals a woman who cared more about the way she looked than we might previously have realised
By [Eleanor Steafel](https://www.houseandgarden.co.uk/profile/eleanor-steafel)
23 March 2026
Save this story
Save this story
.jpg)
Caroline de Guitaut has curated a collection of more than 200 items from the Queen's wardrobe.
Royal Collection Trust
There have been moments when staging the collection of [Queen Elizabeth II](https://www.houseandgarden.co.uk/topic/queen-elizabeth-ii)âs clothes when Caroline de Guitaut has caught sight of a dress hanging just-so on a mannequin and briefly stopped in her tracks. The models displaying the tweed suits, hacking jackets and evening gowns soon to go on show in an exhibition which will mark the centenary of the late Queenâs birth have been made bespoke so that every waistline and shoulder fits just as it should. The effect is uncanny. âSometimes you catch a glimpse out of the corner of your eye and do a bit of a double take,â she says.
There canât be many people whose silhouette is as recognisable as Elizabeth II. If any of us were to close our eyes and conjure an image of her, a few classic ensembles might come to mind. A Burberry trench coat with an Hermes scarf tied under the chin, perhaps. Or a colourful two piece suit with a matching hat. Blink and you can make out the shape of her, so consistent was her look. In fact, for someone who was so known for having such a distinctive aesthetic itâs odd that she is rarely thought of as having been fashionable. This upcoming exhibition at The King's Gallery, Buckingham Palace will feature over 200 outfits from every decade of life, and will demonstrate that Queen Elizabeth II was, in fact, very fashionable indeed.
Caroline â whose official title is Surveyor of the Kingâs Works of [Art](https://www.houseandgarden.co.uk/topic/art) at the Royal Collection Trust â spent months at the storehouse in Windsor where over 4,000 items of clothing and accessories from throughout the Queenâs life lay tucked away in boxes. Painstakingly picking through box after box, Caroline uncovered pieces that tell the story not just of the Queen and her relationship with fashion (which, it soon emerged, was more intimate than anyone truly realised) but also of the evolution of British design.
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Burberry has launched a capsule collection to commemorate the centenary and the exhibition
Max Mumby/Indigo/Getty Images
The collection includes gowns worn on Royal tours in the early years of her reign, when designers like Norman Hartnell and Hardy Amies would be called upon to provide dresses and coats which â in subtle ways, through a native flower stitched on a hem or a particular colour choice â would help the Queen wield that particular brand of soft power. But itâs her off-duty wardrobe that Caroline feels was most influential âon many contemporary British and European designersâ. âThat beautifully tailored tweed jacket, the tartan skirt, the headscarf, the pearls, that whole look â very âladylike [country](https://www.houseandgarden.co.uk/topic/country) womanâ â was perfected I think by the Queen and has endured. We still see people dressing like that today.â
WATCH
Bespoke tweed (so fashionable again in 2026) is found throughout the collection. âWhatâs wonderful about that off-duty style is â perhaps uniquely â it blends more ready-to-wear with couture. One beautiful ensemble is a Harris tweed jacket which was made by Norman Hartnell and itâs absolutely the essence of a Dior bar jacket. Everything about how itâs cut, the way the material and the pattern has been tailored â itâs really inspired by the bar suit. Itâs from the very early part of the Queenâs life, the late 1940s, so it really fits with that Dior aesthetic. You have your couture jacket and then youâre wearing it with a Balmoral tartan skirt. Balmoral tartan was supposedly designed by Prince Albert and is worn only by members of the Royal family.
.jpg)
Tweed Jacket and Balmoral Tartan Skirt, Norman Hartnell, c.1950
Royal Collection Trust
âItâs that perfect blend. We donât quite know who made the skirt. Itâs a beautiful piece but itâs not high fashion. And I love that idea of mixing the two together. We also see the way the Queen, through her support of British fashion, was supporting British textile production too.â
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By Kathryn Schultz
Caroline uncovered boxes of Scottish knitwear and Irish aran. âAll those materials and traditional makers and ways of making things are absolutely redolent in the collection,â she says, as we talk in an [office](https://www.houseandgarden.co.uk/topic/office) at St Jamesâs palace, poring over images in the book she has written to accompany the exhibition. âThere are things made by leading British brands \[which are\] still going today. Burberry rain capes and Barbour coats and waistcoats that were just practical for walking the dogs and going to Windsor horse show.â
