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| Meta Title | Making Sense of the NFT Marketplace |
| Meta Description | NFTs, or non-fungible tokens, have become a major industry. But as with most emerging technologies, there are many competing platforms and approaches to growth, and it’s not always obvious which is the best fit for a given business. In this piece, the authors first argue that NFT platforms fall on a spectrum from streamlined (lower-cost, more-generic services) to augmented (higher-cost, more-specialized services), and that content creators should focus on those key differences when determining which platform to work with. They offer several examples to provide some inspiration to NFT industry newcomers, illustrating the wide variety of ways in which NFT platforms can add value to both buyers and sellers. Next, the authors suggest that unlike traditional market platforms such as Amazon, we’re unlikely to see a single victor emerge, both because of the fundamental openness of publicly-accessible blockchain technology, and because of the significant value offered by a variety of custom services. As such, the authors advise that both firms and individual creators should evaluate how the many options currently available and align with their unique business needs, and if a particular platform or strategy seems like a good opportunity, they should go ahead and give it a try. |
| Meta Canonical | null |
| Boilerpipe Text | Harvard Business Review Logo
November 18, 2021
HBR Staff/Andriy Onufriyenko/Getty Images
Non-fungible tokens (NFTs) may seem like a
passing craze
, but with over
$10 billion
traded in the third quarter of 2021 alone, it’s become clear that this emerging technology — a blockchain-based tool that enables anyone to monetize digital content — is growing into a major industry. In March of this year, musician 3LAU collaborated with crypto startup Origin Protocol to create a specialized platform to sell his new album as an NFT, where it ultimately sold for
$11.6 million
. Visual artist Beeple
famously sold
a tokenized digital artwork for $69 million through Christie’s auction house, and the NBA’s Top Shot, which is owned by crypto platform Dapper Labs and enables fans to buy and sell tokenized video clips of basketball game highlights, has generated over
$715 million
in transaction volume. |
| Markdown | [SKIP TO CONTENT](https://hbr.org/2021/11/making-sense-of-the-nft-marketplace#main)
[Strategy](https://hbr.org/topic/subject/strategy)\|Making Sense of the NFT Marketplace
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# Making Sense of the NFT Marketplace
by [Pavel Kireyev](https://hbr.org/search?term=Pavel%20Kireyev) and [Peter C. Evans](https://hbr.org/search?term=Peter%20C.%20Evans)
November 18, 2021

HBR Staff/Andriy Onufriyenko/Getty Images
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## Summary.
[Leer en español](https://hbr.org/2021/11/making-sense-of-the-nft-marketplace?language=es)[Ler em português](https://hbr.org/2021/11/making-sense-of-the-nft-marketplace?language=pt)
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Non-fungible tokens (NFTs) may seem like a [passing craze](https://hbr.org/podcast/2021/03/the-nft-craze-and-the-future-of-spotify-and-streaming-music), but with over [\$10 billion](https://www.cnbc.com/2021/10/06/nft-trading-volume-hit-10-billion-2-reasons-why-people-are-buying.html) traded in the third quarter of 2021 alone, it’s become clear that this emerging technology — a blockchain-based tool that enables anyone to monetize digital content — is growing into a major industry. In March of this year, musician 3LAU collaborated with crypto startup Origin Protocol to create a specialized platform to sell his new album as an NFT, where it ultimately sold for [\$11.6 million](https://www.businessinsider.com/nft-ultraviolet-3lau-first-ever-crypto-albums-sales-11-million-2021-3). Visual artist Beeple [famously sold](https://www.theverge.com/2021/3/11/22325054/beeple-christies-nft-sale-cost-everydays-69-million) a tokenized digital artwork for \$69 million through Christie’s auction house, and the NBA’s Top Shot, which is owned by crypto platform Dapper Labs and enables fans to buy and sell tokenized video clips of basketball game highlights, has generated over [\$715 million](https://dappradar.com/flow/collectibles/nba-topshot) in transaction volume.
[Pavel Kireyev](https://hbr.org/search?term=Pavel%20Kireyev&search_type=search-all) is an Assistant Professor of Marketing at INSEAD.
[Peter C. Evans](https://hbr.org/search?term=Peter%20C.%20Evans&search_type=search-all) is the Managing Partner at the Platform Strategy Institute, Chief Platform Officer of RCRDSHP and co-Chair of the MIT Platform Strategy Summit.
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| Readable Markdown | November 18, 2021

HBR Staff/Andriy Onufriyenko/Getty Images
Non-fungible tokens (NFTs) may seem like a [passing craze](https://hbr.org/podcast/2021/03/the-nft-craze-and-the-future-of-spotify-and-streaming-music), but with over [\$10 billion](https://www.cnbc.com/2021/10/06/nft-trading-volume-hit-10-billion-2-reasons-why-people-are-buying.html) traded in the third quarter of 2021 alone, it’s become clear that this emerging technology — a blockchain-based tool that enables anyone to monetize digital content — is growing into a major industry. In March of this year, musician 3LAU collaborated with crypto startup Origin Protocol to create a specialized platform to sell his new album as an NFT, where it ultimately sold for [\$11.6 million](https://www.businessinsider.com/nft-ultraviolet-3lau-first-ever-crypto-albums-sales-11-million-2021-3). Visual artist Beeple [famously sold](https://www.theverge.com/2021/3/11/22325054/beeple-christies-nft-sale-cost-everydays-69-million) a tokenized digital artwork for \$69 million through Christie’s auction house, and the NBA’s Top Shot, which is owned by crypto platform Dapper Labs and enables fans to buy and sell tokenized video clips of basketball game highlights, has generated over [\$715 million](https://dappradar.com/flow/collectibles/nba-topshot) in transaction volume. |
| Shard | 189 (laksa) |
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