### Get the latest houses and gardens in your inbox.
Sign up to the House and Garden Daily
The Queenâs off-duty style âmight not be everyoneâs definition of comfortableâ, says Caroline. âIt was still formal. It was still appropriate and practical for what the day was going to hold, whether she was at Windsor, Balmoral or Sandringham. Quite often a cashmere twin set with riding clothes, or a little air-tex t-shirt or a short sleeved shirt. Brogues by Lobb or Churches. Really practical, but still the best.â
One of Carolineâs favourite items in the collection is covered in gold stitching and pearls; itâs a plastic rain mac. âHardy Amies worked with Stanley Kubrick on 2001 A Space Odyssey. He was interested in futuristic design and Amies really pushed his boundaries and this really speaks to that period. There was a fashion for wearing these types of plastic rain coats but this is obviously a couture \[one\]. The mother of pearl buttons are so stunning, and the stitching. For me this is the forerunner of the birdcage umbrella she began using from Fulton, with the coloured trim. Itâs perfect because itâs chic, itâs stylish, itâs practical and her clothes can still be seen underneath. I donât think she would have worn this to walk the corgis. This is much more \[for wearing\] out on an engagement. Iâm going to display it with the umbrellas because we have them in every colour.â
.jpg)
Silk Dress, Coat and Plastic Raincoat, Hardy Amies, c.1960
Royal Collection Trust
A hacking jacket âworn over multiple decadesâ was another find. âWhen one examines it you can tell itâs been worn, it has wear, but itâs still in such beautiful condition. Her young adulthood was during the Second World War and so this idea of thrift and frugality was very firmly instilled.â
On first glance it might look simple, but itâs an extraordinary piece of design, she says. âFor something that looks relatively ordinary, the tailoring is just amazing. Bernard Weatherall worked for the Queen for over 70 years producing formal things â he produced her tunics for Trooping the Colour. Itâs in the detail \[in items like this hacking jacket\] where the delight really is. The lining is worn and a bit discoloured due to repeated wear. The back flap is lined with gabardine so that itâs completely waterproof. If youâre riding and it starts raining the water will gather on the back of the saddle and it just gets wicked away.â
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Burberry crops up again and again â a stalwart of her outdoor wardrobe. This month, Burberry has launched a new collection in collaboration with the Royal Collection Trust in honour of the centenary featuring a belted car coat, a tartan scarf and a silk scarf all inspired by the Queenâs wardrobe.
Headscarves are another common thread through the collection. Scarves were fashionable throughout the 50s and 60s (and like Burberry and tweed, theyâre back in fashion now) but Caroline suspects the way the Queen wore them was distinct. âShe began wearing them in the 40s. She always tied them under her chin in a bow, which is actually really unusual. \[...\] People knew she wore them so she was often given them as gifts which explains why we have quite a few. Hermes features heavily â and thatâs an unusual example of her wearing non-British.â There is an Oliver Messel-designed one which is âbeautifulâ, and another which features âthe winners of the Derbyâ.
.jpg)
A Loden Coat, Angela Kelly Couture
Royal Collection Trust
The King, who himself has a keen interest in fashion and sustainability, has been kept closely informed of plans for the exhibition, says Caroline. After the exhibition, partnerships with the Kingâs Foundation will ensure students of design and fashion can access the archive. âThis tells the story of British couture from the demise of the court dressmaker to the rise of [London](https://www.houseandgarden.co.uk/topic/london) couture and the British fashion designer. It runs throughout that whole period because of the Queenâs wonderful long life and itâs all there to see and be inspired by.â
For Caroline, what has been striking is how involved the Queen was in curating her wardrobe. Caroline found notes on logs of Royal tours that show she cared deeply about what she wore. âI didnât appreciate how much she took the lead in things as opposed to what I had originally thought which was she would say to her dresser âIâm going on tour can you sort something outâ. It was much more: âok Iâm going to be away for six weeks, I need five coats, six evening dresses, three suitsâ.â
Letters from designers were revealing too. âThere are letters from Hartnell and Hardy Amies that she kept privately all her life. They were just tucked away in her desk. Hartnell would write: âall my team without fail will just do anything for youâ. There was this really strong bond, and through that, because she was able to wear these beautiful clothes she understood what went into making them.â
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*Queen Elizabeth II: Her Life in Style is at [The King's Gallery](https://www.rct.uk/visit/the-kings-gallery-buckingham-palace) from 10 April 2026*
[Eleanor Steafel](https://www.houseandgarden.co.uk/profile/eleanor-steafel) is House and Gardenâs Lifestyle Director. She joined the magazine in 2026, having been a feature writer and recipe columnist at the Daily Telegraph for over a decade. Her first cookbook, The Art of Friday Night Dinner, was shortlisted for a Fortnum and Mason award for debut cookbook. ... [Read More](https://www.houseandgarden.co.uk/profile/eleanor-steafel)
Lifestyle Director
Topics[Queen Elizabeth II](https://www.houseandgarden.co.uk/topic/queen-elizabeth-ii)[King Charles III](https://www.houseandgarden.co.uk/topic/king-charles-iii)
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| Readable Markdown | A new exhibition set to showcase 10 decades of the late Queenâs clothes and accessories, from off-duty outerwear to ceremonial finery, reveals a woman who cared more about the way she looked than we might previously have realised
23 March 2026
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Caroline de Guitaut has curated a collection of more than 200 items from the Queen's wardrobe.Royal Collection Trust
There have been moments when staging the collection of [Queen Elizabeth II](https://www.houseandgarden.co.uk/topic/queen-elizabeth-ii)âs clothes when Caroline de Guitaut has caught sight of a dress hanging just-so on a mannequin and briefly stopped in her tracks. The models displaying the tweed suits, hacking jackets and evening gowns soon to go on show in an exhibition which will mark the centenary of the late Queenâs birth have been made bespoke so that every waistline and shoulder fits just as it should. The effect is uncanny. âSometimes you catch a glimpse out of the corner of your eye and do a bit of a double take,â she says.
There canât be many people whose silhouette is as recognisable as Elizabeth II. If any of us were to close our eyes and conjure an image of her, a few classic ensembles might come to mind. A Burberry trench coat with an Hermes scarf tied under the chin, perhaps. Or a colourful two piece suit with a matching hat. Blink and you can make out the shape of her, so consistent was her look. In fact, for someone who was so known for having such a distinctive aesthetic itâs odd that she is rarely thought of as having been fashionable. This upcoming exhibition at The King's Gallery, Buckingham Palace will feature over 200 outfits from every decade of life, and will demonstrate that Queen Elizabeth II was, in fact, very fashionable indeed.
Caroline â whose official title is Surveyor of the Kingâs Works of [Art](https://www.houseandgarden.co.uk/topic/art) at the Royal Collection Trust â spent months at the storehouse in Windsor where over 4,000 items of clothing and accessories from throughout the Queenâs life lay tucked away in boxes. Painstakingly picking through box after box, Caroline uncovered pieces that tell the story not just of the Queen and her relationship with fashion (which, it soon emerged, was more intimate than anyone truly realised) but also of the evolution of British design.
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Burberry has launched a capsule collection to commemorate the centenary and the exhibitionMax Mumby/Indigo/Getty Images
The collection includes gowns worn on Royal tours in the early years of her reign, when designers like Norman Hartnell and Hardy Amies would be called upon to provide dresses and coats which â in subtle ways, through a native flower stitched on a hem or a particular colour choice â would help the Queen wield that particular brand of soft power. But itâs her off-duty wardrobe that Caroline feels was most influential âon many contemporary British and European designersâ. âThat beautifully tailored tweed jacket, the tartan skirt, the headscarf, the pearls, that whole look â very âladylike [country](https://www.houseandgarden.co.uk/topic/country) womanâ â was perfected I think by the Queen and has endured. We still see people dressing like that today.â
Bespoke tweed (so fashionable again in 2026) is found throughout the collection. âWhatâs wonderful about that off-duty style is â perhaps uniquely â it blends more ready-to-wear with couture. One beautiful ensemble is a Harris tweed jacket which was made by Norman Hartnell and itâs absolutely the essence of a Dior bar jacket. Everything about how itâs cut, the way the material and the pattern has been tailored â itâs really inspired by the bar suit. Itâs from the very early part of the Queenâs life, the late 1940s, so it really fits with that Dior aesthetic. You have your couture jacket and then youâre wearing it with a Balmoral tartan skirt. Balmoral tartan was supposedly designed by Prince Albert and is worn only by members of the Royal family.
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Tweed Jacket and Balmoral Tartan Skirt, Norman Hartnell, c.1950Royal Collection Trust
âItâs that perfect blend. We donât quite know who made the skirt. Itâs a beautiful piece but itâs not high fashion. And I love that idea of mixing the two together. We also see the way the Queen, through her support of British fashion, was supporting British textile production too.â
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Caroline uncovered boxes of Scottish knitwear and Irish aran. âAll those materials and traditional makers and ways of making things are absolutely redolent in the collection,â she says, as we talk in an [office](https://www.houseandgarden.co.uk/topic/office) at St Jamesâs palace, poring over images in the book she has written to accompany the exhibition. âThere are things made by leading British brands \[which are\] still going today. Burberry rain capes and Barbour coats and waistcoats that were just practical for walking the dogs and going to Windsor horse show.â
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The Queenâs off-duty style âmight not be everyoneâs definition of comfortableâ, says Caroline. âIt was still formal. It was still appropriate and practical for what the day was going to hold, whether she was at Windsor, Balmoral or Sandringham. Quite often a cashmere twin set with riding clothes, or a little air-tex t-shirt or a short sleeved shirt. Brogues by Lobb or Churches. Really practical, but still the best.â
One of Carolineâs favourite items in the collection is covered in gold stitching and pearls; itâs a plastic rain mac. âHardy Amies worked with Stanley Kubrick on 2001 A Space Odyssey. He was interested in futuristic design and Amies really pushed his boundaries and this really speaks to that period. There was a fashion for wearing these types of plastic rain coats but this is obviously a couture \[one\]. The mother of pearl buttons are so stunning, and the stitching. For me this is the forerunner of the birdcage umbrella she began using from Fulton, with the coloured trim. Itâs perfect because itâs chic, itâs stylish, itâs practical and her clothes can still be seen underneath. I donât think she would have worn this to walk the corgis. This is much more \[for wearing\] out on an engagement. Iâm going to display it with the umbrellas because we have them in every colour.â
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Silk Dress, Coat and Plastic Raincoat, Hardy Amies, c.1960Royal Collection Trust
A hacking jacket âworn over multiple decadesâ was another find. âWhen one examines it you can tell itâs been worn, it has wear, but itâs still in such beautiful condition. Her young adulthood was during the Second World War and so this idea of thrift and frugality was very firmly instilled.â
On first glance it might look simple, but itâs an extraordinary piece of design, she says. âFor something that looks relatively ordinary, the tailoring is just amazing. Bernard Weatherall worked for the Queen for over 70 years producing formal things â he produced her tunics for Trooping the Colour. Itâs in the detail \[in items like this hacking jacket\] where the delight really is. The lining is worn and a bit discoloured due to repeated wear. The back flap is lined with gabardine so that itâs completely waterproof. If youâre riding and it starts raining the water will gather on the back of the saddle and it just gets wicked away.â
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Burberry crops up again and again â a stalwart of her outdoor wardrobe. This month, Burberry has launched a new collection in collaboration with the Royal Collection Trust in honour of the centenary featuring a belted car coat, a tartan scarf and a silk scarf all inspired by the Queenâs wardrobe.
Headscarves are another common thread through the collection. Scarves were fashionable throughout the 50s and 60s (and like Burberry and tweed, theyâre back in fashion now) but Caroline suspects the way the Queen wore them was distinct. âShe began wearing them in the 40s. She always tied them under her chin in a bow, which is actually really unusual. \[...\] People knew she wore them so she was often given them as gifts which explains why we have quite a few. Hermes features heavily â and thatâs an unusual example of her wearing non-British.â There is an Oliver Messel-designed one which is âbeautifulâ, and another which features âthe winners of the Derbyâ.
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A Loden Coat, Angela Kelly CoutureRoyal Collection Trust
The King, who himself has a keen interest in fashion and sustainability, has been kept closely informed of plans for the exhibition, says Caroline. After the exhibition, partnerships with the Kingâs Foundation will ensure students of design and fashion can access the archive. âThis tells the story of British couture from the demise of the court dressmaker to the rise of [London](https://www.houseandgarden.co.uk/topic/london) couture and the British fashion designer. It runs throughout that whole period because of the Queenâs wonderful long life and itâs all there to see and be inspired by.â
For Caroline, what has been striking is how involved the Queen was in curating her wardrobe. Caroline found notes on logs of Royal tours that show she cared deeply about what she wore. âI didnât appreciate how much she took the lead in things as opposed to what I had originally thought which was she would say to her dresser âIâm going on tour can you sort something outâ. It was much more: âok Iâm going to be away for six weeks, I need five coats, six evening dresses, three suitsâ.â
Letters from designers were revealing too. âThere are letters from Hartnell and Hardy Amies that she kept privately all her life. They were just tucked away in her desk. Hartnell would write: âall my team without fail will just do anything for youâ. There was this really strong bond, and through that, because she was able to wear these beautiful clothes she understood what went into making them.â
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Whatâs clear is âthis was someone who was deeply committed to their appearanceâ. She may have been practical, but she knew that how she looked to the outside world meant something. Itâs perhaps why, as Caroline says, most of us can still conjure her distinctive style. âYou can close your eyes and you can see it,â she says.
*Queen Elizabeth II: Her Life in Style is at [The King's Gallery](https://www.rct.uk/visit/the-kings-gallery-buckingham-palace) from 10 April 2026*
[Eleanor Steafel](https://www.houseandgarden.co.uk/profile/eleanor-steafel) is House and Gardenâs Lifestyle Director. She joined the magazine in 2026, having been a feature writer and recipe columnist at the Daily Telegraph for over a decade. Her first cookbook, The Art of Friday Night Dinner, was shortlisted for a Fortnum and Mason award for debut cookbook. ... [Read More](https://www.houseandgarden.co.uk/profile/eleanor-steafel)
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